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Comparison LG CL87 vs LG CK-43

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LG CL87
LG CK-43
LG CL87LG CK-43
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Main
Various sound effects: echo, voice change, bass boost. Sample constructor. DJ turntables.
Featuresmusic centermusic center
Number of channels2.02.0
Playback
Media
USB port
CD
USB port /2/
CD
Radio
Tuner typedigitaldigital
Tuner bands
FM
 
FM
AM
Tuner memory50 stations50 stations
Tech specs
System power2350 W300 W
Power per channel1175 W150 W
Number of bands12
Impedance6 Ohm4 Ohm
Frequency range100 – 20000 Hz
Phase inverter
Equalizer
Interfaces and features
Interfaces
Bluetooth v 4.0
Bluetooth v 4.0
More features
 
karaoke
USB drive recording
time
 
shutdown timer
smartphone control
 
 
time
alarm
shutdown timer
Connectors
Inputs
 
mini-Jack (3.5 mm)
for microphone /x2/
RCA
 
 
General
LCD display
Lighting effects
Remote control
System dimensions (HxWxD)162x300x250 mm
Speaker dimensions (HxWxD)454x320x309 mm
Central unit dimensions (HxWxD)167x450x332 mm306х201х220 mm
Color
Added to E-Catalogjanuary 2020july 2018

Tuner bands

Radio bands accepted by the music centre tuner. To date, the most common support for such ranges:

— FM. Part of the ultra-short wave (VHF) band between 87.5 MHz and 108 MHz. It uses frequency modulation, which allows you to broadcast music in stereo with a fairly high sound quality, as well as transmit RDS signals (see RDS). At the moment, most music radio stations in the CIS broadcast in this range, as a result of which FM is supported in the vast majority of audio systems. The disadvantage of this option is the limited reception area — a maximum of several tens of kilometers from the transmitter — so FM broadcasts can usually be listened to within the same city and surrounding areas.

— AM (from the English amplitude modulation — amplitude modulation) — broadcasting using amplitude modulation. Usually this term means broadcasting on medium waves in the range of 520-1610 kHz; most consumer AM receivers are designed for these same frequencies. The reception range of AM stations can be hundreds of kilometers, but the sound quality is lower than on FM, so this format is broadcast mainly by “talk” and news radio stations.

— VHF. In this case, the sub-band 65.9-74 MHz is meant, using the so-called OIRT modulation. In this format, VHF broadcasting was originally conducted in the countries of the Soviet Union and Eastern Europe, but at the moment it is not very popular due to the development of FM. VHF is technically similar to FM (see above), the...main differences are the occupied frequency band and the inability to transmit RDS signals in VHF (see RDS).

— DAB+. DAB is an abbreviation for Digital Audio Broadcasting, i.e. "digital broadcasting"; and "+" means an improved version of this standard. Formally, DAB + is not only a range, but also a signal transmission format: unlike all the options described above, it, as the name implies, is digital. This gives a number of advantages over traditional transmitters — in particular, a greater range with less power and high quality of the broadcast sound. In addition, this sound is practically not subject to distortion: weak interference does not affect its quality, and when the transmitter power is critically reduced, the signal is not distorted, but disappears entirely. The latter, however, can be written down as disadvantages; but the really significant drawback of this option is perhaps its low prevalence (so far) in the CIS countries. Technically, such broadcasting can be carried out in any band above 30 MHz, but in fact several options are used (depending on the country) related to the VHF band. Note that DAB+ tuners are capable of receiving original DAB radio broadcasts, but not vice versa.

System power

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

Power per channel

Nominal sound power (see "System power") on each of the main channels of the audio system. This indicator is most often indicated in models with a subwoofer (see "Number of channels"); knowing it, you can estimate the power distribution between the main speakers and the subwoofer.

Number of bands

The number of distinct frequency ranges (bands) into which sound is divided when played through the acoustics of an audio system. For each such band, a separate speaker is provided, and sometimes several.

The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).

Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.

Impedance

The term "impedance" refers to the resistance of a speaker system to alternating current. Note that in the case of audio systems, this parameter plays a secondary role: it is important for selecting acoustics for an amplifier, and here both of these components are in most cases optimally matched by the manufacturer to each other. Therefore, in fact, information about the impedance can be useful only when looking for speakers to replace the complete ones: it is highly desirable that the new acoustics have the same impedance as the standard ones.

Frequency range

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

Phase inverter

The phase inverter is a tube installed in the column housing and having an outlet to the surrounding space. The length of the tube is chosen so that a signal comes out of the outlet, inverted in phase relative to the signal from the front of the diffuser. This enhances the sound pressure and improves the sound of the speakers, including at low frequencies. Note that such audio systems should be placed at a certain distance from walls, furniture, etc. — otherwise, a hum may occur due to the movement of air through the phase inverter tube.

A similar function in some models is performed by a passive radiator (see below).

Equalizer

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.

