Comparison FiiO M21 vs FiiO M15S
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|---|---|---|
| FiiO M21 | FiiO M15S | |
| Compare prices 5 | Compare prices 3 | |
| TOP sellers | ||
Supports aptX HD, LDAC. Supports DLNA, AirPlay, FiiO Link technologies. Fast charging technology. | Support for AAC, LDAC codecs. Built-in USB Type C. Supports DLNA, AirPlay, FiiO Link technologies. Fast charging technology. There is a balanced 4.4 mm input. MQA format support. Rich equipment, including a docking station with active cooling. | |
| Type | Hi-fi player | Hi-fi player |
| ОС | Android | Android |
| Built-in memory | 64 GB | 64 GB |
| Memory card type | microSD | microSD |
| Max. memory card size | 2000 GB | 2048 GB |
Specs | ||
| DAC | CS43198 (4 pcs) | |
| Sampling frequency | 768 kHz | 768 kHz |
| Bit depth | 32 bit | 32 bit |
| Frequency range | 20 – 85000 Hz | |
| Signal to noise ratio | 126 dB | 122 dB |
| Power | 950 mW | 1200 mW |
| Headphone impedance | 8 – 350 Ohm | 8 – 350 Ohm |
| Harmonic distortion coefficient | 0.0005 % | 0.0005 % |
Features | ||
| Audio formats support | MQA, ISO, DSF, DFF, DST, DXD, APE, ALAC, AIFF, FLAC, WAV, WMA, MP3, OGG, WMA, AAC | MQA, ISO, DSF, DFF, DST, DXD, APE, ALAC, AIFF, FLAC, WAV, WMA, MP3, OGG, WMA, AAC |
| Codec support | aptX HD AAC LDAC | aptX Adaptive AAC LDAC |
| Features | DAC mode operation equalizer | DAC mode operation equalizer |
Connection | ||
| Wi-Fi | ||
| Bluetooth | + | v5.0 |
| Outputs | mini-Jack (3.5 mm) Pentaconn (4.4mm) coaxial | micro-Jack (2.5mm) mini-Jack (3.5 mm) Pentaconn (4.4mm) |
Screen | ||
| Screen | colour 4.7 " 1334x750 px touch screen | colour 5.5 " 720x1440 px IPS touch screen |
General | ||
| Battery capacity | 6200 mAh | |
| Operating time (audio) | 15 h | 10.5 h |
| Charging time | 3.5 h | |
| Fast charge | QuickCharge 4.0, PD | Quick Charge 4.0 |
| Charging connector | USB-C | USB-C |
| Firmware update | ||
| Touch control | ||
| Material | metal | metal |
| Size (HxWxT) | 121x68x17 mm | 140x80x18.9 mm |
| Weight | 193 g | 345 g |
| Color | ||
| Added to E-Catalog | july 2025 | october 2023 |
Compare FiiO M21 and M15S
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Glossary
Max. memory card size
The maximum size of the memory card that can be used in the player. This parameter is directly related to the card type (see above): each type has its own volume limits. At the same time, the ability to work with capacious media is limited not only by the type of card, but also by the player's hardware. Therefore, many models have a lower capacity limit than the memory card suggests — for example, 128 GB in a model that supports the SDXC format (the theoretical maximum for which is 2 TB).
Note that the reverse situation also occurs — for example, when a device with a maximum capacity of 16 GB only supports microSD cards (theoretical maximum is 4 GB). This usually means that the player can work with newer formats (in our example, at least microSDHC), but for some reason this point is not mentioned in the official specifications (for example, the manufacturer could make a mistake in the documentation).
Note that the reverse situation also occurs — for example, when a device with a maximum capacity of 16 GB only supports microSD cards (theoretical maximum is 4 GB). This usually means that the player can work with newer formats (in our example, at least microSDHC), but for some reason this point is not mentioned in the official specifications (for example, the manufacturer could make a mistake in the documentation).
DAC
Model of the digital-to-analogue converter installed in the device.
The DAC is one of the key components of any player: it converts the digital data recorded in the audio file into an analogue audio signal, which is fed through an amplifier to the headphones. The quality of the DAC directly affects how accurately the output sound will match the original signal, as well as whether the player can work with advanced digital signal formats: many of them require high computing power, which is not available in every DAC.
