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Comparison Klipsch R-51M vs Klipsch R-15M

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Klipsch R-51M
Klipsch R-15M
Klipsch R-51MKlipsch R-15M
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Featureshomemadehomemade
Mount
shelf /wall/
shelf
Specs
Typepassivepassive
Number of channels2.0 system2.0 system
Number of speakers22
Number of bands22
Sensitivity93 dB94 dB
Impedance8 Ohm8 Ohm
Crossover frequency1.66 kHz2.25 kHz
Power / frequency
Front85 W/channel85 W/channel
Total rated power170 W170 W
Overall frequency range
62 – 21000 Hz /± 3 дБ/
62 – 24000 Hz
Design
Design features
magnetic shielding
phase inverter back
horn design
magnetic shielding
phase inverter back
horn design
General
Tweeter size25 mm25 mm
Woofer size (LF/MF)133 mm133 mm
Finishing materialMDFMDF
Front speaker dimensions (HxWxD)33.8х17.8х21.5 cm32x18x21 cm
Weight10 kg9.34 kg
Color
Added to E-Catalogaugust 2018april 2015

Sensitivity

Speaker sensitivity.

This characteristic is indicated on the basis of how loud the acoustics are capable of producing when a signal of a certain standard power is applied to it. Simply put, the higher the sensitivity of the speaker, the louder it will sound at the same output power of the amplifier. Thus, sensitive acoustics can be effectively used even in combination with relatively low-power "amplifiers". On the other hand, low sensitivity also has its advantages: it allows you to achieve a more uniform frequency response and reduces the likelihood of overloading the amplifier. In the least sensitive modern speakers, this indicator does not exceed 84 dB, in the most sensitive it is 95 – 96 dB or more.

Note that in fact, you have to pay attention to this parameter when acoustics are planned to be used with a separately selected power amplifier. Therefore, for active systems (see "Type"), sensitivity is purely a reference value, and, usually, it can be ignored when choosing.

Crossover frequency

The crossover frequency provided in the speaker design.

A crossover is installed exclusively in a multi-band model (see "Number of Bands"). This is an electronic filter that ensures the division of the incoming audio signal into separate frequency ranges and directs each range to "its" set of speakers. And the crossover frequency shows where the boundary between these ranges lies. If there are more than two bands, there will be several such boundaries: for example, for a four-band system it may be specified "0.15 / 0.8 / 2.8 kHz" or "0.12 / 1 / 3.8".

In most cases, this parameter has mainly a reference value: the frequencies of the built-in crossover are selected to match the operating characteristics of the speakers installed in the speaker system.

Overall frequency range

The total frequency range that the speaker is capable of reproducing. Specified from the bottom of the range in the lowest frequency component to the top of the range in the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

The wider the frequency range — the fuller the reproduced sound, the lower the likelihood that some part of the low or high frequencies will be "cut off". It is worth noting here that the human ear perceives frequencies on average from 16 Hz to 22 kHz, and from a practical point of view, it makes no sense to provide a wider frequency range in speakers. However, quite a few models go beyond this range, sometimes quite significantly (for example, there are speakers with a range of about 10 – 50,000 Hz). Such characteristics are a kind of "side effect" of high-end acoustics, and they are usually given for advertising purposes.

Thus, the lower limit of the range in modern speakers can be within frequencies up to 20 Hz, however, higher values \u200b\u200bare more common — 30 – 40 Hz, 40 – 50 Hz, or even more than 70 Hz. In turn, the upper limit in most modern speakers lies in the range 19 – 22 kHz, although there are deviations both upwards (see above) and downwards.

Weight

The total weight of all components of the speaker system.
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