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Peacock Trilogy II, by June Erica Vess, displays the graphic beauty of three peacock feathers. This up-close view is quite abstract, and paired with a rich chocolate color palette, works to highlight more→the various colors in the plumage. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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The NW Art Tangled I is a dynamic and colorful abstract piece full of scribbles and different colors. Full of energy and life, the bright colors are juxtaposed against white and earth tones which bala more→nce out the saturated hues. With a background in graphic design and a knowledge of color theory, James Burghardt is able to bring something as simple as lines and color to life. Color: Multicolor.
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The NW Art Modular Tiles IV is a graphic and modern piece that emphasizes different hues and softened shapes. The artist, James Burghardt comes from a background of graphic design and digital art, and more→is able to combine traditional ideas in a contemporary light. This piece depicts shades of pinks complemented with tones of brown in dozens of layered rectangles that plays with the idea of depth and space in a 2D image. Color: Pink.
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The NW Art Nautilus Twin I features a marine mollusk in a form rarely seen. The large shiny shell stands in front of an inky black background, the grey tones hinting at silvers and pure whites. An int more→eresting take on the beauty of seashells, this photographic print gives a detailed and full view of a part of nature one might only run into momentarily on the coast. Color: Black.
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The NW Art Camera Collection III has notes of nostalgia of a simpler time, before digital cameras were the norm. Known as the Kodak Tourist, this obsolete item features bellows, a small viewfinder wit more→h plastic lens and manual knobs and buttons. Film cameras are coming back in fashion perhaps ironically, or perhaps to relive the days of analog technology. Either way they have a certain quaint quality that is captivating and charming. Color: Multicolor.
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The NW Art Entangled I is an energetic and colorful abstract piece depicting tangled scribbles filled with bright colors. There is a striking dichotomy between the upper half and the lower, the lower more→half is very colorful and adventurous while the upper is more subdued and calm. Yet these two halves balance and complement each other, possibly a colorful play on yin and yang. Color: Multicolor.
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Gradient Indigo I by Nikki Galapon features a grid of miniature greyscale portraits. They each have their own trajectory from dark to light, creating larger composition that is full of depth and contr more→ast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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The NW Art Tangled II showcases a simple idea in a complex fashion. Known for his expertise in both fine art and graphic design, his artwork is a combination of traditional and modern concepts as well more→as having a keen eye for color theory. Ripe with energy in an abstract fashion, something as simple as scribbles and unique shapes combined with different colors creates a compelling design that is truly a feast for the eyes. Color: Multicolor.
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The NW Art Molecular Motion I combines seemingly simple lines and shapes into a complex composition. The mixture of bright colors against the off white background truly makes the different tones pop, more→and the intelligent layout of the shapes allow the eye to travel all throughout the piece with ease. Color: Multicolor.
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The NW Art Molecular Motion III has an air of whimsy and imagination with multi-colored shapes and a layered look. Evocative of a molecular structure with an artistic spin, each section is painted in more→a different color which adds a certain complexity to this otherwise simple composition. Color: Multicolor.
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The Peacock Trilogy I by June Erica Vess takes a natural element and portrays it in a nearly abstract fashion. Three peacock feathers are set against a deep rich brown background, the bright blues and more→oranges truly catching the eye. Whether it reminds one of a bird or abstract shapes and colors is up to the viewer. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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Marquise I, by Grace Popp, has the charcoal tone of a chalkboard, and even depicts its subject as if drawn on one. Diamond shapes pop against the dark background in white, adding a nice geometric dept more→h to the two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Entangled II has a dynamic quality that is a colorful feast for the eyes. A series of tangled scribbles are complemented with bright contrasting colors, with some of the shapes filled in. A more→large tilted triangle nearly splits the artwork in half, with a darker more subtle side on the left and a brighter side on the right. Color: Multicolor.
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Gradient Indigo II by Nikki Galapon features a grid of miniature greyscale portraits. They each have their own trajectory from dark to light, creating larger composition that is full of depth and cont more→rast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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Dispersed 7 by Robert Moya is a densely populated composition of bright colors, created with thick layers of acrylic. If you look closely, each piece has its own microcosm of texture and color. This f more→ine-art full color giclee is printed with inkjet printers using pigment-based archival inks. The print is digitally signed by the artist. Color: Multicolor.
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: Clear.
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Discover boundless creative possibilities with the Modular Curved Art Indoor/Outdoor Wall Decor, Set of 2 by Bend Goods. This DIY wall decor empowers you to curate a bespoke arrangement that complemen more→ts your style. With its modular design, arrange each piece to craft dynamic layouts-whether a vertical or horizontal display or an eclectic art collage. Elevate your interior with this modern, customizable wall art transcending conventional decor boundaries Shape: Round. Color: Black.
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The NW Art Meadow Light II features features a relaxing array of blues and greens with simple geometric shapes layered in the foreground. The watercolor-esque background is contrasted against bold sha more→pes drawn with thin black lines and filled with a nearly opaque off-white. Color: Green.
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The NW Art White Caps I features bold cut outs of blues and whites arranged in a compelling collage. Either a dark blue ocean with cresting waves or a snow covered mountain in the dark of night, the f more→inal interpretation is open to the viewer. Color: Multicolor.
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The NW Art White Caps II is an interesting take on the collage concept. Cut-outs containing layers of whites and dark blues are all pulled together, like a cubist's interpretation of crashing waves in more→the ocean. From large cut-outs to small pieces, each individual part comes together to create one complete image. Color: Multicolor.
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The NW Art Meadow Light I features a calming pallet of greens and blues with repeated geometric shapes. The multicolored background has that watercolor-blended quality, while the bold shapes in front more→are more stark and opaque. The shapes in the foreground are connected with thin black lines, becoming one large shape set in front of what appears to be a stained glass window. Color: Green.
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