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Comparison Olympus OM-D E-M10 III kit 14-42 vs Fujifilm X-T20 kit 16-50

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Olympus OM-D E-M10 III  kit 14-42
Fujifilm X-T20  kit 16-50
Olympus OM-D E-M10 III kit 14-42Fujifilm X-T20 kit 16-50
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Main
5-axis matrix stabilization. Touch screen display. Fast and tenacious autofocus. Excellent ergonomics. Wide fleet of interchangeable optics.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
Sensor
Sensor
LiveMOS /truePIC VIII processor/
CMOS (CMOS) /x-Processor Pro processor + X-Trans CMOS III image sensor/
Sensor size
4/3" (17.3х13 mm) /17.3x13 mm/
APS-C (23x15.5 mm)
Total MP17.2
Effective MP number1624
Maximum image size4608x3456 px6000x4000 px
Light sensitivity (ISO)200-25600
100 - 51000 /ISO 100 and 51000 are only available in manual adjustment modes/
RAW format recording
Lens
Mount (bayonet)Micro 4/3Fujifilm X
Kit lens?
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length14 - 42 mm16 - 50 mm
Optical zoom33.1
Manual focus
Image stabilization
with matrix shift /5 stops/
is absent
Photo shooting
HDR
2 control dials
 /modes, shutter speed, exposure/
White balance measuring
 /±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV)/
Exposure compensation± 5 EV, in 1/2, 1/3 or 1 EV steps± 3 EV, in 1/3 EV steps
Auto bracketing
 /+/- 1 before +/- 3/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps3840x2160 px 30 fps
File recording formatsMPEG-4, H.264
MPEG-4 /H.264/
Manual video focus
Connection ports
HDMI v 1.4
 
HDMI v 1.4
headphone Jack
Focus
Autofocus modes
one shot
 
tracking
in face
one shot
AI focus
tracking
in face
Focus points121 шт325 шт
Touch focus
Viewfinder and shutter
Viewfinder
electronic /2036K pixels/
electronic
Viewfinder crop0.62 x
Frame coverage100 %100 %
Shutter speed60-1/16000 с
30 - 1/4000 с /electronic shutter up to 1/32000/
Continuous shooting8.6 fps8 fps
Shutter typeelectronic/mechanicalelectronic/mechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels920 thousand pixels
Touch screen
Rotary display
Memory and communications
Memory cards typesSD, SDHC, SDXC
SD, SDHC, SDXC /UHS-I, UHS-I/
Communications
Wi-Fi 4 (802.11n)
smartphone control
Wi-Fi
smartphone control
Flash
Built-in flash
Guide number7
Application range5.8 m
External flash connect
Power source
Power source
battery
battery
Battery modelBLS-50NP-W126s
Shots per charge330 шт350 шт
General
Charger modelBCS-5BC-W126
Materialaluminium alloymagnesium alloy
Retrodesign
Dimensions (WxHxD)122х84х50 mm118х83х41 mm
Weight501 g383 g
Added to E-Catalogseptember 2017january 2017

Sensor

— CCD (CCD). Abbreviation for Charge-Coupled Device. In such sensors, information is read from the photosensitive element according to the “line at a time” principle — an electronic signal is output to the image processor in the form of separate lines (there is also a “frame at a time” variant). In general, such matrices have good characteristics, but they are more expensive than CMOS. In addition, they are poorly suited for some specific conditions — for example, shooting with point light sources in the frame — which is why you have to use various additional technologies in the camera, which also affect the cost.

— CMOS (CMOS). The main advantages of CMOS matrices are ease of manufacture, low cost and power consumption, more compact dimensions than those of CCDs, and the ability to transfer a number of functions (focus, exposure metering, etc.) directly to the sensor, thus reducing the dimensions of the camera. In addition, the camera processor can read the entire image from such a matrix at once (rather than line by line, as in CCD); this avoids distortion when shooting fast-moving objects. The main disadvantage of CMOS is the increased possibility of noise, especially at high ISO values.

— CMOS (CMOS) BSI. BSI is an abbreviation for the English phrase "Backside Illumination". This is the name of "inverted" CMOS sensors, the light on which does not penetrate from the side of the photodiodes, but from the back of the matrix (from the side of the subst...rate). With this implementation, the photodiodes receive more light, since it is not blocked by other elements of the image sensor. As a result, back-illuminated sensors boast high light sensitivity, which allows you to create images of better quality with less noise when shooting in low light conditions. BSI CMOS sensors require less light to properly expose a photo. In production, back-illuminated sensors are more expensive than traditional CMOS sensors.

