Comparison Bosch TT 150 vs Velbon EX-430

General purpose tripod. Note that many models combine several applications; see below for more on this.

— For cameras. Tripods designed for cameras. When choosing such a device, note that not every photo tripod is able to withstand a massive “reflex camera” with advanced optics, so the allowable load on the structure should be clarified separately. As for the features of the device, models designed only for cameras (and for nothing else) are designed more for holding the camera in a stable position than for quickly changing this position. On the other hand, the design may include various devices to improve the installation accuracy — levels, azimuth scale, separate adjustment along 3 axes, etc. If the tripod also allows other uses (with video cameras, telescopes, etc.) , its design features are often determined by these specialization options, camera compatibility can be provided as an option.

— For video cameras. A distinctive feature of most tripods designed for video cameras is a characteristic long handle attached to the platform. Using such a handle, the operator can simultaneously control the tilt and turn of the camera and quickly change its position — this can be critical when shooting video, when you need to quickly capture various areas of the scene being shot into the frame. However, desktop models (see "Installation") may not have a handle. Tripods “only for video cameras”, i...n addition, have an elongated platform, however, such a strict specialization is relatively rare, most models for this purpose can also be used with cameras (especially since many modern cameras also support video shooting).

— For telescopes and binoculars. Tripods suitable for use with telescopes or binoculars. Modern telescopes are most often equipped with their own tripods, and binoculars do not need such a support so often. Therefore, there are few models with this application option, and even fewer specialized only for telescopes; most often this purpose is combined with the possibility of installing a camera. However, the characteristics of such tripods are very diverse — from models with the simplest ball heads (see "Type of head") to advanced designs with a 3D mount and specialized "astronomical" functions. It is also worth considering that telescope manufacturers may use their own original mounts, so be sure to check compatibility before buying.

— For phones and action cameras. Tripods designed for use with smartphones, action cameras and other similar sized devices. The specificity of such devices depends on whether they can be used with other types of equipment. So, tripods only for smartphones / action cameras almost all have the form of compact desktop structures (see "Installation") — among other things, portability in this case is more important than the versatility of the installation. But models that are also compatible with cameras and/or camcorders may also have a floor version. Note that anyway, before buying, it's ok to clarify the compatibility of a tripod with a specific gadget: smartphones are usually installed in a universal clamp, but an action camera may require a proprietary mount.

The minimum height relative to the base at which the tripod base can be mounted.

The lower the minimum height, the better the tripod is suitable for macro and product photography; in addition, the range of height adjustment available to the user depends on this indicator. Note that for models with the ability to flip the boom (see below), the minimum height is given for the traditional position of the boom, platform up. And if the claimed minimum is significantly less than the length of the tripod when folded (for example, 15 cm with a length of 50 cm), this means that the legs can “spread” to a horizontal position or close to it, thus lowering the entire structure.

The maximum height from the base on which the tripod base can be mounted.

For desktop use (see "Installation"), a large height is not required, therefore, in most of these models, this figure does not exceed 20 cm — the only exceptions are some specific monopods. Accordingly, the difference in height between different desktop structures in most cases does not matter much. But in the floor models, the most "undersized" have a maximum height of about 40 – 50 cm, and the highest ones are able to open up to 2.5 m and even higher. In such cases, the choice should take into account the specifics of use. So, it makes sense to specifically look for a model at 150 – 160 cm if it is fundamentally important to install the camera at eye level (eye level is usually about 10 cm lower than a person’s height). At the same time, most camcorders and many cameras have swivel screens that allow you to comfortably look at the device from top to bottom; and even in the absence of such a screen, bending down to the level of the camera is not so difficult. And it makes sense to pay attention to tripods with a height of 170 cm and above mainly in those cases when shooting over heads is planned — for example, reports from public events.

The presence of a built-in tripod level — a device that allows you to control the horizontal position of the camera.

