USA
Catalog   /   Sound & Hi-Fi   /   Musical Instruments   /   Guitars & Equipment   /   Acoustic Guitars

Comparison Yamaha FS100C vs Yamaha F310P

Add to comparison
Yamaha FS100C
Yamaha F310P
Yamaha FS100CYamaha F310P
Outdated ProductOutdated Product
TOP sellers
Main
Winder and capo included
Typeacousticacoustic
Number of strings66
Body
Size4/44/4
Shaperoaddreadnought (western)
Cutaway
Pickguard
Top decksprucespruce
Bottom deckmahoganymeranti
Shellmahoganymeranti
Bridgerosewoodrosewood
Neck
Number of frets2020
Anchorsinglesingle
Scale25 "25 "
Neck materialnato
nato /mora/
Fretboardrosewoodrosewood
In box
Case
Strap
Tuner
 /wind/
Picks
Color
Added to E-Catalogjanuary 2020february 2018

Shape

General shape of the guitar body.

This characteristic affects both the appearance and dimensions of the instrument, as well as the characteristics of its sound. Note that for classical guitars (see “Type”) the shape is often not indicated, since it is standard for such instruments. But other varieties can be very diverse in outline. For example, among “acoustics” and “electroacoustics” there are such form options as dreadnought (western), jumbo, mini-jumbo, parlor, orchestral, grand auditorium, grand concert, road, resonator. Ukuleles, in turn, are available in soprano, concert, tenor, baritone and bass versions, as well as in the form of a special variety - guitarle. Here is a more detailed description of all these types of housing:

Dreadnought (western). One of the most popular types of acoustic guitars. The body has a large shape and very “heavy”, angular outlines. The terms "dreadnought" and "western" are often used interchangeably, but sometimes only cutaway guitars are referred to as "westerns" (see below). This body shape provides a pronounced bass sound and a “rumbling” sound color, making dreadnoughts well suited for playing chords, but performing solos on such guitars is no...t very convenient.

Orchestral model. Orchestra Models are somewhat reminiscent in shape of the dreadnoughts described above, but have more rounded and graceful outlines, in particular, a more pronounced “waist” in the area of the rosette (resonator hole). This allows you to achieve an even distribution of volume between the upper and lower frequencies. In terms of application, “orchestration” is the direct opposite of westerns: they are excellent for playing by fingerpicking and note-by-note, but on chords they sound noticeably weaker - both due to the lack of bass (especially with an aggressive playing style) and due to the relatively low volume. On the other hand, thanks to the uniform frequency response, an orchestral guitar can be picked up with a regular microphone even at a professional concert.

- Jumbo. The word Jumbo means “large”, and these cases are indeed quite large in dimensions. Another distinctive feature is the shape of the lower part of the soundboard: it can be almost round, and in any case, the contours of the jumbo body are usually smoother than those of orchestral models and especially dreadnoughts (although there are exceptions). Moreover, this type of body combines the features of the mentioned varieties: a balanced and smooth sound, characteristic of “orchestration”, is combined with the volume of “Western”. Because of this, jumbo guitars are generally considered the best option for mixed-style players. However, a lot depends on the specific model: some are closer in application to dreadnoughts, and sometimes the difference between a jumbo and a western lies only in how the manufacturer positions its instrument.

- Mini jumbo. A slightly smaller version of the jumbo (see above), with correspondingly lower volume and sound richness.

- Grand Auditorium. Another versatile type of guitar. It is similar in outline to a jumbo (see above) - to the point that the terms “grand auditorium” and “jumbo” (or “mini jumbo”, depending on the dimensions) are often used interchangeably.

- Grand concert. An analogue of the Grand Auditorium described above, somewhat smaller in dimensions.

- Parlor. Cases of this type are distinguished by fairly compact dimensions - some of them are close in dimensions to a ukulele - and, most often, quite small in width, but while maintaining a full-dimensions socket. Such instruments were initially popular in the late 19th and first half of the 20th centuries; Today they are valued by professionals both for their traditional sound with “historical notes” and for their ease of transportation.

- Road. In accordance with the name, such cases are created with ease of transportation in mind. They can have either a traditional shape, close to a dreadnought or jumbo (only smaller), or very specific shapes (for example, triangular or oval, like a medieval lute).

