Comparison Hisense 65U8Q vs TCL 65C845
Add to comparison | ![]() | ![]() |
|---|---|---|
| Hisense 65U8Q | TCL 65C845 | |
from $1,336.48 | Outdated Product | |
| User reviews | ||
| TOP sellers | ||
Pantone certification. USB-C port with support for video transmission and charging up to 10W. Can operate at 288Hz in FHD mode. Remote with solar panel. Supports VIDAA Voice. Adjustable stand height. Built-in light sensor. SDR to HDR conversion. | ||
| Size | 65 " | 65 " |
| Operating system | Smart TV (proprietary system) | Google TV (Android TV) |
Display | ||
| Matrix | QLED | QLED |
| Backlight type | Mini LED | Mini LED |
| Screen surface | anti-glare | anti-glare |
| Resolution | 3840x2160 px | 3840x2160 px |
| Upscaling | up to 4K | up to 4K |
| Brightness | 770 cd/m² | 2000 cd/m² |
| Static contrast | 5 000:1 | |
| Dynamic contrast | 6 000:1 | |
| Response time | 8 ms | |
| Frame rate | 100/120 Hz | 100/120 Hz |
| Frame rate (game mode) | 165 Hz | |
| Colour gamut DCI-P3 | 95 % | |
| HDR support | HDR10+, Dolby Vision | HDR10+, Dolby Vision |
| IMAX Enhanced | ||
| AMD compatible | AMD FreeSync Premium Pro | AMD FreeSync Premium Pro |
| Pantone Certification | ||
Multimedia | ||
| Speaker system | ONKYO | |
| Sound power | 90 W | 40 W |
| Number of speakers | 6 | 2 |
| Subwoofer | ||
| Audio decoders | Dolby Atmos | Dolby Atmos, DTS |
| Digital tuner | DVB-T2 (terrestrial) DVB-C (cable) DVB-S (satellite) DVB-S2 (satellite) | |
| Picture-in-picture | ||
Features | ||
| Features | AirPlay 2 Wi-Fi 6E (802.11ax) Miracast Bluetooth v5.3 voice control | AirPlay 2 Wi-Fi 6 (802.11ax) Miracast Bluetooth v5.2 voice control Amazon Alexa Google Assistant |
Connectors | ||
| HDMI | 3 | 4 |
| HDMI version | v 2.1 | v 2.1 |
| HDMI technologies | eARC, ALLM, VRR | VRR, ALLM, eARC |
| Additional inputs | USB-A 2 pcs LAN composite AV input USB-C (DisplayPort Alt Mode) | USB-A LAN composite AV input |
| Outputs | mini-Jack (3.5 mm) headphones optical | optical |
General | ||
| Wall mount | VESA 400x400 mm | VESA 400x400 mm |
| Stand shape | 1 leg on the platform | monolithic |
| Power consumption | 83 W | |
| Energy efficiency class (new) | E | |
| Dimensions (WxHxD) | 1448x914x290 mm | 1446x903x319 mm |
| Dimensions without stand (WxHxD) | 1448x838x45 mm | 1446x832x76 mm |
| Weight | 29.2 kg | 26 kg |
| Color | ||
| Added to E-Catalog | july 2025 | may 2023 |
Compare Hisense 65U8Q and TCL 65C845
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Glossary
Operating system
— Smart TV (own system). The operating system of the TV is represented by the manufacturer's proprietary software shell. Usually, such operating systems have an attractive and understandable menu, similar to a traditional Smart TV. A proprietary operating system is developed by the manufacturer for the hardware resources of a particular TV model or a whole line. But, as practice shows, compared to the classic Smart TV, the functionality of its own system often has significant limitations, and the system itself, in fact, is a stripped-down version of a full-fledged Smart TV.
— Smart TV (Android AOSP). This type of operating system is a modification of the popular Android OS, mainly notable for being open source. It is a versatile operating system that gives the user much more freedom to create changes and customizations within the system itself. At the same time, the installation and stability of certain applications on this platform are not guaranteed, and the overall system management was not specially “tailored” for large screens, which may cause some inconvenience. First of all, such solutions will arouse interest among users who understand the features of the Android OS, like to customize and control everything for themselves, and have time for this.
— Android TV. TVs of this type boast full-fledged Android TV software, specially adapted to work on...large screens. In accordance with the name, it is a kind of Android OS, specially “sharpened” for TVs / projectors, etc. In addition to the common features of all “Androids” (such as the ability to install additional applications, including even games), it has a number of special features: optimized interface, integration with smartphones (including the ability to use them as a remote control), voice search, etc. Thanks to this, TVs with this feature are significantly superior in functionality to models with a “regular” Smart TV. Of course, a dedicated processor, graphics subsystem and memory are provided for the operation of a multifunctional OS, and the presence of such hardware resources is reflected in the total cost of the TV. Given the same optical design, models with Android TV will cost more than classic devices with a simple multi-line menu.
— Google TV. Rebranding of the Android TV platform for TVs and smart set-top boxes, or rather, a new shell on top of the operating system under the sign of the “green droid”, introduced since 2021. Among the innovations, it has a redesigned user interface, an improved knowledge base that more efficiently distributes content by genre and collects search information from the entire list of installed applications and subscriptions. The voice assistant now understands the needs of the audience better and provides a detailed list of what was found. A separate tab in the interface contains live broadcasts of current events, whether it be sports events or a rocket launch to Mars. Among other things, the aspects that involve the use of TV as a command post for managing a single ecosystem of a “smart” home have been improved in the system.
Brightness
The maximum brightness of the image provided by the TV screen.
