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Comparison M-AUDIO Code 49 vs Behringer Motor 49

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M-AUDIO Code 49
Behringer Motor 49
M-AUDIO Code 49Behringer Motor 49
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Keys49 шт49 шт
Key sizefull sizefull size
Mechanicsactive (dynamic)active (dynamic)
Rigiditysemi-weightedsemi-weighted
Aftertouch
Control
Pitch controller
Modulation controller
Octave shift
Keyboard split
Arpeggiator
Transport control
Pads168
Faders9
/motorized/
Regulators (encoders)88
Connections
MIDI in
MIDI out
MIDI thru
USB to host (type B)
Connectable pedals2 шт2 шт
General
Programming function
Displaymonochromemonochrome
Dimensions (WxHxD)860x71x255 mm
Weight4.5 kg
Color
Added to E-Catalogfebruary 2018february 2018

Arpeggiator

The presence of an arpeggiator in the keyboard.

The name of this function comes from "arpeggio" — a technique for playing chords, in which notes are not played all at once, but in turn. Accordingly, the arpeggiator is a function that allows you to play a taken chord in the arpeggio technique: the musician presses all the keys at once, and the keyboard plays them in turn. This effect can also be achieved manually, but in some cases the arpeggiator turns out to be more convenient: it plays notes at a clearly defined speed and interval, can accompany them with various effects, and provides other additional features. These features vary depending on the model, but some instruments allow you to create entire songs with the arpeggiator by simply pressing a sequence of chords.

Pads

The number of pads provided in the design of the keyboard.

Pads are auxiliary controls in the form of characteristic pads, usually square. The pads respond to touch, each of them can be tied to a specific sound or even a sequence of sounds. One of the most popular ways to use pads is to play drums or other rhythmic instruments.

MIDI thru

The output to which the MIDI signals received at the MIDI In input are output (see the relevant paragraph). The key feature of this output is that the signals are output to it unchanged, regardless of the impact of the musician on the keyboard. In other words, if the MIDI Out input receives signals from both MIDI In and the keyboard itself, then MIDI Thru receives only signals from MIDI In.

MIDI Thru can come in handy when using the keyboard in large musical complexes where there are other sources of MIDI signal — in some cases it is convenient to use the keyboard as an intermediate link for these signals.
M-AUDIO Code 49 often compared