Input performance
The amount of air that the compressor is able to process per unit of time; usually stated in liters per minute. Performance, along with pressure (see below), is one of the most important parameters: it is it that primarily determines how compatible the compressor will be with one or another pneumatic tool.
It is worth choosing a model according to this indicator in such a way that it can be guaranteed to “pull out” all the tools that can be connected at the same time. Air consumption is usually directly indicated in the characteristics of each tool, and it is quite simple to calculate the total requirement. However, due to the design features, the compressor must have a certain performance margin; the specific value of this stock depends on a number of nuances.
The main point is that some companies indicate for their units the performance at the outlet (how much air is supplied to the tool), while others indicate at the inlet (how much air the compressor sucks in). Since no compressor is perfect, part of the air is inevitably lost during the compression process, so the amount of air at the outlet will always be less than at the inlet. Accordingly, if the output performance is indicated in the characteristics, a margin of 10-20% is recommended, and if the input is 35-40%.
There are also more complex techniques that allow you to more accurately derive the required performance depending on the characteristics of specific tools; they can be found in...special sources.
Noise level
The maximum noise level produced by the compressor during operation. When evaluating it, it must be taken into account that the decibel used to evaluate noise is not an absolute value. In fact, this means that noises, for example, 20 dB and 40 dB differ in level not by a factor of 2, but by 100 — it is this multiplicity that corresponds to a difference of 20 dB; a twofold increase corresponds to a 3 dB increase. Therefore, to assess noise levels, it is worth referring primarily to comparative tables. For values found in modern compressors, this table would look something like this:
70 dB — loud conversations at a distance of about 1 m;
75 dB — scream;
80 dB — motorcycle engine with silencer;
85 dB — loud scream;
90 dB — freight train car at a distance of 5-7 m;
95 dB — noise inside the subway car.
Anyway, the lower the level of noise produced by the unit, the more comfortable its use, the less it will “hit on the ears” and increase the volume of the entire set of working instruments.
