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Comparison Vantrue N4 vs 70mai Dash Cam M500

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Vantrue N4
70mai Dash Cam M500
Vantrue N470mai Dash Cam M500
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Main
Time-lapse recording mode
High resolution shooting. Advanced road assistants. Built-in memory. 3G/LTE modem. Wi-Fi and Bluetooth modules. Compact sizes.
Typedashcamdashcam
Installation
on the windscreen
on the windscreen
Glass mountsuction cupsticker
Dashcam mountclipclip
Power through mount
Power connectormicroUSBUSB C
Camera
Screen typeSony (subtype not specified)
HD (720)1280x720, 30 fps
Full HD (1080)1920x1080, 30 fps
Quad HD2592x1520, 30 fps2592x1944, 30 fps
Ultra HD (4K)3840x2160, 30 fps
Field of view155 °170 °
Recording features
G-sensor
sound recording
 
 
WDR (Wide Dynamic Range)
G-sensor
sound recording
live streaming
HDR (High Dynamic Range)
 
Features
GPS
speed on video
GPS
speed on video
GPS
ADAS features
 
 
 
LDWS (lane control)
FCWS (distance control)
license plate recognition
Functions
parking mode
motion sensor
 
 
 
speaker
parking mode
 
Wi-Fi
3G/4G modem
Bluetooth
speaker
Additional camera
Interior camera
External camera1
Video resolution
2160x1080 px /interior camera and reversing camera/
Frame frequency25 fps
Angle of view
165 ° /165° interior camera, 160° reversing camera/
Screen
Screen size2.45 "
Screen resolution480x272 px
General
HDMI
Max. memory card size256 GB
Added to E-Catalogjanuary 2022november 2021

Glass mount

Glass mount provided in the model with the corresponding type of installation (see above).

Note that in many models, not the recorder itself is attached to the glass, but the bracket, on which, in turn, the device is installed. To learn how to fix the recorder on the bracket, see "Mounting the recorder". And the options for attaching to glass can be as follows:

Sucker. The traditional suction cup, which works due to the reduced pressure between the mount and the glass — as a result, the force of the pressure of the outside air and holds the structure in place. One of the main advantages of this option is “reusability”: the suction cup can be repeatedly stuck and detached at the request of the user, and after removal it leaves practically no traces. However this type of fastening is considered somewhat less reliable than stickers; however, the suction cups used in video recorders are usually of a special design that provides sufficient reliability for practical use. Therefore, this type of mount is extremely popular in modern registrars.

Sticker. A plate with a layer of special glue, due to which the entire structure is held on the glass. Such mounts are considered more reliable than suction cups, they are less prone to wear and do not lose effectiveness even with minor damage such as cracks and chips. On the other hand, the sticker is usually installed "once and for all..." and does not provide the ability to quickly remove the bracket. And although dismantling by itself is possible, however, it will not work to reuse the sticker, and the glass will most likely have to be cleaned from traces of glue. So installing a recorder with such a mount requires special care and attention.

Note that some models of DVRs are supplied immediately with both types of mounts described above in the kit. This allows the user to choose the option of their choice — including changing the suction cup to a sticker, if the need arises.

Power connector

The type of connector used in the recorder to power it. First of all, you should pay attention to this item if you plan to change the registrar with ready-made wiring for one or another type of connector ( miniUSB, microUSB, USB-C, DC 12V). Thus, the replacement of the registrar rests simply on installing a new one without re-changing the cable.

Screen type

The sensor is a key element of any digital camera; it is from it and from signal processing technologies that the quality of the resulting image primarily depends. In this case, the type refers rather to the brand or brand of the matrix; it is usually indicated if the recorder is equipped with a high-quality sensor that is noticeably superior to most solutions on the market.

One of the most popular such options is Sony. The specific characteristics of the matrices ( IMX179, IMX222, IMX291, IMX307, IMX317, IMX322, IMX323, IMX326, IMX335, IMX415) may vary, but anyway, such a sensor is a sign of a high-end DVR.