The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.
Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.
The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.
Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.
Static contrast
The level of static contrast provided by the TV screen.
Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Static contrast, on the other hand, describes the maximum difference in brightness that can be achieved within one frame without changing the brightness of the image — this is its difference from dynamic contrast (see below).
The values of static contrast are much lower than those of dynamic, but this characteristic is the most "honest". It is on it that the properties of the image seen on the screen at a particular moment depend, it is describes the basic properties of the screen, without taking into account the software tricks provided by the manufacturer in the hardware of the TV.
Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Static contrast, on the other hand, describes the maximum difference in brightness that can be achieved within one frame without changing the brightness of the image — this is its difference from dynamic contrast (see below).
The values of static contrast are much lower than those of dynamic, but this characteristic is the most "honest". It is on it that the properties of the image seen on the screen at a particular moment depend, it is describes the basic properties of the screen, without taking into account the software tricks provided by the manufacturer in the hardware of the TV.
Dynamic contrast
The level of dynamic contrast provided by the TV screen.
Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Formally, the main characteristic of screens is static contrast (see above), but even in advanced matrices it is relatively low. Therefore, manufacturers went to the trick, introducing such a characteristic as "dynamic contrast".
Dynamic contrast ratio is the difference between the brightest whites at the highest screen brightness settings and the darkest blacks at the lowest. These contrast ratios can be quite impressive—much higher than static—however, it is impossible to achieve such values within a single frame, and dynamic contrast ratio is stated more for promotional purposes than for describing the actual specifications of the screen. However, it cannot be said that this indicator is completely unrelated to reality. The fact is that many TVs use automatic brightness control, which changes the settings depending on the characteristics of the image. This control is based on the fact that when displaying bright scenes, there is no need to provide a deep black level, and in dark scenes, high brightness of light areas is not needed — th...ese are the features of the human eye. This means that in bright scenes you can increase the overall brightness, and in dark scenes you can reduce it; the maximum brightness difference achievable in this mode of operation is precisely described by dynamic contrast.
Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Formally, the main characteristic of screens is static contrast (see above), but even in advanced matrices it is relatively low. Therefore, manufacturers went to the trick, introducing such a characteristic as "dynamic contrast".
Dynamic contrast ratio is the difference between the brightest whites at the highest screen brightness settings and the darkest blacks at the lowest. These contrast ratios can be quite impressive—much higher than static—however, it is impossible to achieve such values within a single frame, and dynamic contrast ratio is stated more for promotional purposes than for describing the actual specifications of the screen. However, it cannot be said that this indicator is completely unrelated to reality. The fact is that many TVs use automatic brightness control, which changes the settings depending on the characteristics of the image. This control is based on the fact that when displaying bright scenes, there is no need to provide a deep black level, and in dark scenes, high brightness of light areas is not needed — th...ese are the features of the human eye. This means that in bright scenes you can increase the overall brightness, and in dark scenes you can reduce it; the maximum brightness difference achievable in this mode of operation is precisely described by dynamic contrast.
Response time
The response time can be described as the maximum time required for each pixel of the screen to change brightness, in other words, the longest time from the receipt of a control signal to the pixel until it switches to the specified mode. The actual switching time may be less — if the brightness changes slightly, it can be calculated in microseconds. However, it is the longest time that matters — it describes the guaranteed response speed of each pixel.
First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.
First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.
Frame rate (game mode)
The maximum frequency at which the TV can operate at its primary screen resolution. Models with a high refresh rate, such as 144 or 165 Hz, can generally achieve it only when Game Mode is activated. In Game Mode, heavy image processing is disabled, which reduces input lag, frees up CPU resources, and allows the panel to render more frames per second — movements become smoother, making it easier to track targets in shooters and turns in racing games.
Colour gamut DCI-P3
Color gamut describes the range of colors that can be displayed on a screen. It is indicated in percentages, but not relative to the entire variety of visible colors, rather to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. Nevertheless, the larger the color gamut, the broader the screen's capabilities, and the better its color reproduction quality.
DCI-P3 is an advanced color model mainly used in digital cinemas. It is significantly wider than the standard sRGB, providing more accurate and realistic colors. However, in practice, this model is primarily used for professional filmmaking and other tasks of a similar level. This is why televisions with this standard display movies and series as close as possible to the director's vision.
DCI-P3 is an advanced color model mainly used in digital cinemas. It is significantly wider than the standard sRGB, providing more accurate and realistic colors. However, in practice, this model is primarily used for professional filmmaking and other tasks of a similar level. This is why televisions with this standard display movies and series as close as possible to the director's vision.
IMAX Enhanced
The IMAX Enhanced Seal of Conformity is awarded to televisions that meet the video device certification requirements of IMAX Corporation. It applies to streaming and Blu-Ray content shot with IMAX cameras or processed using special DMR (Digital Media Remastering) software. To qualify for IMAX Enhanced certification, your TV must have 4K resolution, 10-bit color, support HDR10 and HDR10+, and DTS:X audio. As a result, viewers get the opportunity to enjoy the immersive effect of an IMAX cinema at home.
Pantone Certification
Pantone Certificate for the television confirms that the screen is capable of accurately displaying colors that meet Pantone standards, ensuring a more realistic and precise color reproduction. This is especially important for viewing content where color accuracy is critical, such as in movies, when viewing photographs, or playing games, where it is important to convey the full richness and detail of original hues. Televisions with this certificate offer enhanced image quality, guaranteeing brighter and more accurate colors compared to standard models. Devices with Pantone certification are also suitable for working with graphics and multimedia projects.















