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Comparison Yamaha NP-32 vs Yamaha NP-12

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Yamaha NP-32
Yamaha NP-12
Yamaha NP-32Yamaha NP-12
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Bodyportableportable
Keys
Number of keys76 шт61 шт
Sizefull sizefull size
Mechanicsactiveactive
Sensitivity adjustment
Rigidityweightedweighted
Specs
Polyphony64 voices64 voices
Built-in timbres10 шт10 шт
Tempo change32 – 28032 – 280
Metronome
Sequencer (recording)
Built-in compositions
Effects and control
Timbres layering
Octave shift
Reverberation
 /4/
 /4/
Transposition
Fine tuning
 /414.8 – 466.8 Hz/
 /414.8 – 466.8 Hz/
Connectors
Connectable pedals1 шт1 шт
Outputs
USB to host (type B)
USB to host (type B)
Headphone outputs1 шт1 шт
General
Built-in acoustics12 W5 W
Number of bands11
Power consumption18 W8 W
Autonomous power supply
aA batteries /6 pcs/
aA batteries /6 pcs/
Operating hours7 h16 h
Dimensions (WxHxD)1244x105x259 mm1036x105x259 mm
Weight5.7 kg4.5 kg
In box
music stand
PSU /may not be supplied/
music stand
PSU /may not be supplied/
Color
Added to E-Catalognovember 2016november 2016

Number of keys

The number of keys provided on the digital piano keyboard.

The immediate range of the instrument depends on the number of keys — that is, the set of notes that can be played on it without resorting to octave transfer or transposition (see below). Most digital pianos have 88 keys, the same number as a regular piano; thus, the ranges in electronic instruments most often match those of real pianos. However, smaller models are also produced — usually 61 or 73 keys (as in most synthesizers). This number of keys is found in two types of digital pianos — in inexpensive entry-level models and in some professional instruments designed mainly for "genre" music (rock, gospel, etc.), and not for classical piano parts.

Built-in acoustics

The power of the native acoustics installed in the Digital Piano.

This indicator directly affects the maximum volume that the instrument is able to produce "on its own", without connecting external speakers. At the same time, it is worth noting that many manufacturers go to the trick and indicate in the characteristics not the rated power (rms power when operating at full volume), but the peak power, which is the highest power that the acoustics can deliver at short “ups” of volume. Peak power values can be quite impressive — in the tens and hundreds of watts — but these figures have a very indirect relation to the actual capabilities of the speakers. Therefore, before choosing, it is worth clarifying what kind of power is mentioned in the characteristics. To do this, it is not necessary to look for detailed data on the instrument, it is enough to compare the power of the speakers with the power consumption (see below): if the claimed power of the acoustics is greater than the power consumption of the entire instrument, then the manufacturer indicated exactly the peak value.

Power consumption

The power consumed by the tool during normal operation.

The cost of electricity, as well as connection requirements, depend on this indicator. At the same time, we note that digital pianos require relatively little energy — even in the most powerful and advanced models, consumption usually does not exceed 60 watts. So in fact, power consumption data is required mainly for specific cases — for example, to calculate the total load when connecting a tool to an autonomous generator along with other devices. In addition, this information may be useful when assessing the power of the built-in speaker, for more information, see "Built-in acoustics".

Operating hours

Operating time of the tool from an independent power source (see above). It is worth noting that most manufacturers indicate the maximum time: at a relatively low volume, minimal use of additional functions (or at all, provided that they are not included), etc. Also, keep in mind that most digital pianos use self- powered batteries such as AA batteries, and these batteries can vary in capacity and overall quality. However, in general, this indicator makes it possible to assess the battery life of the tool.
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