More features

Omnidirectional sound. As the name implies, audio systems with this feature radiate sound evenly in all directions, covering a space of 360°. Thus, the device can be installed in the centre of the room and evenly “fill” it with sound, which will be clearly perceived at any point. On the other hand, an omnidirectional system usually sounds 1.0 (mono); the design may include various tricks to ensure surround sound, but these still in most cases do not reach full stereo.

Voice assistant. Audio support for voice assistant. The most popular nowadays are such assistants: However, other solutions are also possible. Anyway, it is worth noting that this is not about the function of the audio system itself, but about compatibility with smartphones, tablets and other gadgets that have their own voice assistants. Thus, to use the voice assistant, you will have to connect the audio system to an external device. On the other hand, the capabilities of such assistants are usually more extensive than those of built-in voice control systems(see below); advanced features are often supported, such as natural speech recognition with complex queries (“Play the last album of the band … that I listened to”), weather fore...cast, sports scores, etc. Of course, the specific set of supported commands and languages \u200b\u200bcan be different — depending on the voice assistant and its version.

— Voice control. A feature that is virtually mandatory for smart speakers (see "Intended Use") and hardly found in other types of audio systems. As the name implies, this control allows you to control the device using voice commands. It differs from the voice assistant (see the relevant paragraph) in that in this case we are talking about the simplest commands related to the main functionality of the audio system — for example, "Stop", "Continue", "Next track", etc. It is worth having in mind that voice control is almost guaranteed to support English, but the ability to recognize other languages should be specified separately.

— Smartphone control. The ability to control the audio system from a smartphone, tablet or other gadget with a special application installed on it. Usually, the connection is made via Wi-Fi (see "Interfaces"). The convenience of this function lies not only in the fact that you can control the system from a distance — the application is often more convenient and provides more options than the controls on the radio itself.

— Multiroom support. Device support for Multiroom technology. This technology allows you to create a single wireless network in the house from several speakers located in different rooms, and simultaneously play music in all these rooms. The specific features of such networks in different models may be different, they should be specified separately. So, some devices use a Bluetooth connection, others use Wi-Fi (directly or via a local network). In some cases, the control speaker broadcasts sound to all the others, and the same music plays throughout the house, in others, the speakers are “equal”, and different tracks can be turned on simultaneously in different rooms. Some audio systems require an external sound source (smartphone, tablet, etc.), others are capable of playing the role of a player themselves, including for streaming Internet services.

— Synchronization of speakers. The model supports the ability to synchronize the operation of several speakers connected to one signal source. This solution allows you to realize truly stereo sound, improve the quality and power of sound reproduction, as well as expand the stereo panorama. The only thing is that both speakers must support the appropriate connection type. Different brands may have their own speaker interconnection technologies (JBL Connect, JBL PartyBoost, Sony Party Chain), or maybe a universal TWS.

— Karaoke. A popular entertainment that allows users to sing their favorite songs to the backing track (musical accompaniment with the original vocals cut out) — in such a way that the vocals superimposed on the backing track are played through the acoustics of the audio system. This feature requires at least one microphone input.

— Karaoke Mix. An extended version of karaoke (see above), which provides various additional features — for example, performance evaluation in points, singing competitions, etc. Usually, it allows you to connect two microphones already.

— Internet radio. Ability to listen to Internet radio stations on the audio system. In general, such broadcasting is similar to conventional broadcasting, however, it is carried out not through the radio, but through the World Wide Web, which provides some additional features. So, Internet broadcasting has no restrictions on the range and ranges, allows you to listen to programs from any country and in any language; and the list of broadcasters is extremely extensive, among them there are both traditional radio stations duplicating their programs on the Internet, and specific, purely network projects. The presence of this function assumes support for at least one network interface — Wi-Fi or LAN (see "Interfaces").

— Recording to a USB drive. The ability of the audio system to record to an external USB device — for example, a USB flash drive. In this way, you can record your favorite radio programs from a conventional tuner or Internet station (see above), copy music from optical discs, etc.; Specific USB recording capabilities vary by audio system model.

— Clock. Ordinary clock — a device for displaying time, most often in the form of numbers on the display. Sometimes these hours are the most convenient. In addition, this function is necessary for some other features — primarily the alarm clock (see below).

— Alarm. A classic alarm clock that sounds at a set time. It can be useful not only for wake-up calls, but also in other cases when you need to warn the user about the arrival of a certain time. A feature of this function in audio systems is that the inclusion of a specific radio station or musical composition can be used as a signal.

— Shutdown timer. A feature that allows the audio system to turn off automatically after a user-defined time. Thanks to the timer, you can, for example, turn on relaxing music to fall asleep and fall asleep peacefully — the audio system will turn off on its own.

— Nightlight. The presence in the audio system of its own built-in lamp of low power, which allows it to be used as a night lamp. A night light can be useful for both young children and adults who are uncomfortable falling asleep in complete darkness; in addition, it can come in handy in situations where you have to get up in the middle of the night or early in the morning, before sunrise — at least with the light from the nightlight, it's easier to get to the main switch.
LG CL87 often compared
LG CK-43 often compared