Comparison Hisense 65U8Q vs Hisense 65E8Q
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|---|---|---|
| Hisense 65U8Q | Hisense 65E8Q | |
from $1,336.48 | Outdated Product | |
| User reviews | ||
| TOP sellers | ||
Pantone certification. USB-C port with support for video transmission and charging up to 10W. Can operate at 288Hz in FHD mode. Remote with solar panel. Supports VIDAA Voice. Adjustable stand height. Built-in light sensor. SDR to HDR conversion. | Conversion of SDR to HDR. Built-in light sensor. Support for VIDAA Voice. Can operate at 240 Hz in FHD mode. | |
| Size | 65 " | 65 " |
| Operating system | Smart TV (proprietary system) | Smart TV (proprietary system) |
Display | ||
| Matrix | QLED | QLED |
| Backlight type | Mini LED | Mini LED |
| Screen surface | anti-glare | glossy |
| Resolution | 3840x2160 px | 3840x2160 px |
| Upscaling | up to 4K | up to 4K |
| Brightness | 770 cd/m² | 450 cd/m² |
| Static contrast | 5 000:1 | 5 000:1 |
| Response time | 8 ms | 6.5 ms |
| Frame rate | 100/120 Hz | 100/120 Hz |
| Frame rate (game mode) | 165 Hz | 144 Hz |
| Colour gamut DCI-P3 | 95 % | 90 % |
| HDR support | HDR10+, Dolby Vision | HDR10, Dolby Vision |
| IMAX Enhanced | ||
| AMD compatible | AMD FreeSync Premium Pro | AMD FreeSync Premium |
| Pantone Certification | ||
Multimedia | ||
| Sound power | 90 W | 40 W |
| Number of speakers | 6 | 2 |
| Subwoofer | ||
| Audio decoders | Dolby Atmos | Dolby Atmos |
| Digital tuner | DVB-T2 (terrestrial) DVB-C (cable) DVB-S (satellite) DVB-S2 (satellite) | DVB-T2 (terrestrial) DVB-C (cable) DVB-S (satellite) DVB-S2 (satellite) |
Features | ||
| Features | AirPlay 2 Wi-Fi 6E (802.11ax) Miracast Bluetooth v5.3 voice control | AirPlay 2 Wi-Fi 5 (802.11ac) Miracast Bluetooth v5.0 voice control |
Connectors | ||
| HDMI | 3 | 4 |
| HDMI version | v 2.1 | v 2.1 |
| HDMI technologies | eARC, ALLM, VRR | eARC, ALLM, VRR |
| Additional inputs | USB-A 2 pcs LAN composite AV input USB-C (DisplayPort Alt Mode) | USB-A 2 pcs LAN composite AV input |
| Outputs | mini-Jack (3.5 mm) headphones optical | mini-Jack (3.5 mm) headphones optical |
General | ||
| Wall mount | VESA 400x400 mm | VESA 400x400 mm |
| Stand shape | 1 leg on the platform | monolithic |
| Power consumption | 83 W | 84 W |
| Energy efficiency class (new) | E | E |
| Dimensions (WxHxD) | 1448x914x290 mm | 1446x896x326 mm |
| Dimensions without stand (WxHxD) | 1448x838x45 mm | 1446x836x76 mm |
| Weight | 29.2 kg | 19.8 kg |
| Color | ||
| Added to E-Catalog | july 2025 | july 2025 |
Compare Hisense 65U8Q and 65E8Q
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Glossary
Screen surface
The type of coating used on the TV screen.
— Matte. Historically, the first type of coating for LCD screens, which is often found today. Screens with such a coating generally have average characteristics of brightness, saturation and colour reproduction quality, in terms of these indicators they are inferior to glossy counterparts. However, the matte coating has one important advantage: it has virtually no glare from ambient light. In some situations, this can be an important advantage — for example, if the TV is installed opposite the window. And for some users it is more pleasant to look at the screen without glare, albeit relatively dim.
— Glossy. A coating designed to improve the brightness and colour quality of the visible image compared to matte screens. The creators have managed to achieve this goal: "glossy" screens really provide rich, vibrant colours and a brighter image. The key disadvantage of such screens is the appearance of glare from ambient light on them — this can ruin the whole viewing experience. Because of this, the classic glossy coating is practically not used today, anti-glare solutions have taken its place (see below).
— Glossy (anti-glare). Modification of the glossy coating, created, as the name implies, in order to eliminate the main drawback of the classic gloss — glare from external lighting. This is not to say th...at such screens do not glare at all, but there are much less reflections on them than on ordinary glossy ones. As for the image quality, it is at least not much worse, and often even better (especially since such coatings are constantly being improved). Thanks to all this, most modern TVs of all price categories are equipped with anti-glare screens.