Note that the DAC model is indicated only if it is a high-end converter with above-average sound quality. On the modern market, in particular, DACs from such manufacturers are represented: AKM, Cirrus Logic, ESS Saber, Texas Instruments, Wolfson. And players with such equipment usually refer to Hi-Fi devices(see "Type").
It is also worth mentioning that the number of DACs can be different. The simplest option is one module for both sound channels, however, there are players equipped with two converters at once — one per channel. This "division of labor" affects the cost, but reduces the load on each individual DAC, which has a positive effect on the quality and reliability of the sound.
The DAC is one of the key components of any player: it converts the digital data recorded in the audio file into an analogue audio signal, which is fed through an amplifier to the headphones. The quality of the DAC directly affects how accurately the output sound will match the original signal, as well as whether the player can work with advanced digital signal formats: many of them require high computing power, which is not available in every DAC.
Note that the DAC model is indicated only if it is a high-end converter with above-average sound quality. On the modern market, in particular, DACs from such manufacturers are represented: AKM, Cirrus Logic, ESS Saber, Texas Instruments, Wolfson. And players with such equipment usually refer to Hi-Fi devices(see "Type").
It is also worth mentioning that the number of DACs can be different. The simplest option is one module for both sound channels, however, there are players equipped with two converters at once — one per channel. This "division of labor" affects the cost, but reduces the load on each individual DAC, which has a positive effect on the quality and reliability of the sound.
Frequency range
The range of audio frequencies that the player is capable of reproducing. The wider this range — the more complete the picture of the sound, the less likely that the device will "cut off" part of the sound spectrum. At the same time, when choosing this parameter, several points should be taken into account.
First, the average human ear is capable of hearing sounds from approximately 16 Hz to 20 kHz; deviations from these figures are small, and with age the range narrows even more. In fact, this means that for normal hearing, it is enough just to cover this gap. And the wider boundaries indicated in the characteristics of the player will be more of a marketing ploy than a really significant moment. Secondly, do not forget that the sound quality is determined not only by the range, but also by a number of other characteristics of the player — signal-to-noise ratio, frequency response, etc.; therefore, a wide range by itself does not guarantee a pleasing sound. And thirdly, the features of the audible sound also largely depend on the headphones used and their frequency range: all the advantages of a player with a wide frequency range can come to naught if the frequencies are “cut off” by the headphones.
First, the average human ear is capable of hearing sounds from approximately 16 Hz to 20 kHz; deviations from these figures are small, and with age the range narrows even more. In fact, this means that for normal hearing, it is enough just to cover this gap. And the wider boundaries indicated in the characteristics of the player will be more of a marketing ploy than a really significant moment. Secondly, do not forget that the sound quality is determined not only by the range, but also by a number of other characteristics of the player — signal-to-noise ratio, frequency response, etc.; therefore, a wide range by itself does not guarantee a pleasing sound. And thirdly, the features of the audible sound also largely depend on the headphones used and their frequency range: all the advantages of a player with a wide frequency range can come to naught if the frequencies are “cut off” by the headphones.
Signal to noise ratio
The ratio between the level of the useful signal (clear sound) and extraneous noise, given by the player at the output. This parameter directly characterizes the quality of the built-in amplifier: it mainly takes into account the intrinsic noise of electronic circuits, and the higher the signal-to-noise ratio, the less these noises and the clearer the sound.
Note that in the case of players, this characteristic is often not particularly critical: the noise of the amplifier can be lost against the background of ambient sounds, especially in an urban environment, and for such situations even the most modest indicators, at the level of 70 – 80 dB, are enough. At the same time, for Hi-Fi models (see "Type") this moment is one of the most important; in the most advanced devices, the signal-to-noise ratio can exceed 120 dB.
Note that in the case of players, this characteristic is often not particularly critical: the noise of the amplifier can be lost against the background of ambient sounds, especially in an urban environment, and for such situations even the most modest indicators, at the level of 70 – 80 dB, are enough. At the same time, for Hi-Fi models (see "Type") this moment is one of the most important; in the most advanced devices, the signal-to-noise ratio can exceed 120 dB.
Power
The higher the power, the louder the sound you can get on the headphones, all other things being equal. In addition, higher power allows you to connect "ears" with higher impedance to the device (although there is no hard correlation here, and models with the same output power may have different headphone impedance limits). However, in the case of ordinary (non-Hi-Fi) players, this parameter is more of a reference than practically significant: usually, the power of the amplifier in such models is quite enough to “rock” most consumer-grade headphones. But for Hi-Fi devices (see "Type") models, output power is of key importance: it determines compatibility with high-resistance studio-class "ears". Detailed help on this issue can be found in special sources.
