PreSonus StudioLive 16.0.2 USB 16-Channel Performance and Recording Digita
$1,000.00 Buy! PreSonus StudioLive 16.0.2 USB 16-Channel Performance and Recording DigitaFullcompass.comDelivery: in USA Report |
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PreSonus StudioLive 16.0.2 USB 16-Channel Performance and Recording Digita | $999.99 |
When mixing a live event or tracking in the studio, you need the ability to work fast. The familiar, easy-to-use interface on PreSonus' StudioLive® 16.0.2 USB keeps all critical controls visible and accessible — that is, not buried down in menus or lower-level layers. PreSonus' design philosophy is simple: 1 fader for every mono or stereo channel; 1 output for every bus. To that, add rotary trim controls; easily-accessed, color-coded function buttons; and clearly labeled, individual knobs for EQ and dynamics processing. Its Aux sends all have their own physical controls. Every channel features a big, bright meter display. But don't be fooled by that analog feel: The StudioLive 16.0.2 USB brings with it all the power of modern digital mixing, multitrack recording, wireless remote control, and much more. The compact 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader, all within a footprint of less than 2 square feet (0.19 square meters). Additionally, you get generous analog I/O, extensive signal processing with physical controls, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, accurate metering, MIDI control, and an onboard multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB includes a suite of tightly integrated recording, control, and audio analysis software. Plus it's so compact and lightweight that you can easily hold it in one hand and tuck it under your arm.Features8 mono mic/line inputs with Class A XMAX preamps60mm precision faders4 stereo line channel inputs2 internal FX busses2 stereo 32-bit digital FX processors with customizable presetsSpecificationsMicrophone PreampType: XLR Female, BalancedFrequency Response to Direct Output (at unity gain): 20 Hz – 20 kHz, 0 / -0.5 dBuFrequency Response to Main Output (at unity gain): 20 Hz – 20 kHz, ±0.5 dBuInput Impedance (Balanced): 1 kOhmTHD to Direct Output (1 kHz at unity gain): < 0.005%, +4 dBu, 20 Hz – 20 kHz, unity gain, unwtdTHD to Main Output (1 kHz at unity gain): 0.005%, +4 dBu, 20 Hz – 20 kHz, unity gain, unwtdEIN to Direct Output: +125 dB unwtd, +130 dB A-wtdS/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -102 dBS/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): -95 dBCommon Mode Rejection Ratio (1 kHz at unity gain): +65 dBGain Control Range (± 1 dB): -16 dB to +67 dBMaximum Input Level (unity gain): +16 dBuPhantom Power (± 2 VDC): +48 VDCLine Inputs, BalancedType: ¼" TRS Female, balanced monoFrequency Response to Direct Outputs (at unity gain): 10 Hz – 20 kHz, 0 / -0.5 dBuFrequency Response to Main Outputs (at unity gain): 20 Hz – 20 kHz, 0/-0.5 dBuInput Impedance: 10 kOhmTHD to Direct Output (1 kHz at unity gain): < 0.0007%, +4 dBu, 20 Hz – 20 kHz, unity gain, unwtdTHD to Main Output (1 kHz at unity gain):
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