— Matte. Historically, the first type of coating for LCD screens, which is often found today. Screens with such a coating generally have average characteristics of brightness, saturation and colour reproduction quality, in terms of these indicators they are inferior to glossy counterparts. However, the matte coating has one important advantage: it has virtually no glare from ambient light. In some situations, this can be an important advantage — for example, if the TV is installed opposite the window. And for some users it is more pleasant to look at the screen without glare, albeit relatively dim.
— Glossy. A coating designed to improve the brightness and colour quality of the visible image compared to matte screens. The creators have managed to achieve this goal: "glossy" screens really provide rich, vibrant colours and a brighter image. The key disadvantage of such screens is the appearance of glare from ambient light on them — this can ruin the whole viewing experience. Because of this, the classic glossy coating is practically not used today, anti-glare solutions have taken its place (see below).
— Glossy (anti-glare). Modification of the glossy coating, created, as the name implies, in order to eliminate the main drawback of the classic gloss — glare from external lighting. This is not to say th...at such screens do not glare at all, but there are much less reflections on them than on ordinary glossy ones. As for the image quality, it is at least not much worse, and often even better (especially since such coatings are constantly being improved). Thanks to all this, most modern TVs of all price categories are equipped with anti-glare screens.
Brightness
The maximum brightness of the image provided by the TV screen.
The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.
Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.
The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.
Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.
Response time
The response time can be described as the maximum time required for each pixel of the screen to change brightness, in other words, the longest time from the receipt of a control signal to the pixel until it switches to the specified mode. The actual switching time may be less — if the brightness changes slightly, it can be calculated in microseconds. However, it is the longest time that matters — it describes the guaranteed response speed of each pixel.
First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.
First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.
Frame rate (game mode)
The maximum frequency at which the TV can operate at its primary screen resolution. Models with a high refresh rate, such as 144 or 165 Hz, can generally achieve it only when Game Mode is activated. In Game Mode, heavy image processing is disabled, which reduces input lag, frees up CPU resources, and allows the panel to render more frames per second — movements become smoother, making it easier to track targets in shooters and turns in racing games.
Colour gamut DCI-P3
Color gamut describes the range of colors that can be displayed on a screen. It is indicated in percentages, but not relative to the entire variety of visible colors, rather to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. Nevertheless, the larger the color gamut, the broader the screen's capabilities, and the better its color reproduction quality.
DCI-P3 is an advanced color model mainly used in digital cinemas. It is significantly wider than the standard sRGB, providing more accurate and realistic colors. However, in practice, this model is primarily used for professional filmmaking and other tasks of a similar level. This is why televisions with this standard display movies and series as close as possible to the director's vision.
DCI-P3 is an advanced color model mainly used in digital cinemas. It is significantly wider than the standard sRGB, providing more accurate and realistic colors. However, in practice, this model is primarily used for professional filmmaking and other tasks of a similar level. This is why televisions with this standard display movies and series as close as possible to the director's vision.
HDR support
TV support for high dynamic range technology — HDR.
This technology is designed to expand the range of brightness reproduced by the TV; Simply put, an HDR model will display brighter whites and darker blacks than a regular TV. In fact, this means a significant improvement in colour quality. On the one hand, HDR provides a very "live" image, close to what the human eye sees, with an abundance of shades and tones that a normal screen cannot convey; on the other hand, this technology allows to achieve very bright and rich colours.
However for the full use of this feature, you need not only an HDR TV, but also content (movies, TV broadcasts, etc.) that was originally created for HDR. Also note that there are several different HDR technologies that are not compatible with each other. Therefore, when buying a TV with this feature, it is highly advisable to clarify which version of HDR it supports (HDR10, HDR10 + or Dolby Vision). And the following are found:
— HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content, and it is also common for Blu-ray discs. Allows to work with a colour depth of 10 bits (hence the name). At the same time, devices of this format are also compatible wi...th content in HDR10+, although its quality will be limited by the capabilities of the original HDR10.
— HDR10+. An improved version of HDR10. With the same colour depth (10 bits), it uses the so-called dynamic metadata, which allows transmitting information about the colour depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in colour reproduction.
– Dolby Vision. An advanced standard used particularly in professional cinematography. Allows to achieve a colour depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream — HDR and standard (SDR). At the same time, Dolby Vision is based on the same technology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10+.
This technology is designed to expand the range of brightness reproduced by the TV; Simply put, an HDR model will display brighter whites and darker blacks than a regular TV. In fact, this means a significant improvement in colour quality. On the one hand, HDR provides a very "live" image, close to what the human eye sees, with an abundance of shades and tones that a normal screen cannot convey; on the other hand, this technology allows to achieve very bright and rich colours.
