Photo Frames & Albums A4Tech

Print File 600670 Archival Photo Pages for 2 A4 Prints 0600670

Delivery: in USA

Report

• Holds two A4 (8-1/4" x 11-11/16") documents or prints. Clear multi-hole page. NO white data area. Dimensions: 9-3/16" W x 11-15/16" H, Fits: standard binder.

Itoya 8.3x11.7" A4 Size PolyGlass Refill Pages, 10 Pages per Pack PR-A4

14.95Buy!
$

Adorama.com

Delivery: in USA

Report

The crystal clear clarity of PolyGlass is now available for your refillable binders; the most superior refill pages available on the market today at a value price. ITOYA's exclusive PolyGlass Pages, f more→eaturing seventeen popular digital imaging sizes. The archival safe PolyGlass Pages fit all standard multi-ring binders and feature a thick gauge European-sourced acid free mounting board inside each sheet. Crystal clarity and texture-free surface unlike any other pocket before ensure your images shine through like you're looking through glass.Perfect for photographs, digital images and artwork. Will not stick to inkjet, laser or copier toner. For use with all popular standard multi-ring

Print File A4-2P Archival Storage Page for Two A4 Documents, 9.2x11.9", 10

31.70Buy!
$

Adorama.com

Delivery: in USA

Report

• Holds two A4 (8 1/4" x 11 11/16") documents or prints• Clear page• Archival quality - NO PVC - safe for long-term storage• High clarity 8 mil polypropylene (4 mil top & bottom la more→yers)• PAT passed• No white data area for writing• 100 pages per pack Tips: • For writing on preservers use the recommended Permapaque Markers• Remember to use gloveswhen handling negatives• To safely clean prints use archival PEC-12 with PEC PADS

Print File 600673 Archival Photo Pages for 2 A4 Prints 0600673

135.35Buy!
$

Adorama.com

Delivery: in USA

Report

• Until recent years, archival film storage had been associated, at least in the public mind, with museums, government agencies, libraries, or other institutions concerned with the preservation o more→f photographic records; however, other users of photographic film, such as commercial photographers, printing houses, publishers, and schools, have long been concerned with how best to ensure permanence of their irreplaceable photography. • A sophisticated generation of amateur photographers who observed how time, humidity and casual storage damaged valuable slides and prints, nowadays, have converted to using archival storage techniques. They, too, appreciate that a picture good enough to