— LiveMOS. A variety of matrices made using the technology of metal oxide semiconductors (MOS, MOS — Metal-Oxide Semiconductor). Compared to CMOS sensors, it has a simplified design, which provides less tendency to overheat and, as a result, a lower noise level. It is well suited for the "live" viewing mode (viewing in real time) of the image from the matrix on the screen or in the camera's viewfinder, which is why it received the word "Live" in the title. They also feature high data transfer rates.

Sensor size

The physical size of the photosensitive element of a camera. Measured diagonally, often indicated in fractions of an inch — for example, 1/2.3" or 1/1.8" (accordingly, the second matrix will be larger than the first). Note that in such designations it is not the “ordinary” inch (2.54 cm) that is used, but the so-called "Vidiconovsky", which is less than a third and is about 17 mm. This is partly a tribute to the tradition that comes from television tubes — “vidicons” (the forerunners of modern matrices), partly a marketing ploy that gives buyers the impression that the matrices are larger than they actually are.

Anyway, at equal resolution (see Number of megapixels), a larger sensor size means a larger size of each individual pixel; accordingly, on large sensors, more light enters each pixel, which means that such sensors have a higher photosensitivity (see Light sensitivity) and a lower noise level, especially when shooting in low light conditions.

Most often in modern cameras there are such options:

1/2.3" and 1/1.7". Small matrices, typical for models without interchangeable lenses — compacts and digital ultrazooms(see "Camera type").

4/3. A kind of "transitional option" between small sensors of compact devices and large, but at the same time expensive "SLR" APS-C. The size of such a matri...x is 18x13.5 mm, which gives a diagonal of 22.5 mm (approximately 4/3 of the "Vidicon" inch described above, hence the name). It is used in SLR and "mirrorless" cameras (see "Camera type"), mainly entry-level, with Four Thirds and Micro Four Thirds mounts, respectively.

— APS-C. The size of matrices of this type can vary from 20.7x13.8 mm to 25.1x16.7 mm, depending on the manufacturer. They are widely used in entry-level and mid-level SLRs, as well as "mirrorless" models.

— APS-H. Somewhat larger than the APS-C described above (the size is 28.1x18.7 mm), otherwise it is almost completely the same.

— Full frame (or APS). The size of such a matrix is equal to the frame size of a classic photographic film — 36x24 mm. It is usually equipped with professional-grade SLR cameras.

— Big frame. This category includes all types of matrices, the size of which exceeds 36x24 mm (full frame). Cameras with similar sensors belong to the so-called medium format class and are, usually, professional models of the premium level. Large matrices allow you to use a resolution of tens of megapixels, while maintaining high clarity and colour quality, however, such devices cost accordingly.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Mount (bayonet)

The type of bayonet mount — mount for interchangeable lenses — provided in a SLR or MILC camera (see "Camera type"). Bayonets come in different sizes, and interchangeable lens specifications usually indicate which mount it is designed for. Most often, mounts of different types are not compatible with each other, but there are exceptions (sometimes directly, sometimes using adapters).

Also note that one brand can use different mounts for different classes of cameras — and vice versa, one mount can be used by several manufacturers. So, Canon releases cameras with mounts EF-M, EF-S, EF and Canon RF. Leica has Leica M, Leica SL, Leica TL. Nikon has in its arsenal Nikon 1, Nikon F, Nikon Z. Pentax — Pentax 645, Pentax K, Pentax Q. Samsung offers NX and NX-M mounts. Sony cameras have Sony A and Sony E, Fuji has Fujifilm G and Fujifilm X. And as an example of a mount used by different brands, one can cit...e Micro 4/3, which is widespread in Olympus and Panasonic cameras.

Kit lens

A lens supplied with the camera in a serial (kit) configuration. With it, the camera is ready to work literally “out of the box” - everything needed for shooting is already available, and there is no need to buy a lens separately (as is the case with the “naked body” of the body camera). The vast majority of these are optics with a universal set of medium focal lengths and a relatively low variable aperture ratio. Often, kit lenses have rather modest characteristics, and they are intended mainly for novice users, learning the basics of photography and simple everyday shooting. But there are also other options for whale lenses - top camera models can be equipped with fairly advanced optics. It wouldn’t hurt to clarify this point separately. We also note that the same camera can be supplied with different options for complete optics.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.
Olympus OM-D E-M10 III often compared
Fujifilm X-T20 often compared