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Comparison Nikon 50mm f/1.8G AF-S Nikkor vs Nikon 50mm f/1.4G AF-S Nikkor

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Nikon 50mm f/1.8G AF-S Nikkor
Nikon 50mm f/1.4G AF-S Nikkor
Nikon 50mm f/1.8G AF-S NikkorNikon 50mm f/1.4G AF-S Nikkor
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Lens typefixfix
Main functionportraitportrait
DxOMark rating34
System
Nikon
Nikon
Mount
Nikon F
Nikon F
Specs
Focal length50 mm50 mm
Aperture valuef/1.8f/1.4
Viewing angles47°46
Min. diaphragm1616
Minimum focus distance0.45 m0.45 m
Maximum zoom0.150.15
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Design (elements/groups)7 elements in 6 groups8 elements in 7 groups
Number of diaphragm blades79
Filter diameter58 mm58 mm
Dimensions (diameter/length)72x52.5 mm73.5x54 mm
Weight185 g280 g
Added to E-Catalogapril 2011september 2008

DxOMark rating

The result shown by the lens in the DxOMark rating.

DxOMark is one of the most popular and authoritative resources for expert testing of photography devices. According to the test results, the lens receives a certain number of points; The more points, the higher the final score.

Aperture value

Lens aperture is a characteristic that determines how much the lens attenuates the light flux passing through it. It depends on two main characteristics — the diameter of the active aperture of the lens and the focal length — and in the classical form is written as the ratio of the first to the second, while the diameter of the active aperture is taken as a unit: for example, 1 / 2.8. Often, when recording the characteristics of a lens, the unit is generally omitted, such a record looks, for example, like this: f / 1.8 or f/2.0. At the same time, the larger the number in the denominator, the smaller the aperture value: f / 4.0 lenses will produce a darker image than models with f / 1.4 aperture.

Zoom lenses usually have different aperture values for different focal lengths. In this case, the characteristics indicate two aperture values, for the minimum and maximum focal lengths, respectively, for example: f / 4.5-5.6

The larger the aperture of the lens, the shorter shutter speeds it allows you to use when shooting. This is especially important when shooting fast-moving subjects, shooting in low light, etc. And if necessary, the light stream transmitted by the lens can be weakened using a diaphragm (see below).

Another point that directly depends on this indicator is the depth o...f field (the depth of space that is in focus when shooting). The higher the aperture, the smaller the depth of field, and vice versa. Therefore, shooting with artistic background blur (bokeh) requires high-aperture optics, and for a large depth of field, you have to cover the aperture.

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Number of diaphragm blades

The number of blades provided in the design of the diaphragm (for details, see "Minimum aperture"). In fact, this parameter is important when shooting scenes with pronounced bokeh (blurred background) and a small depth of field: the more petals the aperture has, the smoother the glare from out-of-focus objects will turn out, while with a small number of petals they can look like polygons. The number of aperture blades has almost no effect on other shooting parameters. Modern lenses have an average of 7-9 petals; the smoothing provided by them in most cases is considered quite sufficient.
Nikon 50mm f/1.8G AF-S Nikkor often compared
Nikon 50mm f/1.4G AF-S Nikkor often compared