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Comparison GoPro Lit Hero vs GoPro MAX2

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GoPro Lit Hero
GoPro MAX2
GoPro Lit HeroGoPro MAX2
Compare prices 15Compare prices 17
TOP sellers
Built-in flash/lighting. Voice commands (8 commands, 11 languages). Fold-out magnetic brackets (mount). Replaceable lens protector.
360 video capture at 8K 30 fps. Max HyperSmooth electronic stabilization. Built-in mounting with folding fingers. Integration of AI tools. Voice commands (13 commands, 11 languages).
Compared to GoPro Max, 8K video recording and 10-bit color have been added. It features interchangeable lenses and a new Enduro battery. There’s improved audio, Bluetooth microphones, and higher frame rates at 4K.
Product typeaction camera360° camera
Body typeconventionalconventional
Thread 1/4" (for tripod)
Dust-, moisture-proof cameraIPX8IPX8
Filming
Full HD (1080p)1920x1080 px 60 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 60 fps3328x1664 px, 60 fps
Shooting above 4K7680x3840 px 30 fps
Slow motion100 fps
Field of view180 °
Digital stabilization
Detachable lenses
Sound recording
Noise cancelation
Microphones22
Megapixels1229
Sensor1/2.8"1/2.3"
Aperturef/2.3f/1.8
Photo resolution4000x3000 px
Capabilities
serial photo shoot
one click recording
time lapse
serial photo shoot
time lapse
auto-rotate
photo panoramas
night shooting
Features
Display
IPS
touch
2 "
touch
Connection
Wi-Fi 5 (802.11ac)
Bluetooth
USB-C
GPS
Wi-Fi 5 (802.11ac)
Bluetooth
USB-C
Speaker
Voice control
Max. memory card capacity128 GB
Battery
Typenon-removableremovable
Battery modelGoPro Enduro
Capacity1255 mAh1960 mAh
General
In box
helmet mount
 
Magnetic mount
Dimensions56.6x48.4x29.45 mm69.7x64x48.7 mm
Weight93 g195 g
Operating temperature-10°C ~ +35°C-10°C ~ +35°C
Color
Added to E-Catalogseptember 2025september 2025
Compare GoPro Lit Hero and MAX2
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Glossary

Product type

Action camera. In other words, all models that are not panoramic or 360° cameras (see below). Note that in some models, the viewing angle can be 180 ° or even more. The difference from panoramic cameras in such cases is that action cameras do not shoot panoramas.

Panoramic camera. A type of action camera designed for shooting panoramic photos and videos. A distinctive feature of this type of camera is the fisheye lens protruding from the body. Such a lens completely covers the hemisphere in front of it, which provides interesting additional features: for example, by installing such a camera with the lens up under the windscreen of a car, you can capture both what is happening on the road and the behaviour of the driver and passengers at the same time. When viewing ready-made panoramas, the user can shift the image at will, directing his gaze in any direction within this hemisphere (this applies to both photos and videos); also similar photos and videos are well suited for viewing in virtual reality glasses.

360° camera. Further development of the idea of the panoramic cameras described above: devices that have several lenses and can cover the surrounding space completely or almost completely, 360° along any axis. Most 360° cameras are equipped with two lenses on opposite sides of the body. However, there are models with 4 and even 6 lenses (see "...Lenses" for more details). Anyway, cameras of this type provide maximum coverage but are not cheap.

Ultra HD (4K)

The ability of the camera to shoot Ultra HD 4K video.

This format covers several resolutions in which the horizontal frame size is approximately 4K pixels. The most popular in action cameras is 3840x2160 (twice the FullHD frame on each side), but there are other options — for example, 3840x1920, corresponding to an aspect ratio of 2:1. In general, 4K is a kind of successor to Full HD: among HD standards that surpass Full HD, UltraHD is the most popular, in particular, many advanced TVs are produced with 3840x2160 screens. On the other hand, this format is quite demanding in terms of processing power and memory, so it is relatively rare in action cameras, mainly among premium models.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. However, in UltraHD mode, most modern action cameras produce a very low frame rate — most often 30 fps, and in some models 24 fps or even 15 fps. This video is quite viewable, but fast movement in the frame may look blurry. There are cameras capable of shooting UltraHD at a solid speed of 60 fps — the blurring effect during such shooting is almost imperceptible. However, such a model cost is high.

