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The doors of perception. Original rendering by Bangkok-based art house Coup D'Esprit, printed on watercolor paper and framed within natural American maple for a museum-quality look. Handmade in Austin, Texas.
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Dandelion Garden I by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a free form nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Dandelion Garden II by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a freeform nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.
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Peacock Be-Bop I, by June Erica Vess, displays the graphic beauty of a peacock’s blueish plumage. Viewed this close, the feathers become an abstract image with a calming light blue and lime green colo more→r palette. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Peacock Be-bop II provides an intriguing close-up of the beautiful bird it is named after. Like taking a single feather and looking at it under a microscope, the shapes and array of blues a more→nd greens combined with the brown provide an intriguing contrast that reads both abstract and realistic. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Marquise I, by Grace Popp, has the charcoal tone of a chalkboard, and even depicts its subject as if drawn on one. Diamond shapes pop against the dark background in white, adding a nice geometric dept more→h to the two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modular Tiles II is an abstract and graphic piece featuring tones of greens and blues in interlocking layers. Ideal for adding a bold pop of color to any space, or for the more adventurous more→art collectors who appreciate a daring color scheme combined with softened geometric shapes. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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The NW Art Modular Tiles III delivers a lot of color with rounded geometric shapes in intriguing layers. Although a relatively simple concept, the repetition and layering makes it complex and fun to l more→ook at - the viewer always discovering something new. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modular Tiles IV is a graphic and modern piece that emphasizes different hues and softened shapes. The artist, James Burghardt comes from a background of graphic design and digital art, and more→is able to combine traditional ideas in a contemporary light. This piece depicts shades of pinks complemented with tones of brown in dozens of layered rectangles that plays with the idea of depth and space in a 2D image. Color: Pink.
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The NW Art Camera Collection III has notes of nostalgia of a simpler time, before digital cameras were the norm. Known as the Kodak Tourist, this obsolete item features bellows, a small viewfinder wit more→h plastic lens and manual knobs and buttons. Film cameras are coming back in fashion perhaps ironically, or perhaps to relive the days of analog technology. Either way they have a certain quaint quality that is captivating and charming. Color: Multicolor.
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The NW Art Nautilus Twin I features a marine mollusk in a form rarely seen. The large shiny shell stands in front of an inky black background, the grey tones hinting at silvers and pure whites. An int more→eresting take on the beauty of seashells, this photographic print gives a detailed and full view of a part of nature one might only run into momentarily on the coast. Color: Black.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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The NW Art Camera Collection IV portrays a classic of film photography, the Kodak Brownie Hawkeye. Widely popular in the 1950s, the black plastic Bakelite body, carrying handle and manual knobs all en more→compass a time before the popularity of digital cameras and the certain charming quality that is exclusive to the film medium. Color: Multicolor.
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.

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