- Resonator. Six-string guitars, also known as “Dobro” (from the name Dobro, given by the creators and later becoming a trademark). In accordance with the name, to amplify the sound, such instruments use not just a hollow body, but a special part - a resonator. This element is installed under the top deck and covered with a characteristic round metal lid with slots; the lower threshold is placed directly on the lid. “Dobro” is distinguished by a rather loud and sharp sound; In addition, some models have a special neck design that makes it easier to play using a slide. In general, such guitars have a rather narrow niche of application; they are popular primarily among blues and country/bluegrass performers.

- Soprano. The smallest type of ukulele (see “Type”), it is also historically the first and most widespread. The standard overall length of such an instrument is 21" (53 cm) with a 13" scale length (see below). Soprano models have the most high-frequency emphasis of any ukulele, and are typically tuned using GCEA (heaviest to thinnest) tuning.

- Concert. The ukulele is slightly larger in dimensions than the sopranos described above - 23" in length and 15" in scale. They provide a slightly higher volume of low frequencies, but otherwise are completely similar.

- Tenor. Further, after the concert version, the ukulele increases in dimensions - up to 26" in total length (17" in scale). In addition, they differ in tuning: they can be tuned in both GCEA and DGBE (similar to the first 4 strings of a 6-string guitar).

- Baritone. Until relatively recently (before the advent of bass-type bodies), such instruments were the largest variety of ukulele. The standard overall length for a baritone is 30", scale length is 19"; Such an instrument is usually tuned in DGBE tuning (similar to the first through fourth strings of a 6-string guitar).

- Bass. One of the newest varieties of ukulele: launched for sale only in 2007. It is almost the same in dimensions as a baritone - length is about 30", scale length is 20" - however, it uses a different tuning, namely EADG (also an analogue of a six-string guitar, in this case corresponding to strings from the fourth to the sixth).

- Gitalele. A kind of “hybrid” between a traditional guitar and a ukulele. In fact, such instruments are six-string guitars, made in the dimensions of a ukulele and tuned 2.5 tones higher - ADGCEA tuning. At the same time, the fingering, chord placement technique and tuning procedure in the guitarel do not differ from ordinary guitars. Such instruments are also called “six-string ukuleles,” but this name can also be applied to classic 4-string ukuleles, where the second and third strings are doubled. So, to avoid confusion, it is better to still use the term “gitalele”.

Cutaway

Special cutout on the body of the guitar. It is located at the base of the neck, to the right of it, if you look at the upright guitar from the front (in left-handed models — on the left). This feature makes it much easier to play on the upper frets (located near the rosette): without a cutout, the body would prevent reaching them. Therefore, this feature is highly desirable for guitarists who play notes at high frets (from the 12th and above).

There is an opinion that the cutout negatively affects the acoustics of the guitar (reduces the useful volume of the body, reduces the volume and saturation). However, in most cases, this effect is almost imperceptible, especially since manufacturers often use various tricks to compensate for this effect.

Bottom deck

The material from which the lower soundboard of the guitar is made is a flat surface on the opposite side from the upper soundboard (it is this surface that is adjacent to the musician's body when the instrument is held normally).

The value of this parameter is described in detail in the “Upper deck” section — what is stated there is also true in this case. We only note that a wider range of materials is used for the lower deck: this part is less demanding on the characteristics of the material, which gives manufacturers additional choice.

In terms of specific materials, rosewood, sapele, maple, meranti and nato, among others, enjoy considerable popularity in modern times. Here is a brief description of each of them:

— Rosewood. A name that combines the wood of several species of tropical trees. This material is said to provide deep sound and enhance bass quality, thereby improving the guitar's efficiency when playing rhythm parts on chords.

— Sapele. Also known as "African mahogany" due to its characteristic hue. It contributes to an even sound with medium depth and good expression of individual notes, which is considered important especially in solo parts.

— Maple. Maple wood is prone to a rather sharp and sonorous sound without much depth. However, this is...not a drawback, but a feature: for some styles of music, just such a coloring of the sound is perfect.

— Meranti. Wood of trees of the genus Shorey, growing in the tropical forests of Southeast Asia. This material is mainly used in instruments manufactured by Yamaha, mainly classical guitars and ukuleles — it is for these varieties that meranti is considered the best option.

