Signal-to-noise ratio
The ratio of the level of the useful signal (actually reproduced sound) to the level of extraneous noise provided by the speaker amplifier in normal mode.
Any amplifier inevitably creates its own noise; You can't get rid of them, but you can reduce their level. The higher the signal-to-noise ratio, the clearer the sound will be, the less noticeable extraneous interference will be. In modern computer speakers, this figure can vary from 52 – 55 dB (the minimum figure so that the noise does not cause much discomfort) to 90 – 95 dB (comparable to fairly advanced Hi-Fi equipment). However, note that the signal-to-noise ratio is far from the only parameter that affects the sound quality, and its high value does not guarantee a pleasant sound from the speakers.
Frequency range
The range of audio frequencies supported by acoustics. The wider this range — the fuller the reproduced sound, the lower the likelihood that some of these details at low or high frequencies will remain “behind the scenes”. At the same time, the human ear is able to hear frequencies of the order of 16 – 22,000 Hz, and with age, this range narrows even more. In modern audio equipment, especially at the top level, there may be more extensive ranges, but from a practical point of view, this does not make much sense. In addition, it is worth noting that a wide frequency range in itself does not guarantee high-quality sound — a lot also depends on the frequency response.
Impedance
The electrical resistance of the speakers to alternating current. This parameter is important primarily for normal compatibility with the amplifier: too low speaker impedance can lead to distortion, overload, and even damage to the speakers, and too high impedance can reduce the sound volume. At the same time, the vast majority of modern computer acoustics have their own amplifiers and are connected via a line input. Therefore, the impedance data is more of a reference value; in fact, this indicator may be needed only when connecting speakers to a “non-native” power amplifier, bypassing the standard one.
Inclined design
The sloping design of the front face of the speaker allows you to place the speakers in the case at an angle. Thus, the sound from them does not spread horizontally, but slightly upwards. This favorably affects the use of speakers near the monitor, when the distance from the listener to the audio system is insignificant. We can say that the inclined design allows you to direct the signal directly into the human ear. However, in fact it is more of an aesthetic nature. Therefore, computer speakers of a high price segment, and, accordingly, quality are rarely made inclined and more often have a
straight body.
