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Comparison Novation SL 49 MK3 vs Arturia KeyLab 49 MkII

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Novation SL 49 MK3
Arturia KeyLab 49 MkII
Novation SL 49 MK3Arturia KeyLab 49 MkII
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Keys49 шт49 шт
Key sizefull sizefull size
Mechanicsactive (dynamic)active (dynamic)
Rigiditysemi-weightedsemi-weighted
Aftertouch
Control
Pitch controller
Modulation controller
Transposition
Octave shift
Keyboard split
Arpeggiator
Transport control
Pads1616
Faders89
Regulators (encoders)89
Connections
MIDI in
MIDI out
 /2/
MIDI thru
USB to host (type B)
Connectable pedals3 шт5 шт
General
Programming function
Display
colour /5/
monochrome
Dimensions (WxHxD)817x100x300 mm793x53x297 mm
Color
Added to E-Catalogjuly 2019december 2018

Transposition

The presence of the transposition function in the keyboard — switching the sound to a different key. When transposing, the pitch of all keys is simultaneously raised or lowered by a certain number of semitones. This function is useful in all cases when a melody learned in one key needs to be played in a different key — for example, if the original melody is too high or too low for the vocalist, if the external accompaniment differs in key, if you need to switch between keys during the song, and etc. In such situations, by transposing the sound, you can play a melody in a new key using the same familiar keys without relearning it.

Arpeggiator

The presence of an arpeggiator in the keyboard.

The name of this function comes from "arpeggio" — a technique for playing chords, in which notes are not played all at once, but in turn. Accordingly, the arpeggiator is a function that allows you to play a taken chord in the arpeggio technique: the musician presses all the keys at once, and the keyboard plays them in turn. This effect can also be achieved manually, but in some cases the arpeggiator turns out to be more convenient: it plays notes at a clearly defined speed and interval, can accompany them with various effects, and provides other additional features. These features vary depending on the model, but some instruments allow you to create entire songs with the arpeggiator by simply pressing a sequence of chords.

Faders

The number of faders provided in the design of the keyboard.

A fader is a slider control. The simplest kind of such controls is the volume setting; if there is one fader in the design, most likely it is responsible for the volume. If there are more controls, other functions can be tied to them, respectively — in particular, changing the settings in the recording programme on the computer to which the keyboard is connected.

Regulators (encoders)

The number of encoder controlsprovided in the design of the keyboard.

Such a knob looks like a rotary knob, with which you can control various functions of the device to which the keyboard is connected — for example, turn the virtual knobs in the programme for recording and sound processing. At the same time, we note that a full-fledged encoder is capable of rotating 360 ° and turning to any angle in any direction, however, keyboards can also contain knobs with a limited rotation sector — they can also be called encoders. None of these options has a clear advantage: in some cases, an unlimited turning sector is more convenient, in others, a limited one.

MIDI thru

The output to which the MIDI signals received at the MIDI In input are output (see the relevant paragraph). The key feature of this output is that the signals are output to it unchanged, regardless of the impact of the musician on the keyboard. In other words, if the MIDI Out input receives signals from both MIDI In and the keyboard itself, then MIDI Thru receives only signals from MIDI In.

MIDI Thru can come in handy when using the keyboard in large musical complexes where there are other sources of MIDI signal — in some cases it is convenient to use the keyboard as an intermediate link for these signals.

Connectable pedals

The maximum number of pedals that can be connected to the keyboard at the same time.

Pedals are used as additional controls to change various keyboard settings. The “classic of the genre” in this sense is the sustain pedal (see “Sustain”) — if the device has one connector for pedals, then this will almost certainly be the input for just such a pedal. Keyboards are produced, where there are 2 or more such inputs — in addition to sustain, you can connect pedals to them for other adjustments and effects (in particular, changing the volume).

Display

The type of display that the keyboard is equipped with.

Most modern MIDI keyboards have relatively simple monochrome (single colour) displays. Such screens are inexpensive, and their capabilities are sufficient for most cases. However, there are also models with colour screens — usually, such equipment is a sign of an advanced keyboard with an abundance of additional functions; for simpler devices, a colour display is overkill.
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