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Comparison Alpine SBG-1044BR vs Alpine SBE-1044BR

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Alpine SBG-1044BR
Alpine SBE-1044BR
Alpine SBG-1044BRAlpine SBE-1044BR
from $119.07 up to $128.60
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from $124.31 
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Application areacarcar
Designenclosedenclosed
Enclosure typevented boxvented box
Body shapeBoxBox
Typepassivepassive
Size10" (25 cm)10" (25 cm)
Tech specs
Rated power150 W150 W
Max. power
500 W /Peak/
500 W /Peak/
Frequency range33 – 1000 Hz33 – 800 Hz
Sensitivity88 dB87 dB
Impedance4 ohm4 ohm
General
Protective grille
Plexiglass insert
 /acrylic window/
Enclosures illumination
 /blue/
Diffuser materialcompositekevlar
Woofer Diameter250 mm250 mm
Enclosures dimensions350х360х395 mm353х353х407 mm
Added to E-Catalogjuly 2012july 2012

Frequency range

The range of audio frequencies reproduced by the subwoofer. It is believed that the human ear is capable of perceiving a frequency range of the order of 16 – 20,000 Hz, but in this case note that the subwoofer is designed to reproduce the lower frequency band (up to 200 Hz). Accordingly, in the case of the lower limit of the range, everything is simple: “the lower, the better”; the upper one should not be lower than the lower limit of the main car audio — otherwise there will be "gaps" in the frequencies, which will affect the sound quality.

Sensitivity

Sensitivity determines the loudness of the subwoofer when a signal of a certain power is connected to it: with equal signal power and impedance (see below), the subwoofer with the higher sensitivity will sound louder.

Plexiglass insert

The presence of a transparent insert in the subwoofer housing. Such an insert does not affect the sound quality and characteristics, however, it gives the device an original appearance.

Enclosures illumination

The presence of its own backlight on the subwoofer case. The role of this function is purely decorative: it does not affect the sound characteristics, but it provides a stylish design.

Diffuser material

The material from which the speaker cone in the subwoofer is made. Determines the sound quality and, to some extent, the cost of the device.

— Pulp/paper. Historically the first diffuser material. Its advantages are lightness (which ensures high speaker sensitivity), as well as a smooth frequency response (amplitude-frequency response), which positively affects the sound quality. Among the shortcomings — low strength, which limits the power of such subwoofers, as well as softness, somewhat "blurring" the sound in difficult moments. In addition, paper diffusers are sensitive to moisture.

— Polypropylene. Synthetic polymer, in some aspects similar to paper, but differing from it in higher strength and resistance to moisture. It also has a smooth frequency response. Somewhat more cruel, but still belongs to the soft.

— Polyurethane. Another polymer material. At a low cost, it is somewhat stiffer than polypropylene, and is also very resistant to mechanical stress, which allows you to create powerful speakers.

— Kevlar. Kevlar fibre is highly durable (higher than steel); it also has good rigidity, which has a positive effect on fidelity in difficult moments. However, such diffusers are not cheap.

— Carbon fibre. It belongs to premium materials: it has high strength at a very low weight, and in the case of subwoofers, it is also worth mentioning the good rigidity that ensures a clear sound. Among the shortcomings — a somew...hat uneven frequency response and an impressive cost.

— Carbon. Another name used for carbon fibre is mainly for promotional purposes, for brevity and “impressiveness” of sound. See above for more details on carbon fibre.

— Fibreglass. Such material consists of ordinary glass stretched into filaments; unlike the classical form of glass, such threads do not break or break. It's lightweight (respectively sensitive), relatively cheap, resistant to moisture and temperature changes, and still provides good (though not outstanding) sound quality.

— Composite materials. Composite is a material that consists of two or more materials with a clear separation between them. In subwoofer cones, carbon fibre composites (based on carbon fibre, see above) are most often used. Such diffusers have all the advantages of carbon fibre and are able to provide good sound quality — however, due to the characteristics of the frequency response of the material, rather complex electronic circuits have to be used to achieve this quality, which affects, in particular, the price of subwoofers.

— Aluminium. Aluminium cones have the highest rigidity of all, which ensures high fidelity of sound transmission even in difficult moments. The "reverse side of the coin" in this case are their own extraneous "ringing" that occurs in the diffuser. To eliminate them, you have to use various tricks that significantly complicate the design and increase the price of the subwoofer.

Note that each material has its own characteristics and shades of sound, which you should pay attention to when choosing — a more expensive and high-quality material will not necessarily give a sound that you personally will like more.
Alpine SBG-1044BR often compared
Alpine SBE-1044BR often compared