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Comparison Harman Kardon SB 26 vs Harman Kardon SB 35

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Harman Kardon SB 26
Harman Kardon SB 35
Harman Kardon SB 26Harman Kardon SB 35
from $674.07 up to $1,125.00
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from $1,022.00 up to $1,512.00
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Audio format2.18.1
Mount typeshelf / wallshelf / wall
Tech specs
Rated power160 W240 W
Soundbar speaker power60 W140 W
Frequency range38 – 22000 Hz43 – 22000 Hz
Sensitivity104 dB
Subwoofer
Wireless subwoofer
Acoustic designbass-reflex typebass-reflex type
Subwoofer power100 W100 W
Subwoofer speaker size250 mm112 mm
Subwoofer dimensions (WxHxD)320x365x320 mm460x390x86 mm
Interfaces
Interfaces
Bluetooth
Bluetooth
Audio decoders
 
Dolby Digital
DTS
Dolby Digital
Connectors
Inputs
mini-Jack (3.5 mm)
optical
mini-Jack (3.5 mm)
optical
HDMI input23
Outputs
 
iR control output
HDMI output1 pc1 pc
Speakers
Number of speakers6 шт
Tweeter size25 mm25 mm
Woofer size (LF/MF)75 mm45 mm
General
Display
Control
remote control
from smartphone
remote control
 
Dimensions (WxHxD)920x110x89 mm1150x110x32 mm
Projector weight3.5 kg8.4 kg
Color
Added to E-Catalogjuly 2014july 2014

Audio format

The audio format produced by a sound projector is actually the largest number of individual audio channels supported by the device. Note that in this case we are talking about the number of real channels, that is, channels for each of which at least one speaker is allocated; Models that support virtual surround sound can give the listener the impression of more channels than there actually are (see below for more details).

The sound format is indicated by two or three numbers separated by a dot. The first indicates the number of main channels, the second - the number of subwoofers, the third - the number of additional vertical radiators. For example, 2.1 format corresponds to stereo sound (2.0) supplemented by a subwoofer. And the conditional 3.1.2 format includes left, right and center channels, a subwoofer, left and right vertical speakers.

Sound projectors that support a more advanced sound format than 3.1 are designated in our catalog as multi-channel. The classic multichannel audio format is 5.1, but there are other options. In any case, a large number of real channels contributes to the fidelity of the reproduced sound and simplifies setup compared to virtual surround sound systems, but is also more expensive.

The most common sound formats are: 2.0, 2.1, 3.0, 3.1, 4.1, 5.1, 5.1.2, 7.1.

Rated power

The total power rating of the sound projector speakers (including subwoofer, if present).

This parameter is often used to estimate the overall sound volume of the device, but this is not entirely true. The fact is that the actual sound volume is determined mainly by the power of the main speakers of the sound projector, and the total power is the sum of this power and the power of the subwoofer. Therefore, models with the same power rating can vary markedly in actual volume: for example, a 150-watt soundbar with a 50-watt subwoofer will be louder than a 100-watt projector with a subwoofer of the same power, although in both cases the rated power will be equal to 200 watts.

Summing up, we can say that it is possible to evaluate the volume by rated power only if the sound projector is not equipped with a subwoofer — in such models, the rated power is equal to the power of the main speakers. In other cases, it is worth focus on the power of the soundbar and the power of the subwoofer directly stated in the characteristics (see below for both).

Soundbar speaker power

The nominal power of the speakers installed directly in the soundbar, excluding the subwoofer (in models with a built-in subwoofer, respectively, only the power of the main speakers is taken into account).

This indicator directly determines the overall volume of the sound projector; It is worth choosing according to this parameter taking into account the specifics of the room in which the projector is planned to be installed: the larger the room and the greater the distance to the viewer, the higher the power should be, otherwise the soundbar will not be able to effectively sound the scene. Detailed recommendations on the optimal power for different situations can be found in special sources.

Frequency range

The audio frequency range supported by the projector's speakers.

