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Comparison Yamaha NS-777 Set vs Jamo S 626 HCS

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Yamaha NS-777 Set
Jamo S 626 HCS
Yamaha NS-777 SetJamo S 626 HCS
from $719.76 up to $1,184.32
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from $450.00 up to $730.80
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Featureshomemadehomemade
Mountfloor/shelffloor/shelf
Specs
Typepassivepassive
Number of channels5.0 system5.0 system
Number of speakers
/front; 3 — centre; 2 — rear/
/front; 3 — centre; 2 — rear/
Number of bands
/front; 2 — centre, rear/
/front; 2 — centre, rear/
Sensitivity
89 dB /front; 89 dB — centre; 87 dB — rear/
89 dB /front; 87 dB — centre, rear/
Impedance6 Ohm6 Ohm
Crossover frequency
1 / 4 kHz /front/
0.15 / 2.5 kHz /front; 2.5 kHz — centre, rear/
Power / frequency
Front100 W/channel130 W/channel
Rear60 W/channel80 W/channel
Centre100 W/channel80 W/channel
Total rated power420 W500 W
Front30 – 35000 Hz42 – 20000 Hz
Rear60 – 35000 Hz80 – 20000 Hz
Centre55 – 35000 Hz75 – 20000 Hz
Overall frequency range30 – 35000 Hz42 – 20000 Hz
Design
Design features
magnetic shielding
phase inverter bottom
horn design
 
 
phase inverter back
 
Bi-Amping/Bi-Wiring /front/
General
Tweeter size25 mm25 mm
Midrange speaker size
127 mm /front/
Woofer size (LF/MF)
200 mm /front; 130 mm — centre, rear/
203 mm /front; 102 mm — centre, rear/
Finishing materialMDF
Front speaker dimensions (HxWxD)110x28x39 cm108x19x34 cm
Rear speaker dimensions (HxWxD)32x20x21 cm24x13x21 cm
Centre channel dimensions (HxWxD)21x52x19 cm13x40x21 cm
Weight
67.1 kg /24.4 — front, 7.3 kg — centre, 5.5 kg — rear/
82.6 kg
Color
Added to E-Catalogaugust 2015february 2015

Crossover frequency

The crossover frequency provided in the speaker design.

A crossover is installed exclusively in a multi-band model (see "Number of Bands"). This is an electronic filter that ensures the division of the incoming audio signal into separate frequency ranges and directs each range to "its" set of speakers. And the crossover frequency shows where the boundary between these ranges lies. If there are more than two bands, there will be several such boundaries: for example, for a four-band system it may be specified "0.15 / 0.8 / 2.8 kHz" or "0.12 / 1 / 3.8".

In most cases, this parameter has mainly a reference value: the frequencies of the built-in crossover are selected to match the operating characteristics of the speakers installed in the speaker system.

Front

Rated power of one front speaker. See "Total Power Rating" below for details on power rating. Here we note that the higher the power, the louder the system component can sound — of course, with a properly selected amplifier. In addition, this parameter is very important for matching with the amplifier: it is desirable that the output power on the corresponding amplifier channel be less than the power of the speaker. If the incoming signal is more powerful, distortions in the sound and even damage to the speakers are possible, and if it is weaker, then the sound volume will decrease (in other words, it will not be possible to use the full potential of the acoustics), but this moment will be critical only for listening at maximum volume.

Rear

Rated output of the rear speaker. See "Front" above for details on power rating.

Centre

Rated power of the centre speaker. See "Front" above for details on power rating.

Total rated power

The total rated power of all speaker components, in other words, the sum of the powers of all speakers. As a nominal one, they usually indicate the highest average (rms) power at which acoustics can operate for a long time without overloads and damage. In this case, individual power surges can significantly exceed this value, however, it is the rated power that is the main characteristic of any speaker.

First of all, the sound volume depends on this characteristic: the more powerful the speakers, the louder the sound they can produce if there is a suitable amplifier. In addition, in passive and passive-active models, compatibility with an external amplifier also depends on the power: the output power of the “amplifier” should not exceed the power of the acoustics connected to it, otherwise overloads and even breakdowns are possible.

Detailed recommendations regarding the choice of speakers for power for a particular situation can be found in special sources. However, in general, an indicator of up to 100 W by the standards of modern acoustics is considered quite modest, 100 – 200 W — average, 200 – 300 W — above average, and the most powerful sets give out up to 500 W or even more.

In conclusion, we note two more nuances. Firstly, when comparing different systems according to this ch...aracteristic, one must also take into account the sound format in which they work. In particular, if there is a subwoofer, it can account for a significant part of the total power — up to half or more. As a result, for example, a 2.1 set of 50 W with a 20-watt subwoofer at the main frequencies will not be able to pull out the same volume as a 40-watt 2.0 system: in the first case, each main channel will have only 15 watts, in the second — 20 watts. Secondly, in multichannel systems, the total power can be distributed among the channels in different proportions; so, say, two 5.1 systems with the same total power can differ markedly in front and rear balance at maximum volume.

Front

The range of audio frequencies that the front speaker can reproduce. See "Total Frequency Range" below for details on this setting.

Rear

The range of audio frequencies that the rear speaker is capable of reproducing. See "Total Frequency Range" below for details on this setting.

Centre

The range of audio frequencies that the centre speaker is capable of reproducing. See "Total Frequency Range" below for details on this setting.

Overall frequency range

The total frequency range that the speaker is capable of reproducing. Specified from the bottom of the range in the lowest frequency component to the top of the range in the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

The wider the frequency range — the fuller the reproduced sound, the lower the likelihood that some part of the low or high frequencies will be "cut off". It is worth noting here that the human ear perceives frequencies on average from 16 Hz to 22 kHz, and from a practical point of view, it makes no sense to provide a wider frequency range in speakers. However, quite a few models go beyond this range, sometimes quite significantly (for example, there are speakers with a range of about 10 – 50,000 Hz). Such characteristics are a kind of "side effect" of high-end acoustics, and they are usually given for advertising purposes.

Thus, the lower limit of the range in modern speakers can be within frequencies up to 20 Hz, however, higher values \u200b\u200bare more common — 30 – 40 Hz, 40 – 50 Hz, or even more than 70 Hz. In turn, the upper limit in most modern speakers lies in the range 19 – 22 kHz, although there are deviations both upwards (see above) and downwards.
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