Comparison Xiaomi Mi TV A2 50 50 " vs Xiaomi Mi TV P1 50 50 "

The type of coating used on the TV screen.

— Matte. Historically, the first type of coating for LCD screens, which is often found today. Screens with such a coating generally have average characteristics of brightness, saturation and colour reproduction quality, in terms of these indicators they are inferior to glossy counterparts. However, the matte coating has one important advantage: it has virtually no glare from ambient light. In some situations, this can be an important advantage — for example, if the TV is installed opposite the window. And for some users it is more pleasant to look at the screen without glare, albeit relatively dim.

— Glossy. A coating designed to improve the brightness and colour quality of the visible image compared to matte screens. The creators have managed to achieve this goal: "glossy" screens really provide rich, vibrant colours and a brighter image. The key disadvantage of such screens is the appearance of glare from ambient light on them — this can ruin the whole viewing experience. Because of this, the classic glossy coating is practically not used today, anti-glare solutions have taken its place (see below).

— Glossy (anti-glare). Modification of the glossy coating, created, as the name implies, in order to eliminate the main drawback of the classic gloss — glare from external lighting. This is not to say th...at such screens do not glare at all, but there are much less reflections on them than on ordinary glossy ones. As for the image quality, it is at least not much worse, and often even better (especially since such coatings are constantly being improved). Thanks to all this, most modern TVs of all price categories are equipped with anti-glare screens.

TV support for Upscaling function. This feature is only available on models with 4K and 8K resolution screens.

Upscaling to 4K allows you to increase the resolution of the original “picture” to 4K (3840x2160), if it was initially lower - for example, viewing a movie in 4K that was originally recorded in Full HD (1920x1080). In this case, we are not just talking about “stretching” the image to fill the entire screen (all TVs are capable of doing this), but about special processing, thanks to which the actual video resolution is increased. Of course, such video will still be inferior to content originally recorded in 4K; however, upscaling provides a noticeable improvement in quality compared to the raw signal.

Upscaling to 8K works on the same principle, only relevant for 8K TVs.

The maximum brightness of the image provided by the TV screen.

The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.

Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.

The nominal power of the sound produced by the TV's sound system.

The larger the screen and the greater the estimated distance to the viewer, the more powerful the sound system must be in order to be heard normally. Manufacturers take this moment into account, moreover, most often they also provide a solid volume margin. So if a TV is bought for home viewing in a quiet, calm environment, you can not pay much attention to the sound power: it is guaranteed to be enough for such a usage. It makes sense to specifically look for models with high-power speakers for a noisy environment — for example, a cafe or other public space. Detailed recommendations on this matter can be found in special sources, but here we note that even in such cases, connecting external speakers can be a good alternative.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. Dolby Digital and DTS were the first in multi-channel decoding, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders.

– Dolby Atmos. A decoder that uses not a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X. An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audi...o channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

About the interface itself, see above, and its different versions differ in maximum resolution and other features. Here are the options found in modern TVs:

— v 1.4. The oldest of the current versions, released in 2009. However, it supports 3D video, capable of working with resolutions up to 4096x2160 at 24 fps, and in Full HD resolution, the frame rate can reach 120 fps. In addition to the original v.1.4, there are also improved modifications — v.1.4a and v.1.4b; they are similar in terms of basic features, in both cases the improvements affected mainly work with 3D content.

– v 2.0. Significant update to HDMI introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and the audio bandwidth has increased to 32 channels and 4 separate streams simultaneously. Also from the innovations, we can mention support for the ultra-wide format 21:9. In the v.2.0a update HDR support was added to the interface capabilities, in v.2.0b this feature was improved and expanded.

— v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10K at speeds up to 120 fps, as well as even more expanded features for working with HDR. Under this version, its own cable was released — HDMI Ultra High Speed, all HDMI 2.1 features are available only when using cables of this standard, although basic functio...ns can be used with simpler cords.

— VRR. VRR (Variable Refresh Rate) adaptive frame rate synchronization technology allows you to adjust the refresh rate of the image on the TV screen in real time in accordance with the frame rate output by the game console or connected computer. The function ensures smooth rendering of dynamic scenes, eliminates frame breaks, and guarantees comfortable and stable gameplay. Realizable technology with standard HDMI v 2.1.

— ALLM. Automatic low latency mode for games (Auto Low Latency Mode). The TV switches to game mode when it detects a game console connection. Reducing the output delay on the TV panel screen is provided by suspending part of the image processing functions. The ALLM mode can also be useful for karaoke and video calls.

eARC. HDMI v 2.1 has an enhanced eARC (enhanced Audio Return Channel). The technology allows you to send higher quality audio from your TV to your soundbar or AV receiver. It claims to support the latest high bit rate audio formats up to 192 kHz, uncompressed 5.1 and 7.1, and 32-channel uncompressed audio. eARC also supports Dolby TrueHD, DTS-HD Master Audio, DTS:X, Dolby Atmos.

— CEC. The CEC (Consumer Electronics Control) system is designed for remote control of equipment connected to the TV using a single remote control. The devices are connected to the TV panel using an HDMI cable.

Most TVs have a VESA wall mount which may vary in size. The basis for such mount is a rectangular plate with four holes for screws in the corners. The main characteristic of such a mount is the distance between the holes — it is measured along the sides of the rectangle and is expressed in two numbers. The original VESA format is 100x100, these mounts are used for most medium-sized LCD TVs. For small screens, 75x75 mounts are provided, for large ones — 200x200 and more (up to 800x400).

However, there are also models that are equipped with a standard (proprietary) mount from the manufacturer. Mostly these are either ultra-thin TVs or designer lines. Anyway, the mount in the kit is suitable only for the selected model.

— 2 separate legs. Two legs as support are usually located on different sides of the lower face of the TV panel body. Such a design involves placing the TV on a large flat surface that extends along the entire lower side of the device. The TV is often more stable on two "legs" than on one leg.

— 1 leg on the platform. A support for the TV with a round or rectangular platform, which is in contact with the surface of the TV panel (table, stand, etc.) with its entire plane.

— 1 leg with supports. Stands of this kind consist of a single leg and a base of various geometric shapes that holds the TV. This solution ensures reliable stability of the TV panel, and in terms of design, it is a stylish element of the design of the structure.

— Monolithic. A solid stand with two or more attachment points to the bottom of the TV and monolithic frames as a solid support for installing the TV panel on a flat surface of a table or stand.