Spirit levels are most often used — in the form of a sealed flask with liquid and an air spirit: if the spirit is between the marks on the flask, then the camera is on the horizon. The simplest option provides one flask to control the tilt to the right and left in order to avoid a “littered horizon”; however, the design may provide another level that monitors the tilt back and forth, or one common two-axis bulb. And in the model with a horizontal rotation of the rod (see above), an additional level is often set — for the horizontal mode. Anyway, this function greatly facilitates the exposure of the camera "on the horizon".

The maximum camera weight that this tripod can support.

If the tripod is purchased for use with a smartphone or action camera, you can ignore this parameter: the weight of such gadgets usually does not exceed 200 g, any tripod of the corresponding specialization can easily handle such a load (see "By Purpose"). Compact point-and-shoot cameras usually weigh up to 300 g, and amateur video cameras - up to 700 g; but in both cases, there are also more massive models. This should be taken into account when choosing a tabletop tripod (see "Installation") for such equipment - some tabletop models have rather limited weight restrictions; but with floor-standing ones, there are usually no difficulties.

But if a tripod is purchased for professional equipment, special attention should be paid to the permissible weight. Thus, a professional video camera can “pull” 2.5 kg or even more; the average weight of a SLR camera is 600 – 800 g, but this is only the “body”, to which the weight of the optics is added – and in some powerful telephoto lenses it can exceed 2 kg. So such devices may require quite “durable” tripods.

Tripod head included. Most often, the head is supplied as a kit, however, some models (mainly professional level) do not come with a head — it is purchased separately and selected for the specific needs of the user (for more details, see "Removable head" and "Head type"). Therefore, in the characteristics of the tripod, this parameter is indicated separately.

A carrying case is included with the tripod. The cover provides convenience in storage and transportation: it protects the structure from various contaminants and contacts with foreign objects, and can also have handles, straps and other devices that make it easier to carry. For the same purpose, impromptu packaging can also be used, but a complete case is usually much more convenient and functional.

Support material — the lower part of the legs, in direct contact with the surface on which the tripod is placed.

— Rubber. Rubber feet are perfect for hard surface applications. They securely stand on almost any material, do not slip and even tend to “stick” slightly, additionally holding the tripod in place. In addition, such supports do not damage delicate coatings such as parquet or polished wood, and they themselves, in turn, resist damage well, are not afraid of asphalt and other rough materials. For installation on the ground, viscous or loose material, rubber is somewhat worse than spikes, but this moment is rarely critical, and supports of this type are widespread in modern tripods.

— Thorns. Supports in the form of rather sharp spikes are able to pierce into soft surfaces, securely fixing the entire structure on them. This option is perfect for installation on soft ground, sand or clay, hard snow, etc. At the same time, sharp spikes are not suitable for hard surfaces: they tend to slip and can damage soft materials. Therefore, in its pure form, this type of support is quite rare, more often a combination of spikes / rubber is used (see below).

— Spikes / rubber. Supports in the form of spikes with removable rubber caps put on them. About both options separately, see above, and their combination makes the design as versatile as poss...ible, allowing it to be adjusted to different types of surfaces. So, spikes are well suited for a lawn or beach, and if you need to move to the asphalt or go into a room, sharp supports can be covered with rubber caps. Due to this versatility, combo stands are very popular among floor tripods (see "Installation"), but it makes no sense to use them in tabletop models.

— Plastic. Supports, in many respects similar to the rubber ones described above; also designed for use mainly on hard surfaces, including delicate ones. One of the key advantages of plastic is its low cost. On the other hand, such supports are somewhat less reliable and durable than rubber ones, and are more prone to slip, which is why they are much less common.

— Magnetic. Supports with permanent magnets built into them, capable of “sticking” to magnetic surfaces and providing additional fixation reliability. They are used exclusively in table tripods, mostly flexible (see "Type") — it does not make sense to install such supports in a larger model. But in compact designs, the strength of the magnets can even be enough to hold a tripod suspended “upside down” along with the camera. On the other hand, it is quite rare to put tripods on metal, so this option has not received distribution.

— Wheels. Supports in the form of wheels, usually self-orienting (as in office chairs). They are rare, mainly in professional studio tripods for video filming: both the tripods themselves and the cameras mounted on them are quite massive, and it is easier to move the entire structure from place to place on wheels.