However for the full use of this feature, you need not only an HDR TV, but also content (movies, TV broadcasts, etc.) that was originally created for HDR. Also note that there are several different HDR technologies that are not compatible with each other. Therefore, when buying a TV with this feature, it is highly advisable to clarify which version of HDR it supports (HDR10, HDR10 + or Dolby Vision). And the following are found:
— HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content, and it is also common for Blu-ray discs. Allows to work with a colour depth of 10 bits (hence the name). At the same time, devices of this format are also compatible wi...th content in HDR10+, although its quality will be limited by the capabilities of the original HDR10.
— HDR10+. An improved version of HDR10. With the same colour depth (10 bits), it uses the so-called dynamic metadata, which allows transmitting information about the colour depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in colour reproduction.
– Dolby Vision. An advanced standard used particularly in professional cinematography. Allows to achieve a colour depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream — HDR and standard (SDR). At the same time, Dolby Vision is based on the same technology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10+.
AMD compatible
TV compatibility with special frame synchronization technologies used in AMD graphics cards.
You should pay attention to this parameter if you plan to use the TV as a gaming monitor for a PC or laptop with an AMD graphics adapter. Special timing technologies are used to match the screen refresh rate to the frame rate of the incoming video signal. Such a need arises for the reason that the frame rate issued by the graphics card can “float” when the load on the video adapter changes (this is especially true for demanding games); and if this frequency does not match the screen refresh rate – tears and other unwanted artifacts appear on the image.
The AMD technology used to eliminate this effect is called FreeSync. Nowadays, it is presented on the market in three versions — the original FreeSync and two extended ones:
– AMD FreeSync Premium Pro. The most advanced and functional version, formerly known as AMD FreeSync 2 HDR. In addition to refresh rate sync, it also includes support for HDR (see above), output at a frame rate of at least 120 Hz at Full HD resolution, as well as low frame rate compensation (LFC). The essence of LFC is that when the frame rate of the original video signal falls below the minimum frequency supported by the screen, the same frame is displayed on the screen several times, which allows to maintain the maximum smoothness of the “picture”.
— AMD FreeSync Premium. A somewhat s...implified version compared to FreeSync Premium Pro. It does not provide working with HDR, otherwise it is completely similar.
You should pay attention to this parameter if you plan to use the TV as a gaming monitor for a PC or laptop with an AMD graphics adapter. Special timing technologies are used to match the screen refresh rate to the frame rate of the incoming video signal. Such a need arises for the reason that the frame rate issued by the graphics card can “float” when the load on the video adapter changes (this is especially true for demanding games); and if this frequency does not match the screen refresh rate – tears and other unwanted artifacts appear on the image.
The AMD technology used to eliminate this effect is called FreeSync. Nowadays, it is presented on the market in three versions — the original FreeSync and two extended ones:
– AMD FreeSync Premium Pro. The most advanced and functional version, formerly known as AMD FreeSync 2 HDR. In addition to refresh rate sync, it also includes support for HDR (see above), output at a frame rate of at least 120 Hz at Full HD resolution, as well as low frame rate compensation (LFC). The essence of LFC is that when the frame rate of the original video signal falls below the minimum frequency supported by the screen, the same frame is displayed on the screen several times, which allows to maintain the maximum smoothness of the “picture”.
— AMD FreeSync Premium. A somewhat s...implified version compared to FreeSync Premium Pro. It does not provide working with HDR, otherwise it is completely similar.
Pantone Certification
Pantone Certificate for the television confirms that the screen is capable of accurately displaying colors that meet Pantone standards, ensuring a more realistic and precise color reproduction. This is especially important for viewing content where color accuracy is critical, such as in movies, when viewing photographs, or playing games, where it is important to convey the full richness and detail of original hues. Televisions with this certificate offer enhanced image quality, guaranteeing brighter and more accurate colors compared to standard models. Devices with Pantone certification are also suitable for working with graphics and multimedia projects.
Sound power
The nominal power of the sound produced by the TV's sound system.
The larger the screen and the greater the estimated distance to the viewer, the more powerful the sound system must be in order to be heard normally. Manufacturers take this moment into account, moreover, most often they also provide a solid volume margin. So if a TV is bought for home viewing in a quiet, calm environment, you can not pay much attention to the sound power: it is guaranteed to be enough for such a usage. It makes sense to specifically look for models with high-power speakers for a noisy environment — for example, a cafe or other public space. Detailed recommendations on this matter can be found in special sources, but here we note that even in such cases, connecting external speakers can be a good alternative.
The larger the screen and the greater the estimated distance to the viewer, the more powerful the sound system must be in order to be heard normally. Manufacturers take this moment into account, moreover, most often they also provide a solid volume margin. So if a TV is bought for home viewing in a quiet, calm environment, you can not pay much attention to the sound power: it is guaranteed to be enough for such a usage. It makes sense to specifically look for models with high-power speakers for a noisy environment — for example, a cafe or other public space. Detailed recommendations on this matter can be found in special sources, but here we note that even in such cases, connecting external speakers can be a good alternative.








