USA
Catalog   /   Sound & Hi-Fi   /   Hi-Fi & Hi-End Components   /   Turntables

Comparison Rega Planar 1 vs NAD C556

Add to comparison
Rega Planar 1
NAD C556
Rega Planar 1NAD C556
Compare prices 5
from $590.00 up to $649.00
Outdated Product
TOP sellers
Pickup
ModelCarbonOrtofon OM5E
TypeMMMM
Needle shapeellipticalelliptical
Output level2.5 mV3.5 mV
Downforce2 – 3 g1.5 – 2 g
Pickup weight5 g
Tonearm
ModelRB110
Typeradialradial
Shapestraightstraight
Material
aluminium /aluminium/
aluminium /aluminium/
Tonearm effective length237 mm230 mm
Tonearm weight9 g
Design
Drive unitbeltbelt
Speed controlmechanical (manual)mechanical (manual)
Cover
External power supply
Phono stage+is absent
Features
Features
adjustable counterweight
anti-skating
adjustable counterweight
anti-skating
Specs
Frequency range
20 – 20000 Hz /± 2 дБ/
General
Base materialMDF/FibreboardMDF/Fibreboard
Platter materialplastic
plastic /phenoplast/
Platter size300 mm
Platter thickness23 mm18 mm
Dimensions (WxDxH)447х360х117 mm447х360х115 mm
Turntable weight4.2 kg4 kg
Color
Added to E-Catalogseptember 2016december 2015

Model

Model of the pickup (cartridge) supplied with the player. The pickup is one of the most important parts of any vinyl player, the quality of the received sound largely depends on its quality. Knowing the name of the model, you can find detailed data on it and determine how satisfied you are with this particular cartridge.

Output level

The signal level at the output of the pickup supplied with the player is, in fact, the power of the signal coming from the pickup to the phono stage. This parameter is necessary, first of all, in cases where the player is planned to be connected to an external phono stage: such equipment must be designed for the corresponding power of the signal coming from the pickup.

Downforce

The force of pressing the needle on the plate, which the complete pickup (cartridge) is designed for.

This force depends on the rigidity (compliance) of the needle: the greater the clamping force, the harder the cartridge, respectively, the less pliable it is. It is also believed that less pressing force wears out the record less, but it cannot be said that "light" cartridges are definitely better — there are many other nuances. So in fact, information about the pressing force of a complete pickup is needed mainly in case of its replacement. Usually, the pressing force provided by the arm of the turntable is regulated within these limits, so the new cartridge must also be rated for the same values of downforce — otherwise there is a chance that the turntable will not be able to correctly align.

Pickup weight

The weight of the pickup (cartridge) supplied with the turntable.

The weight of the cartridge determines the characteristics of balancing the tonearm to set the optimal tracking force. However, pickups in set are usually optimally compatible with the corresponding tonearms, so there are no problems with adjusting the turntable. But when buying a replacement cartridge, you should pay attention to this parameter: it is advisable that the new cartridge does not differ too much in weight from the old one, otherwise the tonearm adjustment range may not be enough for the correct balance.

Model

Model of the tonearm — the movable lever on which the pickup is attached — supplied with the turntable. The tone arm is responsible for the correct position of the needle and the accuracy of its movement along the grooves, which is critical for sound quality. Therefore, many music lovers try to clarify not only the general data on the tonearm, but also its specific features in each particular “turntable”; in order to be able to find this information, the name of the tonearm is given in the characteristics.

Tonearm effective length

The effective length of a tonearm in set is the distance from the attachment point (axis of rotation) to the stylus.

This indicator is important primarily for rotary tonearms: the longer the length, the lower the angular error, the smaller the discrepancy between the direction of movement of the track and the longitudinal axis of the pickup (for more details, see “Type”) and the lower the level of corresponding distortion. In addition, a longer length reduces the resonant frequency and reduces the likelihood of distortion. On the other hand, a longer tonearm turns out to be heavier, which requires certain technical tricks and can also negatively affect the purity of the sound. Therefore, a large length is not always a guarantee of high quality – you should also pay attention to weight (see below).

Tonearm weight

Operating weight of the complete tonearm. It is believed that this indicator should be as low as possible — in order not to create excessive pressure and to minimize the wear of the needle and records. On the other hand, a rigid pickup on a light arm can bounce on uneven records, and in general, such a discrepancy does not improve the sound quality. However, complete tonearms are usually optimally compatible with complete pickups; therefore, you should only be interested in compatibility when buying a cartridge of a different model.

External power supply

An external power supply is called a power supply unit (PSU) placed outside the player's case; such a unit can be connected to the outlet with a wire or plugged directly into it using its own plug. The point of this arrangement is to minimize possible interference from the power supply electronics by removing it to the maximum distance from the circuits through which the signal passes. Therefore, an external power supply is considered the best option for audiophile class acoustics.

Phono stage

A phono corrector is a specially designed preamplifier used when working with vinyl record pickups. Initially, the sound on such records is recorded with distortion of the amplitude-frequency characteristic, namely with an increase in volume from low to high frequencies; this is due to the technical features of the recording process. Accordingly, the phono corrector not only amplifies the signal to a level sufficient for feeding to the power amplifier, but also corrects the amplitude-frequency characteristic, “pulling out” the bass and reducing the volume of the HF. And the built-in phono corrector allows you to connect the player to the power amplifier directly, without using intermediate equipment. True, in terms of characteristics, built-in preamplifiers-correctors are inferior to external ones. Therefore, some models with this function may provide a “bypass” mode, allowing you to pass the signal bypassing the built-in phono corrector to an external, more advanced one. And there are also vinyl players without a phono corrector at all.
Rega Planar 1 often compared
NAD C556 often compared