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Comparison Canon EOS 90D body vs Canon EOS 7D Mark II body

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Canon EOS 90D  body
Canon EOS 7D Mark II  body
Canon EOS 90D bodyCanon EOS 7D Mark II body
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Shooting 4K with a maximum bitrate of 120 Mbps.
Camera typedigital mirrordigital mirror
DxOMark rating66
Sensor
SensorCMOS (CMOS)
CMOS (CMOS) /22.3x14.9 мм/
Sensor sizeAPS-C (23x15.5 mm)
APS-C (23x15.5 mm) /2 DIGIC 6 processors/
Total MP3420.9
Effective MP number3320.2
Maximum image size6960x4640 px5472x3648 px
Light sensitivity (ISO)
100-25600 /hardware ISO up to 51200/
100-16000 /hardware expansion of ISO up to 51200 is possible/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Manual focus
Image stabilizationis absentis absent
Photo shooting
Number of scene programs5
Frames per series (RAW)29 шт
Frames per series (JPEG RAW)20 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV increments± 5 EV, in 1/2 or 1/3 EV increments
Auto bracketing
 /3 levels/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)
1920x1080 pix 120 fps /120 Mbps/
1920x1080 pix 60 fps
Ultra HD (4K)
3840x2160 pix 30 fps /120 Mbps/
File recording formatsMPEG-4, H.264MPEG-4
Manual video focus
Maximum video length
 
memory limit
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
mini HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points45 шт65 шт
Touch focus
Front / back adjustment
Contour enhancement
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.95 x1 x
Frame coverage100 %100 %
Shutter speed30-1/8000 sec30 - 1/8000 sec
Continuous shooting10 fps10 fps
Shutter typeelectronic/mechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards typesSD, SDHC, SDXCCompactFlash, SD, SDHC, SDXC
Communications
Wi-Fi 4 (802.11n)
Bluetooth
smartphone control
 
 
 
Flash
Built-in flash
Guide number12
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E6NLP-E6N, LP-E6, DLCE6, MK-7D, HL-E6, BG-E7
Shots per charge1300 шт670 шт
General
Charger modelLP-E6NLC-E6
Console/synchronizer modelST-E2
Material
aluminium/plastic /aluminium and polycarbonate polymer with fibreglass/
magnesium alloy
Protectiondustproof, waterproof
Dimensions (WxHxD)141x105x77 mm149х112х78 mm
Weight701 g910 g
Color
Added to E-Catalogaugust 2019september 2014

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.
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Canon EOS 7D Mark II often compared