Comparison Ulanzi MT-44 vs Yunteng VCT-5208

Possibility of converting a classic tripod with three legs into a monopod(see "Type"). One of the options for such a transformation involves attaching one of the legs to the central bar and removing the other two, but there are other ways. Anyway, such a model can be useful for those who have to use different types of camera stands — instead of two separate devices, you can purchase one and use it in one form or another, according to the situation.

The type of surface the tripod is designed for. This division applies only to classic tripods (see "Type"), as Almost all monopods are somehow designed for outdoor installation.

— Outdoor. The maximum height (see below) of such tripods is usually comparable to the height of a person, which allows them to be placed directly on the ground. Such tripods are the most versatile, as a result — the most common. Their disadvantages are significant dimensions and weight, as well as (with some exceptions) poor suitability for macro photography.

— Desktop. Desktop tripods are small in size and are designed for shooting from a table, stone, curb, or any other elevated surface. They are very compact, often having a weight and dimensions comparable to the cameras themselves, which allows you to transport them right in your bag or even in your pocket. Tabletop tripods are also good for macro photography. On the other hand, they are less versatile than outdoor ones, because in most cases require an appropriate elevation. In addition, their maximum load (see below) is usually significantly less.

The minimum height relative to the base at which the tripod base can be mounted.

The lower the minimum height, the better the tripod is suitable for macro and product photography; in addition, the range of height adjustment available to the user depends on this indicator. Note that for models with the ability to flip the boom (see below), the minimum height is given for the traditional position of the boom, platform up. And if the claimed minimum is significantly less than the length of the tripod when folded (for example, 15 cm with a length of 50 cm), this means that the legs can “spread” to a horizontal position or close to it, thus lowering the entire structure.

The maximum height from the base on which the tripod base can be mounted.

For desktop use (see "Installation"), a large height is not required, therefore, in most of these models, this figure does not exceed 20 cm — the only exceptions are some specific monopods. Accordingly, the difference in height between different desktop structures in most cases does not matter much. But in the floor models, the most "undersized" have a maximum height of about 40 – 50 cm, and the highest ones are able to open up to 2.5 m and even higher. In such cases, the choice should take into account the specifics of use. So, it makes sense to specifically look for a model at 150 – 160 cm if it is fundamentally important to install the camera at eye level (eye level is usually about 10 cm lower than a person’s height). At the same time, most camcorders and many cameras have swivel screens that allow you to comfortably look at the device from top to bottom; and even in the absence of such a screen, bending down to the level of the camera is not so difficult. And it makes sense to pay attention to tripods with a height of 170 cm and above mainly in those cases when shooting over heads is planned — for example, reports from public events.

The number of individual sections that make up the legs of a tripod or monopod shaft (see "Type").

In desktop models (see "Installation"), the legs are often not divided into sections at all, for such cases this parameter is not indicated at all. In turn, almost all floor tripods have several sections, and the number of the latter with the same maximum height can be different. Here it is worth considering that more sections means a smaller size of each of them and more compact dimensions of the tripod when folded; and a smaller number — simplifies the design, increases its reliability and reduces cost.

The most popular options nowadays by the number of sections are 2 pcs, 3 pcs, 4 pcs, 5 pcs, 6 pcs, 8 pcs.

The type of head provided in the tripod is, in fact, the type of mechanism responsible for rotating the platform with the camera relative to the base.

— 2D. Such heads have 2 degrees of freedom and allow you to turn the camera from side to side and tilt back and forth. At the same time, a separate rotation mechanism is provided for each of the two axes. This makes it easy to shoot vertical and horizontal panoramas: the camera on such a tripod can turn strictly along one of the axes without unnecessary movements that spoil the picture (for example, strictly to the side without moving up and down). Such heads are considered suitable primarily for video filming; for photography, they are somewhat less convenient, but they are still found in photo tripods (including highly specialized ones).

— 3D. Heads with three degrees of freedom: turn from side to side, tilt up and down and “roll” right and left; a separate hinge is responsible for each of the three. They are mainly used in models with the ability to install cameras: such freedom of movement is important primarily for photography. However, specialized tripods for video cameras with 3D heads are also produced. Compared to ball heads (see below), which also provide a high degree of freedom, 3D mechanisms are more accurate, they are indispensable in cases where you need to clearly control the rotation along one axis (when shooting panoramic...or shooting with a rotation effect). On the other hand, 3D heads are more complex and expensive, and also less suitable for quickly pointing the camera in an arbitrary direction.

— Ball. In heads of this type, the platform is attached to the ball by means of a rod, which is clamped in a special mount. By loosening the mount, you can rotate the camera horizontally, as well as arbitrarily tilt back and forth and left and right. The key advantage of such mechanisms is the ability to quickly change the position of the camera; in 3D heads (see above) it takes longer. Also, the advantages of ball heads include simplicity, compactness and low cost. On the other hand, it is difficult to turn the camera on such a head strictly along one axis without moving along the other two, which makes some shooting techniques difficult. In advanced tripods, additional equipment may be provided that partly eliminates this drawback — for example, a separate hinge for horizontal panoramas; however, in terms of accuracy, ball heads are still inferior to 3D mechanisms.

The presence of a built-in tripod level — a device that allows you to control the horizontal position of the camera.

Spirit levels are most often used — in the form of a sealed flask with liquid and an air spirit: if the spirit is between the marks on the flask, then the camera is on the horizon. The simplest option provides one flask to control the tilt to the right and left in order to avoid a “littered horizon”; however, the design may provide another level that monitors the tilt back and forth, or one common two-axis bulb. And in the model with a horizontal rotation of the rod (see above), an additional level is often set — for the horizontal mode. Anyway, this function greatly facilitates the exposure of the camera "on the horizon".

The tripod has a camera remote control. The device and functions of such a remote control may be different, depending on the purpose (see above). So, in models for phones and action cameras, compact wireless remote controls are most often provided, which are responsible only for the most basic commands — taking photos and start-stop video recording. Such key fobs are connected to the gadget itself, usually via Bluetooth; with smartphones, this usually does not cause problems, but compatibility with a specific action camera should be specified separately. In turn, advanced video camera tripods can have a wired remote control built right into the head rotation handle — it allows you to control shooting parameters (zoom, focus, etc.), while maintaining full control over the position of the camera.

A carrying case is included with the tripod. The cover provides convenience in storage and transportation: it protects the structure from various contaminants and contacts with foreign objects, and can also have handles, straps and other devices that make it easier to carry. For the same purpose, impromptu packaging can also be used, but a complete case is usually much more convenient and functional.