Comparison Xiaomi Mi TV UHD 4S 43 43 " vs Xiaomi Mi TV 4A 32 32 "

The optimal size of the TV depends primarily on the distance from which it is planned to watch. If the diagonal on the screen is too small, it will be difficult to see the details, you will have to strain; if too large, the image will be much larger than the field of view, which is also undesirable. The best option is the situation when the distance to the TV corresponds to 3 - 4 of its diagonals: for example, for a size of 32 "(80 cm), the recommended distance is about 2.5 - 3 m.

The size of the diagonal of the screen affects both the cost of the TV and its general equipment. So, among models smaller than 32" there are often TVs without Smart TV and other advanced features; TVs for 32 - 55" can be both quite simple and advanced; and a large screen, more than 55", in most cases is combined with extensive additional functionality.

Now the following popular diagonals are on the market: 32 ", 39 - 40", 43", 49", 49 - 50", 55", 65", 75" and more than 80".

The type of coating used on the TV screen.

— Matte. Historically, the first type of coating for LCD screens, which is often found today. Screens with such a coating generally have average characteristics of brightness, saturation and colour reproduction quality, in terms of these indicators they are inferior to glossy counterparts. However, the matte coating has one important advantage: it has virtually no glare from ambient light. In some situations, this can be an important advantage — for example, if the TV is installed opposite the window. And for some users it is more pleasant to look at the screen without glare, albeit relatively dim.

— Glossy. A coating designed to improve the brightness and colour quality of the visible image compared to matte screens. The creators have managed to achieve this goal: "glossy" screens really provide rich, vibrant colours and a brighter image. The key disadvantage of such screens is the appearance of glare from ambient light on them — this can ruin the whole viewing experience. Because of this, the classic glossy coating is practically not used today, anti-glare solutions have taken its place (see below).

— Glossy (anti-glare). Modification of the glossy coating, created, as the name implies, in order to eliminate the main drawback of the classic gloss — glare from external lighting. This is not to say th...at such screens do not glare at all, but there are much less reflections on them than on ordinary glossy ones. As for the image quality, it is at least not much worse, and often even better (especially since such coatings are constantly being improved). Thanks to all this, most modern TVs of all price categories are equipped with anti-glare screens.

Screen resolution - its size in pixels horizontally and vertically. Other things being equal, a higher resolution provides better image quality, but such a screen costs more and requires relevant content.

The set of resolutions found in modern TVs is quite extensive, but they can be roughly divided into several groups: HD, Full HD, Ultra HD 4K, Ultra HD 5K and Ultra HD 8K. Here are the main features of each option:

— HD. Screens designed for HD 720p. The standard frame size in such a video is 1280x720, however, for a number of reasons, most HD TVs have somewhat larger sizes — 1366x768. In addition, this category usually includes models with resolutions from 1280x768 to 1680x1050, as well as 1024x768 screens. In general, HD 720p resolutions are mostly found on low-cost TVs with relatively small screens.

— Full HD. TVs designed for Full HD 1080p video, with a frame size of 1920x1080. Most models from this category have exactly this screen resolution — 1920x1080; other options are noticeably less common — in particular, 1920x1200 and 2560x1080. In general, Full HD screens provide good detail at a relatively low cost, making them extremely popular in mid-range models and inexpensive large-format TVs.

— Ultra HD 4K. This format provides different options in resolutions, however, for TVs, the actual stan...dard is 3840x2160, other options are almost never found. In general, this is a fairly high resolution, which is typical mainly for premium models; a common feature of such models is the large size — from 40" and more.

— Ultra HD 5K. The Ultra HD image format is more advanced than 4K, but it is extremely rare in TVs — these are mainly ultra-wide models with a resolution of 5120x2160.

