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Comparison Blaupunkt GTb 8200 A vs ACV BTA-8

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Blaupunkt GTb 8200 A
ACV BTA-8
Blaupunkt GTb 8200 AACV BTA-8
from $99.52 up to $104.22
Outdated Product
Expecting restock
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Application areacarcar
Designenclosedenclosed
Enclosure typevented boxvented box
Body shapeBoxTube
Typeactiveactive
Size8" (20 cm)8" (20 cm)
Tech specs
Rated power75 W75 W
Max. power
200 W /Peak/
450 W /Peak/
Frequency range30 – 200 Hz44 – 3000 Hz
Sensitivity92 dB85 dB
Dual voice coil
Impedance
2 ohm /single coil/
4 ohm /single coil/
Bass level control
Phase control
General
Protective grille
Diffuser materialpulp / paperpolypropylene
MaterialMDFMDF
Woofer Diameter200 mm200 mm
Enclosures dimensions250x260x270 mm430х250х240 mm
Weight6.9 kg6.77 kg
Added to E-Catalogoctober 2014august 2014

Body shape

Case Box. Literally "box". The simplest type of case, in fact, is a box of medium dimensions, designed for installation in the boot.

— Compact. This option means rather than the shape, but the size of the case — as the name implies, it includes devices that have small dimensions. Such subwoofers are as simple as possible to install, some models can be installed directly under the seat. At the same time, their sound quality and power are usually lower than those of full-size ones.

— Tube. The case is in the form of a pipe, on one of the ends of which a speaker is displayed. This form does not significantly affect the sound characteristics, it plays mainly an aesthetic role — subwoofers-pipes look quite stylish.

Max. power

The maximum signal power that the subwoofer is able to withstand for a short time (up to several seconds) without any negative consequences. When selecting an amplifier-subwoofer pair, it is recommended to take a subwoofer with a maximum power of at least twice the maximum power of the amplifier. In general, the higher the maximum power, the more resistant the subwoofer is to overloads.

Frequency range

The range of audio frequencies reproduced by the subwoofer. It is believed that the human ear is capable of perceiving a frequency range of the order of 16 – 20,000 Hz, but in this case note that the subwoofer is designed to reproduce the lower frequency band (up to 200 Hz). Accordingly, in the case of the lower limit of the range, everything is simple: “the lower, the better”; the upper one should not be lower than the lower limit of the main car audio — otherwise there will be "gaps" in the frequencies, which will affect the sound quality.

Sensitivity

Sensitivity determines the loudness of the subwoofer when a signal of a certain power is connected to it: with equal signal power and impedance (see below), the subwoofer with the higher sensitivity will sound louder.

Impedance

The electrical resistance of a subwoofer when a signal is applied to it. This parameter is important primarily for selecting a subwoofer-amplifier pair: at a lower impedance than that of the amplifier, the subwoofer will distort the sound, at a higher impedance the sound will be too quiet.

For dual voice coil models (see above), the impedance is specified for one of the voice coils.

Diffuser material

The material from which the speaker cone in the subwoofer is made. Determines the sound quality and, to some extent, the cost of the device.

— Pulp/paper. Historically the first diffuser material. Its advantages are lightness (which ensures high speaker sensitivity), as well as a smooth frequency response (amplitude-frequency response), which positively affects the sound quality. Among the shortcomings — low strength, which limits the power of such subwoofers, as well as softness, somewhat "blurring" the sound in difficult moments. In addition, paper diffusers are sensitive to moisture.

— Polypropylene. Synthetic polymer, in some aspects similar to paper, but differing from it in higher strength and resistance to moisture. It also has a smooth frequency response. Somewhat more cruel, but still belongs to the soft.

— Polyurethane. Another polymer material. At a low cost, it is somewhat stiffer than polypropylene, and is also very resistant to mechanical stress, which allows you to create powerful speakers.

— Kevlar. Kevlar fibre is highly durable (higher than steel); it also has good rigidity, which has a positive effect on fidelity in difficult moments. However, such diffusers are not cheap.

— Carbon fibre. It belongs to premium materials: it has high strength at a very low weight, and in the case of subwoofers, it is also worth mentioning the good rigidity that ensures a clear sound. Among the shortcomings — a somew...hat uneven frequency response and an impressive cost.

— Carbon. Another name used for carbon fibre is mainly for promotional purposes, for brevity and “impressiveness” of sound. See above for more details on carbon fibre.

— Fibreglass. Such material consists of ordinary glass stretched into filaments; unlike the classical form of glass, such threads do not break or break. It's lightweight (respectively sensitive), relatively cheap, resistant to moisture and temperature changes, and still provides good (though not outstanding) sound quality.

— Composite materials. Composite is a material that consists of two or more materials with a clear separation between them. In subwoofer cones, carbon fibre composites (based on carbon fibre, see above) are most often used. Such diffusers have all the advantages of carbon fibre and are able to provide good sound quality — however, due to the characteristics of the frequency response of the material, rather complex electronic circuits have to be used to achieve this quality, which affects, in particular, the price of subwoofers.

— Aluminium. Aluminium cones have the highest rigidity of all, which ensures high fidelity of sound transmission even in difficult moments. The "reverse side of the coin" in this case are their own extraneous "ringing" that occurs in the diffuser. To eliminate them, you have to use various tricks that significantly complicate the design and increase the price of the subwoofer.

Note that each material has its own characteristics and shades of sound, which you should pay attention to when choosing — a more expensive and high-quality material will not necessarily give a sound that you personally will like more.
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