Comparison JBL Northridge ES 150P vs JBL Northridge E 150 P

— Closed type. The simplest type of construction: a closed (sometimes hermetically sealed) case with a speaker placed on the front panel. It is believed that such subwoofers have low sensitivity, which, however, is offset by high sound transmission accuracy and low distortion.

— Phase inverter type. In the cases of such subwoofers, a tube is installed that has an outlet to the surrounding space. The length of the tube is chosen so that a signal comes out of it, inverted in phase relative to the signal from the front of the cone (in other words, from the main speaker). This improves the sound of the subwoofer and enhances the sound pressure. The disadvantage of a phase inverter is the additional noise from the sound stream in the tube.

— With a passive radiator. A design similar to a phase inverter (see above) in terms of purpose and principle of operation, however, instead of a tube, such subwoofers use the so-called passive emitter. In fact, it is an ordinary speaker, devoid of a coil and a magnet and playing the same role as the phase inverter tube. The use of a passive radiator allows you to get rid of the noise of the air flow, characteristic of phase inverters.

— Behind. It is recommended to install subwoofers with a rear bass reflex so that the back of the case, where the bass reflex is located, is away from the wall. If you put such a subwoofer right next to the wall, then the sound quality will be noticeably reduced. Bass reflex subwoofers on the back of the cabinet are usually placed in the centre of the room. If it is not possible to put acoustics in the centre, then they try to place this type of subwoofers away from the wall that the bass reflex is looking at.

— Front. Front-facing bass reflex subwoofers are good if the acoustics need to deeply reveal the image of low-frequency sound. Acoustics of this type are recommended for music in which there is a lot of bass. The front location of the phase inverter allows you to put the subwoofer almost close to the wall.

— From below. Bass reflex subwoofers are designed to be hung at a height. In this case, there will be no interference in the path of low-frequency sound, that is, the bass will be revealed as fully as possible. If it is not possible to hang such a subwoofer, then it is permissible to put the acoustics on a high stand. But the stand should not overlap the phase inverter.

— Sideways. Subwoofers with a side bass reflex can be placed close to the wall and in the corner, but if the corner wall does...not block the bass reflex. The lateral location of the phase inverter allows acoustics to focus on mid-frequency and high-frequency sound. The low frequency sound will become moderate. This is the optimal acoustic scheme for watching movies.

Rated power of the subwoofer. Technically, this is the highest average (rms) sound power at which the device can work normally (without sound distortion and damage to components) for an unlimited time. Simply put, the more powerful the subwoofer, the louder it is. The choice for this parameter depends primarily on the size of the space / room that is planned to be covered; detailed recommendations for different situations can be found in special sources.

Also, the power is directly related to the characteristics of the amplifier used with the subwoofer. For active subwoofers (see "Type"), this item actually indicates the nominal power of the built-in amplifier; the speaker itself can be more powerful, but it doesn't matter anymore. For passive models, the power rating corresponds to the highest amplifier power that can be connected to the speaker without the risk of damaging it at high volume.

Ability to connect a passive speaker system directly to the subwoofer.

Only active models equipped with a built-in amplifier have this possibility (see "Type"). Such an amplifier in this case operates over the entire frequency range and is equipped with a crossover that separates the signal into a “bass” and main range. Bass is fed to the subwoofer's own speaker, and the rest of the frequencies are sent to the outputs for connecting passive acoustics. The role of the latter can be played by high-level terminals or Speakon connectors (see below), depending on the class and purpose of the subwoofer.

Anyway, this function allows you to do without an external amplifier for passive speakers, which is sometimes very convenient.

— RCA (linear). A standard interface for handling analogue audio from a preamplifier. In subwoofers, it is used to transmit a signal to other acoustic components, mainly in home models (see "Intended Use"), designed to build 2.1 systems. Usually, such a signal is pre-processed by a built-in crossover, which “selects” the bass frequencies for the subwoofer and outputs only the midrange and treble; however, in some models, direct switching of the audio signal is also possible, without separation into frequencies. In linear RCA, each channel of audio needs its own jack; accordingly, for the mentioned 2.1 systems, a pair of connectors is usually provided for one output.

— RCA (LFE). The LFE interface is designed to work with a low frequency signal (bass). The presence of such a connector is useful, first of all, if you need to use a second subwoofer — not all players, receivers and other signal sources have enough of their own outputs for this, and it’s closer to pull the wire to the first “subwoofer”. Note that the second subwoofer must be active, otherwise it will require an additional amplifier.

— Jack (6.35 mm). Socket for 6.35 mm Jack. This connector is mainly used in professional audio equipment, it can be used both for a linear signal and for a signal from a power amplifier. The output is intended for switching such a signal to other acoustic compon...ents. The 6.35 mm jack provides good connection quality, connects and disconnects quickly (although the lack of a lock slightly reduces reliability), and can also be used for balanced audio (see "Balanced XLR" below), although support for this function in each individual case should be clarified separately.

— Balanced XLR. Characteristic round plug with 3 pins and lock. It is similar in purpose to the RCA line output described above (including the “1 channel per plug” principle), except that XLR is used mainly in professional audio equipment, and the connection is made in the so-called balanced format. Its peculiarity lies in the fact that due to the specific method of signal transmission, the cable itself plays the role of an interference suppressor, which allows the use of rather long wires without compromising the purity of the sound. Because of this, as well as the reliability of the connection, the XLR has become very popular in high-end equipment, including studio and live.

— Speakon. Professional connector designed to work with a signal from a power amplifier. Specially designed for high power sound, based on the reliability of the connection and the maximum protection of people from touching the contacts, and is used mainly in concert technology. Like any audio output, Speakon is used for signal switching (including connecting a passive speaker to a subwoofer amplifier, see above), while some subwoofer models may have built-in crossover processing.

— High-level (terminals). Interface for working with a signal from a power amplifier, normally used in home acoustics. The high-level output is often paired with a corresponding input and used to route an external audio signal from a power amplifier; while the sound is usually processed by the built-in crossover. There are also active subwoofers that can play the role of an external amplifier for passive acoustics and supply the terminals with an audio signal received from the line input and “swung up” to the desired power; see "Connecting a Passive Speaker" for details.