Comparison Philips BTB-8000 vs Pioneer X-HM51

Radio ranges received by the tuner of the music center. Today, the most common ranges supported are:

— FM. Part of the ultra-short-wave (VHF) range from 87.5 MHz to 108 MHz. Uses frequency modulation, which allows you to broadcast music in stereo with fairly high sound quality, as well as transmit RDS signals (see RDS). At the moment, most music radio stations in the CIS broadcast in this range, as a result of which FM is supported in the vast majority of audio systems. The disadvantage of this option is the limited reception area - a maximum of several dozen kilometers from the transmitter - so FM broadcasts can usually be listened to within one city and its surrounding areas.

— AM (from English amplitude modulation) — radio broadcasting using amplitude modulation. Usually, this term refers to broadcasting on medium waves in the range of 520–1610 kHz; most consumer AM receivers are designed for these same frequencies. The range of AM stations can be hundreds of kilometers, but the sound quality is lower than on FM, so this format is mainly used for talk and news radio stations.

— DAB+. DAB is an abbreviation for Digital Audio Broadcasting, i.e. “digital radio broadcasting”; and “+” means an improved version of this standard. Formally, DAB+ is not only a range, but also a signal transmission format: unlike all the options described above, it is, as the name suggests, digital. This provides a number of advantages over traditional transmitter...s — in particular, a greater range at lower power and high quality of the transmitted sound. In addition, this sound is practically not subject to distortion: weak interference does not affect its quality, and with a critical decrease in transmitter power, the signal is not distorted, but disappears completely. The latter, however, can be written down as a disadvantage; but the only truly significant disadvantage of this option is its low prevalence (so far) in the CIS countries. Technically, such broadcasting can be carried out in any range above 30 MHz, but in practice, several options are used (depending on the country), related to the VHF range. Please note that DAB+ tuners are capable of receiving original DAB radio broadcasts, but not vice versa.

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

Nominal sound power (see "System power") on each of the main channels of the audio system. This indicator is most often indicated in models with a subwoofer (see "Number of channels"); knowing it, you can estimate the power distribution between the main speakers and the subwoofer.

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

Bass boost function for powerful and rich bass. Often implemented as a single button, with which you can actually "turn the bass on and off." This is more convenient than adjusting the low frequencies using the equalizer; in addition, various special technologies can be used to enhance the bass.

— RCA. The RCA interface uses coaxial cables with characteristic tulip plugs and corresponding connectors. It can be used to transmit different types of data, but in this case it is meant to connect an audio signal from a preamplifier in analog format, one audio channel per connector. RCA is widely used in modern audio equipment, but its resistance to interference is very modest.

— Mini-Jack(3.5 mm). Standard connector for most modern portable audio equipment. In audio systems, it is mainly used to connect such equipment — primarily pocket media players. It uses analog signal transmission, but its resistance to interference, like that of RCA, is low, and the quality may be even lower due to the fact that both stereo sound channels are transmitted via one cable.

— Coaxial S/P-DIF. An electrical variation of the S/P-DIF standard that uses a coaxial cable with a tulip connector to transmit the signal. This interface should not be confused with the analog RCA described above — despite the identity of the connectors, these standards are fundamentally different: “coaxial” operates in digital format and allows for the transmission of even multi-channel sound over a single cable. Compared to optical S/P-DIF, this interface is less resistant to interference, but more reliable, since the electrical cables are not as delicate.

— Optical. One of the varie...ties of the S/P-DIF standard — along with the coaxial one described above. In this case, the signal is transmitted via a TOSLINK fiber-optic cable. The main advantage of this interface is its complete insensitivity to electrical interference, while its capabilities are sufficient even for working with multi-channel sound. Among the disadvantages, it is worth noting the high price of connecting cables, as well as the need for careful handling of them.

— For microphone. Input for connecting a microphone to an audio system; can use different types of connectors (3.5 mm mini-Jack, 6.35 mm Jack, etc.). This function is mandatory for models with karaoke (see "Additional"), but can also be used for other purposes.

— Instrumental. Connectors used to connect musical instruments (acoustic or bass guitars, keyboards, etc.). Most often, they are made in the form of 6.35 mm Jack sockets. The audio signal from the pickups has its own specifics, so the instrument input is usually characterized by a higher input signal level and special impedance matching to ensure optimal sound quality.

— RCA. The RCA interface uses coaxial cables, with characteristic "tulip" plugs, and the corresponding connectors. It can be used to transfer different types of data, however, in this case, it means outputting an audio signal in analogue format, one channel of audio per connector. RCA is widely used in modern audio technology, but its resistance to interference is very limited.

