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Comparison Sigma 105mm f/2.8 OS AF HSM EX DG Macro vs Sigma 105mm f/2.8 AF EX DG Macro

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Sigma 105mm f/2.8 OS AF HSM EX DG Macro
Sigma 105mm f/2.8 AF EX DG Macro
Sigma 105mm f/2.8 OS AF HSM EX DG MacroSigma 105mm f/2.8 AF EX DG Macro
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Lens typefixfix
Main functionportraitportrait
Macro photography
System
Canon
Nikon
Olympus
Minolta
Pentax
Sigma
Sony
 
Canon
Nikon
Olympus
Minolta
Pentax
Sigma
Sony
Panasonic
Mount
Canon EF
Nikon F
Pentax K
Sigma SA
Sony A
Canon EF
Nikon F
Pentax K
Sigma SA
Sony A
Specs
Focal length105 mm105 mm
Aperture valuef/2.8f/2.8
Viewing angles23.3°23.3°
Min. diaphragm22
45 /32 with Nikon and Pentax mount/
Minimum focus distance0.31 m0.31 m
Maximum zoom11
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Image stabilization
Design (elements/groups)16 elements in 11 groups11 elements in 10 groups
Number of diaphragm blades98
Filter diameter62 mm58 mm
Dimensions (diameter/length)78.3x126.4 mm74x97.5 mm
Weight457 g
Added to E-Catalogfebruary 2011november 2006

System

The system indicates which brand of cameras this lens is designed for. Manufacturers of photographic equipment often use original mounting systems in their cameras that are not always compatible with each other; therefore, for normal use, the lens must be originally designed for the corresponding system. At the same time, note that the actual compatibility will also depend on the mount (see "Bayonet (mount)"). At the same time, one system often includes several mounts (for example, Canon and Nikon); it happens vice versa — one mount can be used in several systems at once (for example, Micro 4/3 is used by both Olympus and Panasonic). In general, the optimal selection order is as follows: first clarify the compatibility of the lens with the system, then with a specific mount.

Also note that third-party manufacturers (who do not produce cameras and deal only with lenses) often produce models designed for several different systems at once. Such compatibility can be achieved both through a set of adapters (included in the package or sold separately), and through the release of different modifications of the same lens, differing only in mounts. The features of each such model should be specified separately.

Min. diaphragm

Aperture is a design of several blades-curtains, which allows, if necessary, to reduce the diameter of the active aperture of the lens, actually reducing its aperture (for more details, see "Aperture"). In addition to reducing the light output (which can be relevant, for example, in bright sunlight), closing the aperture has another effect — it increases the depth of field. In other words, “in focus” is a larger volume of space than with an open aperture.

The values on the aperture scale are usually selected from a standard range. The numbers in it actually indicate what aperture the lens will have when the aperture is closed to a given value: for example, an aperture value of 5.6 will correspond to f / 5.6 aperture. The larger the number indicating the minimum aperture value, the more options the photographer has and, accordingly, the possibilities for setting the shooting mode (ceteris paribus).

Image stabilization

The presence in the lens of its own image stabilization system. Such a system includes gyroscopes and movable lenses that compensate for small tremors of the lens and prevent the appearance of “shake”. Stabilization is especially relevant when shooting handheld, especially at slow shutter speeds and/or at long distances with high magnification: it is in such conditions that “shake” affects the quality of the image the most. At the same time, it should be taken into account that the presence of a stabilizer significantly affects the weight, dimensions and, above all, the price of optics; at the same time, some modern cameras have their own stabilization systems (due to matrix shift). Therefore, it makes sense to choose a lens with this function in the case when maximum protection against “shake” is of fundamental importance.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Number of diaphragm blades

The number of blades provided in the design of the diaphragm (for details, see "Minimum aperture"). In fact, this parameter is important when shooting scenes with pronounced bokeh (blurred background) and a small depth of field: the more petals the aperture has, the smoother the glare from out-of-focus objects will turn out, while with a small number of petals they can look like polygons. The number of aperture blades has almost no effect on other shooting parameters. Modern lenses have an average of 7-9 petals; the smoothing provided by them in most cases is considered quite sufficient.

Filter diameter

Thread diameter for installation on the filter lens. Light filters are devices for changing the parameters of the light flux entering the lens. They can be used for highlighting individual colours, coloring the entire image in one colour, darkening the image, correcting colour temperature and light balance, shooting in the infrared range, etc. Also, a light filter can play the role of protection against pollution. For successful installation on the lens, the diameter of the filter must match the diameter of the filter specified for this model of optics.
Sigma 105mm f/2.8 OS AF HSM EX DG Macro often compared