— Ultra HD 8K. A standard that assumes a size of about 8K pixels horizontally; one of the options for this resolution, found in TVs — 7680x4320. Thus, UHD 8K is twice the size of 4K on each side and four times the total number of pixels, resulting in extremely sharp and detailed images. On the other hand, such screens are very expensive, despite the fact that nowadays even 4K is already considered a very advanced standard. Plus, there are not many video devices and content that meet this standard. Therefore, 8K TVs are still extremely rare, they include mostly high-end flagship models with a size of at least 65".

TV support 4K upscaling feature.

This feature is only found in models with 4K screens and above (see "Resolution"). It allows to increase the resolution of the original image to 4K (3840x2160), if it is initially lower — for example, to view a movie in 4K that was originally recorded in Full HD (1920x1080). This is not just about “stretching” the image to fill the screen (all TVs are capable of doing this), but about special processing, due to which the actual video resolution is increased. Of course, such video will still be inferior to content originally recorded in 4K; however, upscaling provides a noticeable improvement in quality over the raw signal.

The level of static contrast provided by the TV screen.

Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Static contrast, on the other hand, describes the maximum difference in brightness that can be achieved within one frame without changing the brightness of the image — this is its difference from dynamic contrast (see below).

The values of static contrast are much lower than those of dynamic, but this characteristic is the most "honest". It is on it that the properties of the image seen on the screen at a particular moment depend, it is describes the basic properties of the screen, without taking into account the software tricks provided by the manufacturer in the hardware of the TV.

The response time can be described as the maximum time required for each pixel of the screen to change brightness, in other words, the longest time from the receipt of a control signal to the pixel until it switches to the specified mode. The actual switching time may be less — if the brightness changes slightly, it can be calculated in microseconds. However, it is the longest time that matters — it describes the guaranteed response speed of each pixel.

First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.

The nominal power of the sound produced by the TV's sound system.

The larger the screen and the greater the estimated distance to the viewer, the more powerful the sound system must be in order to be heard normally. Manufacturers take this moment into account, moreover, most often they also provide a solid volume margin. So if a TV is bought for home viewing in a quiet, calm environment, you can not pay much attention to the sound power: it is guaranteed to be enough for such a usage. It makes sense to specifically look for models with high-power speakers for a noisy environment — for example, a cafe or other public space. Detailed recommendations on this matter can be found in special sources, but here we note that even in such cases, connecting external speakers can be a good alternative.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. Dolby Digital and DTS were the first in multi-channel decoding, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders.

– Dolby Atmos. A decoder that uses not a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X. An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audi...o channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

Types of digital tuners (receivers) provided for in the design of the TV.

Such tuners are necessary for receiving digital TV broadcasts; for normal operation, the broadcast standard must match the type of tuner (with some exceptions, see below). Note that the receivers are also available as separate devices; however, it is easier (and often cheaper) to buy a TV with a built-in tuner of the desired format. In modern TV you can find terrestrial tuners DVB-T2, cable DVB-C and satellite DVB-S and DVB-S2, here are their main features:

— DVB-T2 (terrestrial). The main modern standard for digital broadcasting. Such broadcasting has a number of advantages over traditional analogue broadcasting: it allows higher resolution and multi-channel audio transmission, with better sound and picture quality, and this quality is fully preserved until the signal weakens to a critical level. However, in some countries digital terrestrial broadcasting is just being put into operation, so it will not hurt to check the availability of DVB-T2 coverage in your area.

— DVB-C (cable). The main modern standard for digital broadcasting in cable networks. Despite the advent of the more advanced DVB-C2, it still continues to be widely used, and most likely this situation will not change for a long time.

— DVB-S (satellite). The first...generation of the digital DVB standard for satellite broadcasting. Nowadays, it is relatively rare due to the advent of a more advanced DVB-S2, which is also backwards compatible with the original DVB-S.

— DVB-S2 (satellite). The most advanced and popular of today's digital satellite broadcasting standards. Being the heir to DVB-S, has retained compatibility with it; therefore, manufacturers often limit themselves to installing only a DVB-S2 tuner on their TVs — it allows you to receive both major satellite broadcast formats.