— Mini-Jack (3.5 mm). One of the standard connectors in modern audio equipment, it is widely used in portable devices, as well as for connecting headphones. However, we note that in this case we mean the jack responsible for the line output — an interface for transmitting an audio signal in analogue format to an external device, such as an amplifier. The headphone jack is listed separately in our catalog, even if it belongs to the 3.5 mm mini-Jack standard; See below for details on headphone output.

— Coaxial S / P-DIF. An electrical version of the S / P-DIF standard, using a coaxial cable with a “tulip” connector for signal transmission. Do not confuse this interface with the analogue RCA described above — despite the identity of the connectors, these standards are fundamentally different: "coaxial" works in digital format and even multi-channel audio can be transmitted over a single cable. Compared to optical S/P-DIF, this interface is less resistant to interference, but more rel...iable because electrical cables are not as delicate.

— Optical. One of the varieties of the S / P-DIF standard is, along with the coaxial one described above. In this case, the signal is transmitted via a TOSLINK fiber optic cable. The main advantage of this interface is its complete insensitivity to electrical interference, while its capabilities are sufficient even to work with multi-channel audio. Among the shortcomings, it is worth noting the high price of connecting cables, as well as the need for careful handling of them.

— Subwoofer. A separate output for connecting an external subwoofer — a specialized low-frequency speaker. The use of such a speaker allows you to significantly improve the sound of low frequencies, make the bass powerful and rich, which general-purpose speakers are not capable of. Note that such an output can also be useful in systems with a built-in subwoofer — external "subwoofers" are in most cases more powerful and provide more options for adjusting the sound.

— Headphones. Separate headphone output. Most often, a standard 3.5 mm mini-Jack or 6.35 Jack is used for this purpose, but there may be other options — for example, a manufacturer's proprietary connector. Anyway, headphones can come in handy in situations where you need to keep quiet — for example, if you want to listen to music at a late time when others are already sleeping — or vice versa, in noisy environments when ambient sounds drown out the speakers of the audio system.

— Composite. The full-size composite interface includes three connectors — one for video transmission and two for left and right stereo channels. However, in this case, a composite output usually means only a video connector (the standard acoustics of the audio system are responsible for the sound, it usually makes no sense to broadcast it to a TV). Anyway, this output allows you to connect the audio system not only to the latest, but also to frankly outdated TVs. Its disadvantages are poor image quality and incompatibility with HD.

— Component. Output for transmitting video signal in analogue format. Outwardly similar to the composite interface described above, because also uses three RCA cables; however, in this case, these cables carry three components of the video signal (hence the name). The component interface is considered the most advanced among the popular analogue video standards, it provides the highest image quality among them and is even capable of working with HD resolutions. Among the shortcomings, it is worth noting the impossibility of transmitting sound — this will require a separate connection.

— S video. Analogue interface for video transmission. In some way similar to the component described above, since it also provides separate wires for transmitting video signal components; however, in this case there are only two of these wires. This, on the one hand, allowed us to limit ourselves to one connector instead of several, on the other hand, it slightly reduced the quality of the “picture” and limited the bandwidth, so HD is out of the question with such a connection.

— SCART. Universal audio/video interface using a characteristic large 21-pin connector (20 pins plus a rim around the connector). For a long time it was the standard for European video equipment, but today it is considered obsolete due to its low bandwidth and significant dimensions. Note that SCART can work with signals of different formats, which allows the use of adapters — in particular, for connecting external devices via composite and component interfaces.

— HDMI. Universal digital interface that allows you to transfer HD-video and multi-channel audio over a single cable. It is practically a standard for modern video equipment, in particular, it is present in most TVs. In audio systems, this type of output is used in the same way as the coaxial S / P-DIF described above — that is, to output the audio signal in digital form.

The presence in the audio system of its own LCD display. Such displays may have different characteristics: in some models, these are the simplest indicators in which symbols are made up of separate luminous fragments (similar to how numbers are made up of separate “sticks” in the simplest electronic watch); in others — full-fledged matrices with an image formed from pixels. However, anyway, the display makes the control of the audio system more convenient and intuitive, because. can display various additional information — the selected signal source, track name, RDS data (see above), equalizer settings, error messages and much more.

A remote control is included with the audio system. The convenience of this function is obvious: instead of having to approach the device every time to change the operating parameters, you can give a command from the remote control without getting up.