When evaluating this parameter, it is worth remembering that the audibility range of the human ear is about 16 – 22,000 Hz (and narrows with age). If the projector's frequency range is narrower, this can result in "cutting" low or high frequencies (however, with a slight narrowing, this effect is almost imperceptible). There are models in which the frequency limit is much wider — however, this is a kind of "side effect" of high-quality acoustics and has no meaning other than advertising.

Also note that a wide frequency range in itself does not guarantee high-quality sound — a lot depends on other parameters of the projector.

Sensitivity

The sensitivity value determines the volume of the projector when a signal of a certain power is applied to it. Given the same input power and impedance, a more sensitive system will produce higher volume.

This parameter is important primarily when operating the projector with an external amplifier. At the same time, models with values up to 88 dB are considered low sensitivity, 88 – 92 dB are considered medium, and more than 92 dB are considered high sensitivity.

Subwoofer speaker size

The diameter of the speaker in the subwoofer used by the sound projector.

It is believed that the larger the speaker, the louder the sub and the deeper and richer sound it can provide. Models up to 200 mm in size are entry level; This is exactly the size that built-in subwoofers usually have (see above). But free-standing bass speakers can use larger speakers, up to 254 mm (10").

Audio decoders

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders.

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system - the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

DTS X. An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, D...TS X is not tied to a specific number of audio channels - there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues. A separate variant of DTS X is the DTS Virtual:X decoder for providing surround sound without the use of additional upward speakers on the soundbar. You can rely on just two channels and a separate subwoofer to achieve the desired DTS Virtual:X effect. A separate variation of DTS X is the DTS Virtual:X decoder to provide surround sound without the need for additional upward-firing speakers on the soundbar. DTS Virtual:X can rely on just two channels and a separate subwoofer to achieve the desired effect.

IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

HDMI input

The number of HDMI inputs in the design of the sound projector.

HDMI is the most popular modern interface for working with HD content, it allows you to transmit high-definition video simultaneously with multi-channel audio over a single cable. Having multiple inputs allows you to keep multiple signal sources connected to the projector at the same time and select the source from the remote without fiddling with reconnecting wires.

Outputs

To the subwoofer. Dedicated output for connecting an external subwoofer. This is usually a line output that only feeds bass — this eliminates the need for external frequency filters. Such a connector is designed to connect an active subwoofer — a passive one will need its own amplifier. Note that this output can be provided in models equipped with their own subwoofer (see above) — in case the capabilities of this subwoofer are not enough.

— RCA. Despite the fact that RCA connectors are used in various interfaces, the term "RCA output" is usually used only for line output with such connectors. This output is used to send an analogue audio signal to an external device; it usually uses the stereo format and consists of two RCA jacks (one for each channel). In sound projectors, the line output can be useful, for example, for connecting additional acoustics.

— Composite. In this case, we do not mean a full-format composite interface of three connectors that allows you to transmit audio and video signals, but only one connector for working with video. This output is used to connect a sound projector to a TV and work as a media centre. The composite video interface does not allow working with HD and is not of high quality; on the other hand, it is widespread and can even be used to work with frankly outdated video equipment (for example, kinescope TVs). Typically this input uses a yellow RCA plug.

— Component. An outpu...t used to send an analogue video signal to an external display. It uses three cables (usually with RCA plugs), each of which carries a different video signal component (hence the name). Due to this, the component interface has good bandwidth and picture quality, it allows you to work with HD and is considered the most advanced modern analogue video standard.

— IR control output. An output that allows the sound projector to be used as an external IR receiver for other devices (such as an amplifier or audio receiver). Through this output, the sound projector can transmit received commands from the control panel to the connected equipment. This allows you to install an external device anywhere, even outside the range of the remote control. In addition, this feature is especially useful for some shelf models (see "Installation type"), which, when installed, may cover the IR receiver of the TV. However note that equipment from different manufacturers may be incompatible in terms of control connectors.
Harman Kardon SB 26 often compared
Harman Kardon SB 35 often compared