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Comparison Canon EOS 800D 18-55 vs Canon EOS 760D kit 18-55

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Canon EOS 800D  18-55
Canon EOS 760D  kit 18-55
Canon EOS 800D 18-55Canon EOS 760D kit 18-55
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from $640.00 up to $1,060.00
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Main
Dual Pixel CMOS AF technology. Confident work at high ISO. Large memory buffer. Educational menu interface for beginner photographers. Touch rotary display.
The design of the case and controls is in the spirit of the more advanced EOS 70D. High-end Digic 6 processor. Tracking autofocus and HDR function are available when shooting movies. Automatic switching between screen and viewfinder.
Camera typedigital mirrordigital mirror
DxOMark rating70
Sensor
Sensor
CMOS (CMOS) /22.5x15 mm/
CMOS (CMOS)
Sensor size
APS-C (23x15.5 mm) /dIGIC 7 processor/
APS-C (23x15.5 mm) /22.3x14.9 mm/
Total MP25.824.7
Effective MP number24.224.2
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)
100-25600 /hardware ISO up to 51200/
100-12800 /hardware expandable up to 25600 ISO/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18 - 55 mm18 - 55 mm
Optical zoom33
Manual focus
Image stabilizationis absentis absent
Photo shooting
Number of scene programs11
Frames per series (JPEG)940 шт
Frames per series (RAW)9 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 3 (3 frames at 1/3 EV, 1/2 EV steps)/
 /± 2 (3 frames at 1/3 EV, in 1/2-stop increments)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps
Video scene modes1
File recording formatsMPEG-4, H.264MPEG-4, H.264
Manual video focus
Maximum video length
 
 
time limit /30 min/
memory limit /4 GB/
Connection ports
HDMI v 1.4
microphone Jack
mini HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points45 шт19 шт
Touch focus
Viewfinder and shutter
Viewfinderoptical (mirror)optical (mirror)
Viewfinder crop0.82 x0.82 x
Frame coverage95 %95 %
Shutter speed30-1/4000 с30 - 1/4000 с
Continuous shooting6 fps5 fps
Shutter typemechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
Memory cards types
SD, SDHC, SDXC /UHS-I/
SD, SDHC, SDXC /UHS-I/
Communications
Wi-Fi 4 (802.11n)
Bluetooth
NFC
smartphone control
Wi-Fi 4 (802.11n)
 
NFC
smartphone control
Flash
Built-in flash
Guide number1212
Application range12 m
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E17LP-E17
Shots per charge600 шт440 шт
General
Material
aluminium / plastic /aluminium and polycarbonate polymer with fibreglass/
aluminium / plastic /stainless steel and polycarbonate polymer with fibreglass/
Dimensions (WxHxD)131х100х76 mm132х111х78 mm
Weight737 g770 g
Color
Added to E-Catalogfebruary 2017february 2015

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Video scene modes

The number and / or types of scene programs for shooting videos provided in the design of the camera.

Scene programs are a set of presets designed for different shooting situations - for example, in sunlight, on a cloudy day, in a darkened room, etc. Also, this list may include other specific modes - for example, creative tools. In any case, the presence of scene programs facilitates the choice of video shooting parameters, which is very useful for novice users.

Maximum video length

Restrictions on the length of the recorded video provided in the design of the camera. In some models, the recording time is limited in time (for example, 30 minutes) — thus, to record a longer video, it will have to be split into separate clips. In others, the duration depends only on the amount of free memory — you can record as long as there is enough space. There is also a combination of these options; in such models, video recording stops as soon as either of the two limits is reached.
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