In addition, there are models equipped with matrices from other manufacturers — Aptina, OmniVision, Samsung(GalaxyCore), Sandvik. Such solutions are generally considered to be simpler and more democratic than Sony — both in terms of price and functionality. Nevertheless, Samsung has a lot of developments in the field of electronics, and even such r...elatively “simple” sensors are usually more advanced and of higher quality than “know-names”.

Another manufacturer that produces fairly high-quality matrices is Panasonic. Such sensors are not as widespread as those described above, but they are still found in video recorders, including pretty advanced.

HD (720)

The maximum resolution and frame rate of video recorded by the recorder in the HD (720p) standard.

The classic resolution for this standard is 1280x720, but there are other options in DVRs — in particular, 1280x960 (4:3 aspect ratio). Anyway, HD is not outstanding, but quite a decent indicator that allows you to get a video with good detail (for example, it is usually quite possible to make out numbers on cars in close proximity to a car on it).

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. It is worth noting here that in some inexpensive models, shooting in HD at very low speeds — 15 – 20 fps is used to reduce the cost. Such a shooting speed allows you to watch video more or less normally, but for a normal display of moving objects, a higher frame rate is still desirable — at least 25 frames / sec. It is also worth saying that, in general, for a comfortable perception by a person, a speed of 24 to 60 frames per second is considered quite sufficient, however, among the registrars there are models that can shoot HD at 120 fps. The meaning of this speed is to ensure that individual details on moving objects are as clearly visible as possible in slow motion or frame-by-frame viewing.

Full HD (1080)

The maximum resolution and frame rate of video taken by the recorder in the Full HD (1080p) standard.

Many people associate the term Full HD with a resolution of 1920x1080 — and indeed, this resolution is very popular, including among DVRs. However, this standard also covers other options — in particular, 1440x1080 (4:3 aspect ratio) and 1920x540 (halved vertical size). In general, support for this resolution is a good indicator for a modern registrar, indicating that the device belongs to at least an average level.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. It is worth noting here that in low-cost Full HD recorders, shooting can be carried out at very low speeds — 15 fps or even 10 fps. Such a shooting speed allows you to watch video more or less normally, but for a normal display of moving objects, a higher frame rate is still desirable — at least 25 frames / sec.

Quad HD

The maximum resolution and frame rate of video recorded by the recorder in the Quad HD standard.

In terms of detail, the Quad HD standard sits between Super HD and Ultra HD. It does not have a specific standard resolution, but most often in video recorders there is shooting with a frame size of 2560x1440. However, even such models are relatively few; and more specific values like 2688x1440 are used even less often. There are also quite unusual options — for example, a square frame 1440x1440.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. However, in the case of Quad HD, a frequency of 24 fps or 30 fps is usually used, and the difference between these speeds is generally unimportant.

Ultra HD (4K)

The maximum resolution and frame rate of video recorded by the recorder in the Ultra HD 4K standard.

The UHD 4K standard mainly includes video formats with a frame size of about 4K pixels horizontally — in particular, 3840x2160. However, in DVRs, this category includes some other resolutions with a frame size of 2160 vertical pixels — in particular, 2888x2160 (4:3 aspect ratio). For DVRs, this is a very advanced standard that provides the highest detail, but requires large matrices and powerful computing. As a result, its support is typical only for some top-level models.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. However, when shooting in UHD, this figure rarely exceeds 24 fps due to the mentioned demands on the hardware “hardware”.

Field of view

The viewing angle provided by the main camera of the DVR. As a rule, it is indicated along the diagonal of the frame, less often - horizontally, because of this, models with the same numbers in the characteristics may differ somewhat in the actual field of view. So if you have doubts about this, when choosing, it does not hurt to find and watch video samples from different models.