Shooting above 4K

The maximum resolution and frame rate of video taken by the camera in a standard higher than 4K. Since such formats have not yet become widespread, the number of devices with the corresponding resolution is not so large.

Slow motion

Frame rate supported by the camera when shooting in slow motion.

In general, such shooting is called “high-speed” because it is carried out at an increased frame rate (more than 60 fps). As a result, when played back at normal speed (60 fps and below), the video looks slow hence the name. This kind of slow-motion can be used just for fun, as an artistic technique, and even for scientific purposes — to capture movement that is too fast for the human eye. In any case, the higher the slow-mo frame rate, the more you can slow down the video and the more advanced the camera is in this regard. On the other hand, the higher the frame rate, the more performant the graphics part should be; and this, in turn, affects the price of the device, sometimes quite noticeably.

We also note that slow-mo shooting may be available only at certain resolutions, not always at maximum. These points can be directly specified in the specs of the action camera.

Field of view

For models with several lenses, as a rule, this parameter is indicated for each lens.

Most often (unless otherwise indicated), the specifications indicate the field of view by the diagonal of the frame; in some ultra-wide-angle lenses it can exceed 180°. A special case is made up of lenses for which a 360° view is declared: this means that the optics cover the entire hemisphere in front of it. Such lenses are found in panoramic and 360-degree cameras (see “Product type”).

In general, the field of view primarily determines what area of the scene is being captured into the frame. Accordingly, the wider it is, the more space the camera captures, and the lower the likelihood that something that is happening will be off-screen. On the other hand, it is worth considering that a strong increase in the field of view leads to distortions of the “picture”, especially at the edges, as well as, to a decrease in the size of visible objects and a decrease in detail. Detailed recommendations regarding choosing a camera based on this parameter can be found in special sources.

Detachable lenses

By “interchangeable lens” we mean the kit includes proprietary modules. They install in place of the protective glass and deliver different image looks without any DIY tinkering. In practice, it’s a quick switch from an insanely wide POV on the trail to macro for gear details or a cinematic city vlog — with full stabilization compatibility and no risk to weather sealing, unlike third‑party add‑on adapters.

Megapixels

The number of megapixels in the action camera sensor, in other words, the resolution of this sensor(1 megapixel is 1 million photosensitive points).

There is an opinion that the higher the resolution, the better the image quality. It is true from the point of view that manufacturers are trying to install high-resolution sensors in advanced cameras. At the same time, there are no strict dependencies here, and from the technical point of view, the number of megapixels determines only the maximum image resolution that can be captured using this sensor. The quality of this picture will depend both on several features of the sensor itself (size, type, special design solutions), and the specs of the camera. So when choosing, you should focus not so much on the resolution of the image sensor, but on the general class of the camera and reviews with examples of footage.

Sensor

Additional information regarding the sensor installed in the lens. This item can specify both the diagonal size (in inches) and the sensor model, and sometimes both parameters at once. Anyway, such data is provided only if the device is equipped with a high-class image sensor. With the model, everything is quite simple: knowing the name of the sensor, you can find detailed data on it.

The diagonal of the image sensor is traditionally indicated in fractions of an inch — accordingly, for example, a 1/2.3" sensor will be larger than 1/2.6". Larger sensors are considered more advanced, as they allow for better image quality at the same resolution. This is because due to the larger sensor area, each pixel is also larger and receives more light, which improves sensitivity and reduces noise. Of course, the actual image quality will also depend on several other parameters, but in general, a larger sensor size usually means a more advanced camera.

Aperture

Action camera optics aperture. This characteristic determines how much the lens weakens the light flux passing through it. This parameter is indicated by a fraction, for example, f/2.8. The smaller the number in such a designation, the higher the aperture ratio and the more light the lens can transmit. A high aperture ratio is important, first of all, when shooting in low light conditions: it allows you to capture an image without “raising” the sensitivity of the matrix and without creating additional artefacts in the form of noise, and in photo mode, it also allows you to work with shorter shutter speeds (which is useful for dynamic scenes). In addition, the higher the aperture ratio, the lower the depth of field and the easier it is to get a blurred background. Note that for simple shooting scenarios, this parameter does not play a decisive role, but for professional tasks, it can be very significant.