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Comparison Audio-Technica AT-LP120X-USB vs Pro-Ject Debut Carbon EVO/2M Red

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Audio-Technica AT-LP120X-USB
Pro-Ject Debut Carbon EVO/2M Red
Audio-Technica AT-LP120X-USBPro-Ject Debut Carbon EVO/2M Red
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Main
Playback at 78 rpm Reverse.
Pickup
ModelAT-VM95EOrtofon 2M Red
TypeMMMM
Needle shapeellipticalelliptical
Output level4 mV5.5 mV
Downforce1.8 – 2.2 g1.5 – 2 g
Pickup weight6.1 g7.2 g
Tonearm
ModelPro-Ject 8.6 cc
Typeradialradial
ShapeS-shapedstraight
Materialaluminiumcarbon
Tonearm effective length231 mm219 mm
Tonearm weight6 g
Design
Drive unitstraightbelt
Speed controlelectronic (automatic)electronic (automatic)
Cover
Phono stageswitchableis absent
Features
Features
adjustable counterweight
anti-skating
reverse playback
speed 78 rpm
adjustable counterweight
anti-skating
 
speed 78 rpm
Tempo adjustment± 8, ± 16 %
Connection
USB B
 
Specs
ADC sampling rate48 kHz
ADC bit depth16 bit
Frequency range20 – 20000 Hz
20 – 20000 Hz /+3, -1 дБ/
Signal to noise ratio50 dB68 dB
Knock ratio0.2 %
0.17 % /33 rpm, 0.15% — 45 rpm/
Speed deviation
0.5 % /33 rpm, 0.6% — 45 rpm/
General
Power consumption4 W
Base materialplasticMDF/Fibreboard
Platter material
aluminium /aluminium/
aluminium
Platter size300 mm
Platter weight1.7 kg
Dimensions (WxDxH)452х352х142 mm415x320x113 mm
Turntable weight8 kg6 kg
Color
Added to E-Catalogaugust 2021august 2021

Model

Model of the pickup (cartridge) supplied with the player. The pickup is one of the most important parts of any vinyl player, the quality of the received sound largely depends on its quality. Knowing the name of the model, you can find detailed data on it and determine how satisfied you are with this particular cartridge.

Output level

The signal level at the output of the pickup supplied with the player is, in fact, the power of the signal coming from the pickup to the phono stage. This parameter is necessary, first of all, in cases where the player is planned to be connected to an external phono stage: such equipment must be designed for the corresponding power of the signal coming from the pickup.

Downforce

The force of pressing the needle on the plate, which the complete pickup (cartridge) is designed for.

This force depends on the rigidity (compliance) of the needle: the greater the clamping force, the harder the cartridge, respectively, the less pliable it is. It is also believed that less pressing force wears out the record less, but it cannot be said that "light" cartridges are definitely better — there are many other nuances. So in fact, information about the pressing force of a complete pickup is needed mainly in case of its replacement. Usually, the pressing force provided by the arm of the turntable is regulated within these limits, so the new cartridge must also be rated for the same values of downforce — otherwise there is a chance that the turntable will not be able to correctly align.

Pickup weight

The weight of the pickup (cartridge) supplied with the turntable.

The weight of the cartridge determines the characteristics of balancing the tonearm to set the optimal tracking force. However, pickups in set are usually optimally compatible with the corresponding tonearms, so there are no problems with adjusting the turntable. But when buying a replacement cartridge, you should pay attention to this parameter: it is advisable that the new cartridge does not differ too much in weight from the old one, otherwise the tonearm adjustment range may not be enough for the correct balance.

Model

Model of the tonearm — the movable lever on which the pickup is attached — supplied with the turntable. The tone arm is responsible for the correct position of the needle and the accuracy of its movement along the grooves, which is critical for sound quality. Therefore, many music lovers try to clarify not only the general data on the tonearm, but also its specific features in each particular “turntable”; in order to be able to find this information, the name of the tonearm is given in the characteristics.

Shape

The shape of the complete tonearm (viewed from on top). Modern players may have both straight and S-shaped or J-shaped tonearms. It is impossible to say for sure which of them is better: the advantage of the first option is its light weight, the second and third ones are its greater length and low resonant frequency, which reduces the likelihood of interference. Therefore, in practice, the choice depends on the specific situation and personal preferences.

Material

The main material used in the construction of a complete tonearm.

- Aluminum. This is a fairly lightweight and durable material that has average characteristics in terms of sound quality: it does not dampen extraneous vibrations as well as carbon, but for entry-level and mid-level turntables this is quite enough; in expensive models, you can use other methods of eliminating interference, and aluminum is noticeably cheaper.

Carbon. A high-quality material that is lighter in weight and has more advanced anti-resonance properties than the metal described above. The main disadvantage of carbon fiber is its rather high cost.

- Plastic. Plastic is inexpensive, but this is perhaps its only key advantage: the performance characteristics of this material are quite modest. That is why it is used extremely rarely - mainly in retro-style players, where a plastic tonearm is a necessary part from a design point of view.

Tonearm effective length

The effective length of a tonearm in set is the distance from the attachment point (axis of rotation) to the stylus.

This indicator is important primarily for rotary tonearms: the longer the length, the lower the angular error, the smaller the discrepancy between the direction of movement of the track and the longitudinal axis of the pickup (for more details, see “Type”) and the lower the level of corresponding distortion. In addition, a longer length reduces the resonant frequency and reduces the likelihood of distortion. On the other hand, a longer tonearm turns out to be heavier, which requires certain technical tricks and can also negatively affect the purity of the sound. Therefore, a large length is not always a guarantee of high quality – you should also pay attention to weight (see below).

Tonearm weight

Operating weight of the complete tonearm. It is believed that this indicator should be as low as possible — in order not to create excessive pressure and to minimize the wear of the needle and records. On the other hand, a rigid pickup on a light arm can bounce on uneven records, and in general, such a discrepancy does not improve the sound quality. However, complete tonearms are usually optimally compatible with complete pickups; therefore, you should only be interested in compatibility when buying a cartridge of a different model.
Audio-Technica AT-LP120X-USB often compared
Pro-Ject Debut Carbon EVO/2M Red often compared