Other things being equal, a wider viewing angle allows you to cover more space, but individual details in the frame are smaller. In addition, wide-angle lenses give geometric distortions of the image (however, DEWARP can be provided to eliminate them, see "Functions"). As for specific figures, viewing angles up to 120° inclusive are considered relatively small for modern registrars, values of 121 - 140 ° can be called average, 141 - 160 ° are above average, and the most wide-angle models are able to cover a space of more than 160 °.

Recording features

Among the photo and video functions used in the dashcam, we can distinguish G-sensor, rotating lens, live, HDR< /a>, WDR, polarizing filter, DEWARP and Time Lapse. More about them:

— G-sensor (video saving). A sensor that monitors shocks and vibrations acting on the DVR. The main function of this sensor is to ensure the safety of video materials in the event of an accident: in the event of a strong impact, characteristic of a collision or fall, the recorder with a G-sensor automatically saves the previously recorded video to a non-volatile memory protected from overwriting. Thus, materials about an emergency are not only guaranteed to be saved, but with a high probability remain intact even if the recorder itself is damaged. In addition, the G-sensor is used in parking mode — see "Functions" for details.

— Swivel lens. The ability to rotate the lens of the registrar horizontally or vertically, and in some cases — on both planes. This feature allows you to adjust the camera's field of view.

— Sound recording. Ability to record sound with a video recorder. First of all, we are talking about recording conversations in the cabin, which can become an add...itional argument in disputable situations — for example, they will allow you to determine whether the driver was talking on a mobile phone at the time of an accident, whether he noticed the situation on the road, how he assessed it, etc.

— Live broadcast. Allows you to remotely connect to the DVR and monitor what is happening from the camera in real time. It is very important if there is an additional camera in the cabin, when you can track the situation, for example, in taxi services, courier delivery, etc. This function will also become important and useful when a car is stolen, when you can not only see the hijacker from the video from the camera, but also track the route of his movement.

— HDR (high dynamic range). A function that increases the dynamic range of the recorder. Dynamic range is the maximum difference between the brightest and darkest area achievable within a single frame. Initially, this range for digital matrices is small, so an image with large brightness differences (for example, a road against a sunset sky) turns out to be either strongly overexposed in bright areas or very dim in dark areas. HDR addresses this shortcoming and also improves the overall colour quality. This is implemented as follows: the camera takes several frames with different settings and from them forms the finished image. At the same time, this technology is simpler and cheaper to implement than WDR, which is similar in purpose (see below). The main disadvantage of HDR is that this type of shooting increases the blurring of fast moving objects in the frame somewhat.

— WDR (Wide Dynamic Range). A function similar in purpose to HDR described above: it is used to improve the quality of a “picture” that has strong differences in brightness. The key difference between these technologies is that WDR works at the hardware level — due to high-end matrices. This allows you to achieve the required dynamic range within a single frame and do without gluing several frames — as a result, WDR, unlike HDR, does not give a blurring effect and does not worsen the detail of moving objects in the frame. The downside of this quality is the high price.

— Polarizing filter. The presence of a polarizing filter in the main camera of the DVR. Such a filter reduces the brightness of glare arising from strong light on glass, water and other similar surfaces. This greatly improves image quality, especially when shooting in sunny weather.

— DEWARP. A technology used to correct the "picture" obtained using a wide-angle lens. Such lenses are often used in DVRs; one of their drawbacks is their propensity for the fish-eye effect, the characteristic distortion when straight lines in the frame turn into rounded ones. The DEWARP function eliminates this shortcoming — it "bends back" curved lines, correcting the geometry of objects in the frame. Note that such a correction does not always work 100% accurately, however, the picture processed by DEWARP is anyway more reliable than without this technology.

— Time Lapse. A special mode of operation in which video recording is carried out at a slow frequency, which in practice is mainly used for shooting slow processes. Thus, for example, a long journey or a long sunset can fit into a 3-minute video.
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