Comparison Falcon X400-BT vs Cyclone MP-4035 AV BT

Media types supported by the car radio.

— CDs. Support for optical discs usually assumes at least compatibility with CD, the ability to work with DVD is somewhat less common . For more information about these types, see "Disk Types". Here we note that nowadays, disks are gradually being replaced by more compact and functional media — in particular, memory cards and USB devices; so many modern radio tape recorders, including high-end ones, do not have optical drives at all.

— Memory cards. Ability to work with removable memory cards, usually SD or microSD; the module for reading them is called a card reader. This feature is convenient primarily because such cards are supported by many other devices — in particular, laptops and photo / video cameras. The card reader facilitates the exchange of data between these devices: for example, a selection of music from a laptop can be written to a memory card. Note that the specific type of supported cards needs to be specified separately — the (micro)SD format includes several varieties that are not quite compatible with each other.

— USB drive (front). The ability of the radio to work with external USB-drives — " flash drives ", hard drives, MP3 players, etc. — to pla...y content directly from them. In this case, it means connecting such media to the USB connector located on the front panel of the radio — it is convenient because the connector is in close proximity, right at hand.

— USB drive (rear). Connecting USB drives (see above) through the rear panel. However, the external device is connected not directly to the rear panel, but to an external USB connector, which, in turn, is connected to the rear panel with a cable. Such a connector does not take up space on the front panel, but you can place it on a shelf under the dashboard — and the connected drive will not stick out of the radio, but lie neatly on the shelf. But in standard radios (see above), the “rear” connection can be carried out a little differently — there the cable from the rear panel can be connected to the standard USB socket on the instrument panel using a special connector.

— Connecting an iPod/iPhone. The ability to connect portable devices from Apple to the radio — primarily iPods and iPhone smartphones — through a special docking connector. Even the simplest options for such a connection, in addition to playing music, provide a number of additional features — in particular, control of the player's functions (for example, switching a track) from the control panel or remote control of the radio itself. And the most advanced models have a proprietary CarPlay system; for more information about it, see "Control functions".

— Android connection. The ability to connect smartphones and other devices based on the Android operating system to the radio. Connection methods may vary: for example, some radio models support only a wired connection, others can use Bluetooth (see "Multimedia"). The same applies to the set of functions available in each case, this point should be clarified according to the manufacturer's official data. Specific features include direct playback of music from the phone (with control through the radio), working with the contents of its drive, watching videos, using the radio as a car kit for receiving calls, etc. And in high-end models, there is support for Android Auto smartphone integration technology; for more information about it, see "Control functions".

Display size in dots (pixels) horizontally and vertically. The higher the resolution, the more detailed and smoothed the image is capable of producing the screen. High resolution is especially important for large diagonal displays; on the other hand, it significantly affects the cost of the device, and for a small screen it may even turn out to be superfluous (since the image will turn out to be too small).

The number of fixed settings (presets) provided in the car radio equalizer.

The presence of such settings can greatly simplify the adjustment: choosing the right preset is easier than manually adjusting each EQ band. At the same time, presets are often selected by the manufacturer for certain genres of music and have the appropriate names — "Rock", "Pop", "Jazz", etc.; this simplifies the task even more. And the more fixed settings in the device, the wider the choice of the user. In some radio tape recorders, in addition to pre-flashed ones, user presets are also provided — they can be programmed in advance and turned on in the same way as the preset ones.

The ability to adjust the high cut without affecting other frequency ranges. Thanks to this, you can improve the overall timbre of the sound by completely removing the high frequencies, if necessary (for example, for a subwoofer). Moreover, this method of adjustment is much simpler than adjusting individual equalizer bands (see above). Typically, this function is combined with bass control (see below).

The ability to adjust the low cut without affecting other frequency ranges. Thanks to this, you can completely remove low frequencies (for example, for salon acoustics, when the subwoofer is “responsible” for the bass), without affecting other frequencies. This way of adjusting is much easier than adjusting individual EQ bands (see above).