— Nato. A relatively inexpensive variety of mahogany (mahogany) used in guitars in the corresponding price range. Contributes to a dense, but not very bright sound.

Shell

The material from which the side of the guitar is made is the “side” surface of the body, which unites the upper and lower soundboards (see above).

About the meaning of the material of the body, see paragraph "Top deck" — everything stated in it is also true for the shell. Unless the range of materials used for this part is noticeably wider; also note that most often the material of the shell coincides with the material of the bottom deck. Here is a summary of some of the more popular options:

— Rosewood. A name that combines the wood of several species of tropical trees. This material is said to provide deep sound and enhance bass quality, thereby improving the guitar's efficiency when playing rhythm parts on chords.

— Sapele. Also known as "African mahogany" due to its characteristic hue. It contributes to an even sound with medium depth and good expression of individual notes, which is considered important especially in solo parts.

— Maple. Maple wood is prone to a rather sharp and sonorous sound without much depth. However, this is not a drawback, but a feature: for some styles of music, just such a coloring of the sound is perfect.

— Meranti. Wood of trees of the genus Shorey, growing in the tropical forests of Southeast Asia. This material is mainly used in instruments manufactured by Yamaha, mainly classical guitars and ukuleles — it is for these varieties that meranti is considered the best option.

— Nato.... A relatively inexpensive variety of mahogany (mahogany) used in guitars in the corresponding price range. Contributes to a dense, but not very bright sound.

Case

The presence of a case or cover in the tool delivery kit (what exactly is included in the kit must be specified in each case separately).

A case is called a case made of hard materials, a case is made of soft materials, this is the main difference between these types of accessories. Otherwise, they are similar: both the case and the cover are provided primarily for the convenience of transporting the tool. To do this, the design provides for handles, shoulder straps and other devices that facilitate carrying, as well as compartments for additional accessories (replaceable strings, tuners, etc.). However, it is desirable to store the tool in a case or case — to protect it from dust and other adverse factors.

The “native” case/case is good because it optimally fits a specific guitar model and is immediately sold with it, saving the owner from unnecessary searches. On the other hand, manufacturers often include the simplest types of cases in the kit, with minimal additional features and a very limited degree of protection. This is especially true for cases that can be made of thin material and are only suitable for short-distance movements in warm weather without rain. Therefore, sometimes it makes more sense to buy a case separately.

Strap

The presence of a belt in the tool kit.

The strap allows you to hang the guitar on your shoulder. This not only gives the guitarist additional options when playing (for example, you can comfortably play while standing), but it can also be useful for transporting the instrument — you can hang it behind your back, freeing your hands (although in this case it doesn’t hurt to make sure the strap is secure). Straps are also sold separately, but the complete accessory, by definition, is optimally suited for the guitar, and besides, you don’t need to spend additional time and effort to buy it.

Tuner

A tuner is included with the instrument. Note that in this case we are talking about a separate device; electro-acoustic guitars (see "Type") are usually equipped with a module built directly into the tone block, so this package is not relevant for them.

The tuner is designed to tune the guitar — more precisely, to facilitate tuning: it determines how the sound of each string corresponds to the reference note, and tells the guitarist about it. Note that the functionality of the tuners can be different, and the characteristics of the complete device in each case should be specified separately. So, the simplest models are initially "sharpened" for the standard six-string system and can only display the direction (higher or lower) of the string's sound differs from the standard one. These tuners are inexpensive, but only suitable for undemanding musicians. More advanced models can determine the sounding note and the specific frequency of the sound, indicate the degree of deviation from the standard; there are devices with the ability to change the key of the system or even the type of system. These features may come in handy for professional guitarists.

Picks

Picks included with the guitar.

The pick is a small plate that the guitarist uses to pick the sound from the strings. In this way, you can get a brighter, clearer and more sonorous sound than when playing with your fingers (both on notes and on chords); therefore, many musicians prefer to use picks.

Picks can vary in stiffness; The best option depends primarily on the preferences of the guitarist. Thus, guitars, if they are equipped with picks, then, usually, several at once — this allows the musician to choose the most suitable option.
Yamaha FS100C often compared
Yamaha F310P often compared