Codec support
Codecs and additional audio processing technologies supported by the Bluetooth-connected player. Initially, sound transmission via Bluetooth involves quite strong signal compression, which can greatly spoil the experience when listening to music. To eliminate this drawback, various technologies are used, in particular aptX, aptX HD, aptX Low Latency, aptX Adaptive, AAC, LDAC, LHDC. Of course, to use any of the technologies, it must be supported not only by the player, but also by the Bluetooth device with which it is used. Here are the main features of each option:
- aptX. A Bluetooth codec designed to significantly improve the quality of audio transmitted over Bluetooth. According to the creators, it allows you to achieve quality comparable to Audio CD (16-bits/44.1kHz). The benefits of aptX are most noticeable when listening to high-quality content (such as lossless formats), but even on regular MP3 it can provide a noticeable sound improvement.
- aptX HD. Development and improvement of the original aptX, allowing for sound purity comparable to Hi-Res audio (24-bits/48kHz). As in the original, the benefits of aptX HD are noticeable mainly on high-quality audio, although this codec will not be out of place for MP3.
...- aptX Low Latency. A specific version of aptX described above, designed not so much to improve sound quality, but to reduce delays in signal transmission. Such delays inevitably occur when working via Bluetooth; They are not critical for listening to music, but when watching video, there may be a noticeable desynchronization between the image and sound. The aptX LL codec eliminates this phenomenon, reducing latency to 32 ms - a difference that is imperceptible to human perception.
- aptX Adaptive. Further development of aptX; actually combines the capabilities of aptX HD and aptX Low Latency, but is not limited to this. One of the main features of this standard is the so-called adaptive bitrate: the codec automatically adjusts the actual data transfer rate based on the characteristics of the broadcast content and the congestion of the frequencies used. This, in particular, helps reduce energy consumption and increase communication reliability; and special algorithms allow you to broadcast sound quality comparable to aptX HD (24 bits/48 kHz), using much less transmitted data.
- A.A.C. A Bluetooth codec used primarily in portable Apple gadgets. In terms of capabilities, it is noticeably inferior to more advanced standards like aptX or LDAC: the sound quality when using AAC is comparable to an average MP3 file. However, for listening to the same MP3s, this is quite enough; the difference becomes noticeable only on more advanced formats.
— LDAC. Sony's proprietary Bluetooth codec. It surpasses even aptX HD in terms of bandwidth and potential sound quality, providing performance at the Hi-Res level of 24-bits/96kHz audio; There is even an opinion that this is the maximum quality that makes sense to provide for in wireless transmission - further improvement will be simply imperceptible to the human ear.
- LHDC. LHDC (Low latency High-Definition audio Codec) is a high-definition, low-latency codec developed by the Hi-Res Wireless Audio Alliance and Savitech. The codec is also known as HWA (Hi-Res Wireless Audio). When using LHDC, signal transmission is carried out with a bits rate of up to 900 kbps, a bits depth of up to 24 bits and a sampling frequency of up to 96 kHz. This ensures a stable and reliable connection with reduced latency. The codec is optimally suited for high-end wireless headphones and advanced digital audio formats.
- aptX. A Bluetooth codec designed to significantly improve the quality of audio transmitted over Bluetooth. According to the creators, it allows you to achieve quality comparable to Audio CD (16-bits/44.1kHz). The benefits of aptX are most noticeable when listening to high-quality content (such as lossless formats), but even on regular MP3 it can provide a noticeable sound improvement.
- aptX HD. Development and improvement of the original aptX, allowing for sound purity comparable to Hi-Res audio (24-bits/48kHz). As in the original, the benefits of aptX HD are noticeable mainly on high-quality audio, although this codec will not be out of place for MP3.
...- aptX Low Latency. A specific version of aptX described above, designed not so much to improve sound quality, but to reduce delays in signal transmission. Such delays inevitably occur when working via Bluetooth; They are not critical for listening to music, but when watching video, there may be a noticeable desynchronization between the image and sound. The aptX LL codec eliminates this phenomenon, reducing latency to 32 ms - a difference that is imperceptible to human perception.
