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Comparison Audio-Technica PRO31 vs Audio-Technica PRO41

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Audio-Technica PRO31
Audio-Technica PRO41
Audio-Technica PRO31Audio-Technica PRO41
from $80.77 up to $98.64
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Main
"Quiet" button on / off MagnaLock. Two-stage capsule protection. Neodymium magnet HI-ENERGY. Wind protection. Cable included. Gold-plated XLR plug.
Microphonevocalvocal
Operating principledynamicdynamic
Specs
Microphone directivity
unidirectional
unidirectional
Directional pattern
cardioid
cardioid
Rated resistance600 Ohm300 Ohm
Frequency range60 – 13000 Hz90 – 16000 Hz
Sensitivity-55 dB-55 dB
Functions and connectors
Features
mute button
mute button
Connection
XLR
XLR
General
Cable length4.5 m4.5 m
Materialmetal
Size185x53x53 mm185x53x53 mm
Weight312 g304 g
In box
rack holder
detachable cable
case
rack holder
detachable cable
case
Color
Added to E-Catalognovember 2014november 2014

Rated resistance

Microphone AC impedance; this parameter is also called "impedance". This is one of the most important characteristics that determines compatibility with the amplifier or other device to which the microphone is connected: if the impedance is not optimal, there may be a loss in signal power. It has its own characteristics, depending on the purpose of a particular model (see above). So, for microphones used with computers, laptops, voice recorders and phones / tablets, the impedance may not be indicated at all — the characteristics of such models are selected in such a way as to ensure normal compatibility with the corresponding devices. But in professional audio equipment, special rules are used for selection; more details can be found in special sources.

Frequency range

The range of audio frequencies normally perceived and processed by a microphone.

The wider this range — the fuller the signal, the less likely that too high or low frequencies will be missed due to the imperfection of the microphone. However, in this case, it is worth considering some nuances. First of all: a wide frequency range in itself does not guarantee high sound quality — a lot also depends on the type of microphone (see above) and its frequency response, not to mention the quality of other components of the audio system. In addition, a large width is also not always really necessary. For example, for normal transmission of human speech, a range of 500 Hz — 2 kHz is considered sufficient, which is much narrower than the general range perceived by the human ear. This general range, in turn, averages from 16 Hz to 22 kHz, and also narrows with age. Do not forget about the features of the equipment to which the microphone is connected: it is hardly worth specifically looking for a model with an extensive range, if, for example, the amplifier to which it is planned to be connected severely “cuts off” the frequencies from above and/or below.

Material

The material from which the microphone body is made.

— Plastic. The main advantages of plastic are low cost, light weight and complete insensitivity to corrosion. At the same time, it is considered less reliable than metal, due to its relatively low strength (high-strength varieties of plastics exist, but in the case of microphones, it is usually easier to use metal after all). Therefore, this material is popular mainly among models for which lightness and miniature are important — primarily lapel, head and those that are installed on a video camera(see "Destination"). It is also often found in computer and laptop devices, but plastic microphones for vocals usually belong to the entry-level price category.

— Metal. Metal is more expensive than plastic and has more weight. On the other hand, metal microphones are much stronger and more reliable, besides, a microphone in such a case gives the impression of "solidity" (not least due to massiveness). This option is popular with mid to high end vocal, studio and instrument microphones.