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Comparison Nektar Impact LX61 Plus vs M-AUDIO Oxygen 61 MK IV

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Nektar Impact LX61 Plus
M-AUDIO Oxygen 61 MK IV
Nektar Impact LX61 PlusM-AUDIO Oxygen 61 MK IV
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Keys61 шт61 шт
Key sizefull sizefull size
Mechanicsactive (dynamic)active (dynamic)
Rigidityunweighted
Control
Pitch controller
Modulation controller
Transposition
Octave shift
Transport control
Pads88
Faders99
Regulators (encoders)88
Connections
USB to host (type B)
Connectable pedals1 шт1 шт
General
Programming function
Displaymonochromemonochrome
Dimensions (WxHxD)965x76x267 mm977x94x243 mm
Weight4.9 kg3.4 kg
Color
Added to E-Catalogfebruary 2018february 2018

Rigidity

The hardness of the keys on a keyboard is the amount of resistance they provide when pressed.

Unweighted. Very low rigidity: the keys literally "fail" under the fingers. Found mostly in entry-level keyboards; this is due to the fact that unweighted mechanics are inexpensive, but the low pressure resistance makes it difficult to select the optimal pressure and control the dynamics of the sound.

— Semi- weighted. Keyboards with medium resistance — not as high as on weighted keys, but noticeably higher than on unweighted ones. This option is considered optimal for active keyboards (see "Mechanics"): at a low cost, it gives quite good responsiveness and, with a minimum skill, allows you to accurately control the pressing force.

Weighted. Keyboards with high resistance, which is comparable to the resistance of classical piano keys. Note that high effort in this case is an advantage: it allows you to bring the response of the keyboard as close as possible to the response of a classical piano and makes it easier to control the pressure and dynamics of the sound. Actually, by definition, all hammer-action models are made weighted (see "Mechanics"), but among active keyboards this option is rare — due to complexity and high cost.

Transposition

The presence of the transposition function in the keyboard — switching the sound to a different key. When transposing, the pitch of all keys is simultaneously raised or lowered by a certain number of semitones. This function is useful in all cases when a melody learned in one key needs to be played in a different key — for example, if the original melody is too high or too low for the vocalist, if the external accompaniment differs in key, if you need to switch between keys during the song, and etc. In such situations, by transposing the sound, you can play a melody in a new key using the same familiar keys without relearning it.

Programming function

The ability to programme additional keyboard controls — buttons, pads, faders (see above), etc. — assigning them one or another function at your discretion. This feature allows you to optimally adjust the instrument to your needs and preferences. Note that the programming method can be different: most often you need to change the settings through a computer, but in some models this can also be done using built-in tools.
Nektar Impact LX61 Plus often compared
M-AUDIO Oxygen 61 MK IV often compared