- aptX Adaptive. Further development of aptX; actually combines the capabilities of aptX HD and aptX Low Latency, but is not limited to this. One of the main features of this standard is the so-called adaptive bitrate: the codec automatically adjusts the actual data transfer rate based on the characteristics of the broadcast content and the congestion of the frequencies used. This, in particular, helps reduce energy consumption and increase communication reliability; and special algorithms allow you to broadcast sound quality comparable to aptX HD (24 bits/48 kHz), using much less transmitted data.
- A.A.C. A Bluetooth codec used primarily in portable Apple gadgets. In terms of capabilities, it is noticeably inferior to more advanced standards like aptX or LDAC: the sound quality when using AAC is comparable to an average MP3 file. However, for listening to the same MP3s, this is quite enough; the difference becomes noticeable only on more advanced formats.
— LDAC. Sony's proprietary Bluetooth codec. It surpasses even aptX HD in terms of bandwidth and potential sound quality, providing performance at the Hi-Res level of 24-bits/96kHz audio; There is even an opinion that this is the maximum quality that makes sense to provide for in wireless transmission - further improvement will be simply imperceptible to the human ear.
- LHDC. LHDC (Low latency High-Definition audio Codec) is a high-definition, low-latency codec developed by the Hi-Res Wireless Audio Alliance and Savitech. The codec is also known as HWA (Hi-Res Wireless Audio). When using LHDC, signal transmission is carried out with a bits rate of up to 900 kbps, a bits depth of up to 24 bits and a sampling frequency of up to 96 kHz. This ensures a stable and reliable connection with reduced latency. The codec is optimally suited for high-end wireless headphones and advanced digital audio formats.
Bluetooth
The player supports Bluetooth technology.
This technology is designed for direct wireless communication between different devices. There are different ways to implement it in players. The most common option is to broadcast sound to wireless headphones, acoustics or other similar equipment (aptX is highly desirable, see “Features/capabilities”). Other methods of application may also be envisaged - in particular, exchanging files with other devices and remote control (player or from the player). The specific set of additional functions should be clarified separately.
Bluetooth wireless protocols from the 4th revision and newer are relevant today:
This technology is designed for direct wireless communication between different devices. There are different ways to implement it in players. The most common option is to broadcast sound to wireless headphones, acoustics or other similar equipment (aptX is highly desirable, see “Features/capabilities”). Other methods of application may also be envisaged - in particular, exchanging files with other devices and remote control (player or from the player). The specific set of additional functions should be clarified separately.
Bluetooth wireless protocols from the 4th revision and newer are relevant today:
- Bluetooth v 4.0. Revision 4.0 introduced a Bluetooth Low Energy (BLE) connection mode with low power consumption. This communication standard is intended mainly for transmitting small amounts of information - in particular, service data packets to maintain a connection. At the same time, the creators managed to combine economical energy consumption and a long communication range - it can reach 100 m, which has a positive effect on the stability of the connection.
- Bluetooth v4.1. Development and improvement of Bluetooth 4.0. In terms of players, the key innovation in this version was improved noise immunity when working near 4G (LTE) mobile communication devices (in earlier standards, Bluetooth and LTE signals could overlap, which led to failures).
- Bluetooth v4.2. Further..., after 4.1, development of the Bluetooth standard, which mainly presented a number of general improvements in the reliability and noise immunity of the connection.
- Bluetooth v5.0. Major Bluetooth update released in 2016. One of the most notable innovations was the introduction of two additional operating modes of Bluetooth LE: an increased speed mode (by reducing the range) and an extended range mode (by reducing the speed). The key benefit of these innovations is to improve the overall reliability of communications, increase their range and reduce the number of breaks.
- Bluetooth v5.1. Update to revision v 5.0, in which, in addition to general improvements in the quality and reliability of communication, it became possible to determine the direction from which the Bluetooth signal is coming. Thanks to this, the location of connected devices is determined with centimeter accuracy, which has a positive effect on the quality of the wireless connection.
- Bluetooth v5.2. The next update, after 5.1, is Bluetooth 5th generation. The main innovations in this version are a number of security improvements, additional optimization of power consumption in LE mode and a new audio signal format for synchronizing parallel playback on multiple devices.
- Bluetooth v5.3 came into use at the dawn of 2022. Among the innovations in it, they accelerated the process of negotiating a communication channel between the controller and the device, implemented the function of quickly switching between the operating state in a low duty cycle and a high-speed mode, and improved the throughput and stability of the connection by reducing susceptibility to interference. When unexpected interference occurs in Low Energy mode, the procedure for selecting a communication channel to switch from now on has been accelerated.