The rated sound power produced by the radio amplifier for each audio channel.

Nominal is the highest average (rms) sound power at which the amplifier operates without overload and is able to operate for an unlimited time. This is the main indicator characterizing the overall sound volume of the radio; individual power surges can be much higher than the nominal value, but they are short-lived; here we are talking about a constant signal level. In addition, compatibility with specific speakers depends on this indicator: the rated power of the speaker system must be no lower than that of the amplifier, otherwise the speakers may be damaged at high volumes. However, the spread is not so great; there are radios with an output power of 40 W, 45 W, 50 W, 55 W, 60 W and more.

Optimal amplifier power settings depend on a number of factors, ranging from the number of channels to the personal preferences of listeners. Detailed information on this topic can be found in special sources; In short, we can say that the higher the power per channel, the louder the sound the radio can produce.

The number of composite video inputs provided in the design of the radio.

Composite video input is usually an RCA connector ("tulip") of a characteristic yellow color. It can be used to connect any video source with an appropriate output, such as a portable DVD player. Note that in this case, only the input intended for working with video is meant; to output sound, you will have to use another interface, for example, a linear one (see above). The image quality when connected via a composite connector is relatively low, HD resolutions are not supported, but this can hardly be called a serious drawback, given the characteristics of displays in modern radios (and separately made car TVs / monitors, which can broadcast a signal from the radio).

The more composite video inputs provided in the radio, the more signal sources can be connected to it simultaneously.

— FM. This term refers to the part of the ultra-short wave (VHF) range ranging from 87.5 MHz to 108 MHz. It uses frequency modulation, which allows you to broadcast music in stereo with a fairly high sound quality, as well as transmit RDS signals (see RDS support). At the moment, most music radio stations in the CIS are broadcasting in this range. The disadvantage of FM is the limited reception area — a maximum of several tens of kilometers from the broadcasting station — so they can usually be listened to within the same city and surrounding areas.

— AM (English amplitude modulation — amplitude modulation) — broadcasting using amplitude modulation. It can be carried out in different bands, but most commercial broadcasts are carried out on medium waves in the range of 520-1610 kHz; most consumer AM receivers, including those in car radios, are designed for the same frequencies. AM broadcasting has a much longer reception range than FM (it can be hundreds of kilometers), but the sound quality is lower, so this format is broadcast mainly by “talk” and news radio stations.

— LW (English long wave) — broadcasting on long waves in the range of 148-408 kHz. Such broadcasting has a reception range of hundreds and even thousands of kilometers, and is almost independent of the time of day and atmospheric interference. It is used mainly at stations of national importance.

— MW (English medium wave) — broadcasting on medium waves in the range of 522-1...720 kHz, in fact — the same as AM (see above).

— SW (English short wave) — broadcasting on short waves, is carried out in a whole set of bands, the lower limit of which is at the level of 2.5 MHz, and the highest — 26.1 MHz. The features of the propagation of short waves are such that they can be received on the opposite side of the globe, but it is not always possible to hear within a few tens of kilometers from the transmitter. Therefore, shortwave broadcasting is mainly used for foreign broadcasts.

— VHF. In this case, not the entire VHF band is meant, but the sub-band 65.9-74 MHz, using the so-called OIRT modulation. In this format, VHF broadcasting was originally conducted in the countries of the Soviet Union and Eastern Europe, but at the moment it is not very popular due to the development of FM. VHF OIRT is technically similar to FM (see above); the main differences are the bandwidth occupied and the inability to transmit RDS signals in OIRT (see RDS support).

The ability to choose the backlight colour for the control panel, and sometimes also for the radio display. The specific range of shades available can vary, whether it be a few colours or the entire RGB palette; see "Illumination colour" for details. Anyway, this feature does not play a functional role, however, it allows you to customize the appearance of the device so that it is in harmony with the appearance of the dashboard and matches the user's mood.