- Bluetooth v 5.4 was introduced at the beginning of 2023. This edition has increased the range and speed of data exchange. Also in Bluetooth v 5.4, the energy-saving BLE mode has been improved. This version of the protocol uses new security features to protect data from unauthorized access, has increased connection reliability by selecting the best channel for communication, and prevents connection losses due to interference.
Outputs
— micro-Jack (2.5 mm). The micro-Jack connector belongs to the category of TRS connections (Tip, Ring, Sleeve). The 2.5mm plug is the smallest diameter TRS plug. Micro-Jack connection (2.5 mm) is typical for mobile devices and compact portable audio equipment. The connector is backwards compatible with mini-Jack (3.5 mm) and Jack (6.35 mm), but for this you must use the appropriate adapters. Of course, when using adapters, note that the presence of an additional connection reduces the overall quality of the audio signal. To prevent degradation in quality, some MP3 players are equipped with a micro-Jack output in parallel with the mini-Jack or Jack.
— mini-Jack (3.5 mm). The mini-Jack (3.5 mm) connection is the most common type of TRS (Tip, Ring, Sleeve) interface. The mini-Jack output is found on the vast majority of consumer-grade MP3 players. The mini-Jack connector has a 3.5 mm plug — this is the middle (intermediate) type of TRS connections. The mini-Jack output is capable of transmitting an audio signal of sufficiently high quality. The mini-Jack connection is ready to satisfy the needs of both beginners and advanced music lovers.
— Pentaconn (4.4 mm). Pentaconn connection — 5-pin balanced output. Thanks to this connection, you can connect powerful amplifiers or DACs to your MP3 player. Additionally, the connector is also suitabl...e for connecting good high-impedance headphones. Pentaconn uses a larger than the mini-Jack plug, its diameter is 4.4 mm, it is stronger and more reliable than the 3.5 mm connection. The Pentaconn's balanced connection makes it possible to handle higher power audio signals. Thanks to this connection, it is possible to transmit a signal over a fairly long distance.
— Coaxial. The coaxial connection (S/PDIF) enables the transmission of an enhanced audio signal. In the coaxial signal algorithm, there is no digital to analogue conversion stage, which has a positive effect on the quality characteristics of the sound. RCA or TOSLINK connectors can be used for coaxial connection. Coaxial output is found mainly in Hi-End MP3 players. This is an expensive technique that requires the use of fairly expensive accessories. But in return, these players provide high-quality sound, designed for professional musicians and advanced music lovers.
— Optical. The optical connection is represented by a TOSLINK connector and a fibre optic cable. The essence of the optical connection is that the audio signal is converted from electrical to optical. At the other end of the cable, the optics are transformed back into digital sound. Being in optical form, the signal ceases to be subjected to interference and other interference. The optical signal does not lose its original quality even when transmitted over long distances. MP3 players with optical output provide the ability to listen to audio in high quality. The vast majority of MP3 players with a TOSLINK connector are premium models that can satisfy the needs of musicians, music lovers and advanced audiophiles.
— mini-Jack (3.5 mm). The mini-Jack (3.5 mm) connection is the most common type of TRS (Tip, Ring, Sleeve) interface. The mini-Jack output is found on the vast majority of consumer-grade MP3 players. The mini-Jack connector has a 3.5 mm plug — this is the middle (intermediate) type of TRS connections. The mini-Jack output is capable of transmitting an audio signal of sufficiently high quality. The mini-Jack connection is ready to satisfy the needs of both beginners and advanced music lovers.
— Pentaconn (4.4 mm). Pentaconn connection — 5-pin balanced output. Thanks to this connection, you can connect powerful amplifiers or DACs to your MP3 player. Additionally, the connector is also suitabl...e for connecting good high-impedance headphones. Pentaconn uses a larger than the mini-Jack plug, its diameter is 4.4 mm, it is stronger and more reliable than the 3.5 mm connection. The Pentaconn's balanced connection makes it possible to handle higher power audio signals. Thanks to this connection, it is possible to transmit a signal over a fairly long distance.
— Coaxial. The coaxial connection (S/PDIF) enables the transmission of an enhanced audio signal. In the coaxial signal algorithm, there is no digital to analogue conversion stage, which has a positive effect on the quality characteristics of the sound. RCA or TOSLINK connectors can be used for coaxial connection. Coaxial output is found mainly in Hi-End MP3 players. This is an expensive technique that requires the use of fairly expensive accessories. But in return, these players provide high-quality sound, designed for professional musicians and advanced music lovers.
— Optical. The optical connection is represented by a TOSLINK connector and a fibre optic cable. The essence of the optical connection is that the audio signal is converted from electrical to optical. At the other end of the cable, the optics are transformed back into digital sound. Being in optical form, the signal ceases to be subjected to interference and other interference. The optical signal does not lose its original quality even when transmitted over long distances. MP3 players with optical output provide the ability to listen to audio in high quality. The vast majority of MP3 players with a TOSLINK connector are premium models that can satisfy the needs of musicians, music lovers and advanced audiophiles.
Screen
Characteristics of the display installed in the player.
— Color(color/monochrome). The display color is selected by the manufacturer taking into account the functionality of the player. So, for a device that supports video and graphic materials (see “Other formats”), a color display is mandatory, and if the player only works with audio, a monochrome (one-color) screen is quite sufficient for it, especially since such screens are cheaper and consume less energy.
- Size. The diagonal dimensions of the display is directly related to the type of device (see above). Thus, classic audio players do not require large screens, in most of them this figure does not exceed 1.5"; but for a media player, 1.5" is, in fact, the absolute minimum, usually the diagonal is 3" or more. Also large Hi-Fi players are equipped with screens, they also provide a similar feature for the convenience of working with special tools.In general, a large screen, on the one hand, is convenient to use, on the other hand, it affects the dimensions and price of the device.
— Display resolution. Display dimensions in pixels vertically and horizontally. With the same diagonal, a higher resolution provides a clearer and more detailed image, but increases the cost of the player. In addition, not every player needs high detail: if the screen is used only for service information like the title of a so...ng, you can get by with small resolutions. Therefore, you should pay attention to this parameter only when it comes to a media player (see “Type”) on which you plan to often watch videos. In other cases, we can assume that the screen resolution is guaranteed to be sufficient for the tasks for which the device is intended.
— Sensor type. The type of matrix used in the screen.
— Color(color/monochrome). The display color is selected by the manufacturer taking into account the functionality of the player. So, for a device that supports video and graphic materials (see “Other formats”), a color display is mandatory, and if the player only works with audio, a monochrome (one-color) screen is quite sufficient for it, especially since such screens are cheaper and consume less energy.
- Size. The diagonal dimensions of the display is directly related to the type of device (see above). Thus, classic audio players do not require large screens, in most of them this figure does not exceed 1.5"; but for a media player, 1.5" is, in fact, the absolute minimum, usually the diagonal is 3" or more. Also large Hi-Fi players are equipped with screens, they also provide a similar feature for the convenience of working with special tools.In general, a large screen, on the one hand, is convenient to use, on the other hand, it affects the dimensions and price of the device.
— Display resolution. Display dimensions in pixels vertically and horizontally. With the same diagonal, a higher resolution provides a clearer and more detailed image, but increases the cost of the player. In addition, not every player needs high detail: if the screen is used only for service information like the title of a so...ng, you can get by with small resolutions. Therefore, you should pay attention to this parameter only when it comes to a media player (see “Type”) on which you plan to often watch videos. In other cases, we can assume that the screen resolution is guaranteed to be sufficient for the tasks for which the device is intended.
— Sensor type. The type of matrix used in the screen.
- OLED. An OLED matrix in which each pixel is actually a separate LED. In portable players, most of these screens are monochrome; for color displays it is more convenient to use other technologies.
- TFT. General name for liquid crystal displays. In this case, the TFT designation is used mainly for relatively simple screens that do not use advanced technologies like the IPS described below and have rather limited characteristics. However, such screens can be made in color and have high resolution.
- AMOLED. A development of the OLED technology described above, designed to create high-quality color displays. AMOLED screens are characterized by high brightness, rich colors and good viewing angles. Among their disadvantages, we can note a slightly shorter service life than the same IPS, as well as a tendency to fade in areas where bright parts of the image are often displayed.
- IPS. One of the most popular color screen technologies used in modern portable technology. Provides good color rendering quality and wide viewing angles; The picture quality is somewhat inferior to AMOLED, but is cheaper and lasts longer.










