Comparison Optoma UHD65 vs Optoma UHD60
Add to comparison | ![]() | ![]() |
|---|---|---|
| Optoma UHD65 | Optoma UHD60 | |
from $4,498.00 | from $1,999.99 | |
| TOP sellers | ||
Support for HDR technology | ||
| Main function | home | home |
Lamp and image | ||
| Service life | 4000 h | 4000 h |
| Service life (energy-saving) | 10000 h | 10000 h |
| Lamp power | 240 W | 240 W |
| Brightness | 2200 lm | 3000 lm |
| Dynamic contrast | 1 200 000:1 | 1 000 000:1 |
| Colour rendering | 1.07 billion colours | 1.07 billion colours |
| Horizontal frequency | 31 – 135 kHz | 31 – 135 kHz |
| Frame rate | 24 – 120 Hz | 24 – 120 Hz |
Projection system | ||
| Technology | DLP | DLP |
| Real resolution | 3840x2160 px | 3840x2160 px |
| Image format support | 4:3, 16:9 | 4:3, 16:9 |
| HDR support | + | + |
Projecting | ||
| Rear projection | ||
| Throw distance, min | 1.3 m | 1.3 m |
| Throw distance, max | 9.3 m | 9.3 m |
| Image size | 26.5 – 302.5 " | 26.5 – 302.5 " |
| Throw ratio | 1.39:1 – 2.22:1 | 1.37:1 – 2.22:1 |
| Optical zoom | 1.6 x | 1.6 x |
| Zoom and focus | manual | manual |
| Lens shift | ||
| Keystone correction (vert), ± | 15 ° | 15 ° |
Features | ||
| Features | MHL support PJ-Link protocol 3D support | MHL support PJ-Link protocol 3D support |
Hardware | ||
| USB-A 2.0 | 1 pcs | 2 pcs |
| Number of speakers | 2 | 2 |
| Sound power | 8 W | 8 W |
| Video connectors | VGA | VGA |
| HDMI inputs | 2 | 2 |
| HDMI version | v 2.0 | v 1.4 |
| Audio connectors | 3.5 mm input (mini-Jack) 3.5 mm output (mini-Jack) optical | 3.5 mm input (mini-Jack) 3.5 mm output (mini-Jack) optical |
| Service connectors | COM port (RS-232) LAN (RJ-45) | COM port (RS-232) LAN (RJ-45) |
General | ||
| Noise level (nominal) | 25 dB | 28 dB |
| Noise level (energy-saving / quiet) | 25 dB | |
| Power source | mains | mains |
| Power consumption | 305 W | 305 W |
| Size (HxWxD) | 141x498x331 mm | 141x498x331 mm |
| Weight | 7.8 kg | 7.8 kg |
| Color | ||
| Added to E-Catalog | november 2017 | november 2017 |
Compare Optoma UHD65 and UHD60
The Optoma UHD65 and UHD60 projectors are designed for home theater and have similar features, but there are important differences. The UHD65 offers a brightness of 2200 lm and a dynamic contrast ratio of 1,200,000:1, providing deeper blacks and vibrant colors, while the UHD60 has a brightness of 3000 lm and a contrast ratio of 1,000,000:1, making it more suitable for brightly lit rooms. Both projectors support HDR and have 4K resolution, but the UHD65 features a more modern HDMI 2.0 version, whereas the UHD60 uses HDMI 1.4. Users note that the UHD65 is better suited for dark rooms thanks to its contrast, while the UHD60 may be preferable for brighter conditions. Both devices have similar dimensions and weight, but the noise level of the UHD60 is slightly higher (28 dB compared to 25 dB for the UHD65).
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Glossary
Brightness
The brightness of the image produced by the projector at maximum backlight brightness. Usually, the average brightness of the screen, derived from a special formula, is indicated. The higher it is, the less the image depends on ambient light: a bright projector can provide a clearly visible image even in daylight, but a dim one will require dimming. On the other hand, increasing brightness reduces contrast and accuracy of colour reproduction.
Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.
Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.
Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.
Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.
Dynamic contrast
The dynamic image contrast provided by the projector.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Throw ratio
The projector's throw distance is vital in determining what size projection screen to use and how far away it should be from the projector. Most projectors have a variable throw ratio. In the extreme positions, these are wide-angle mode (smallest value) and telephoto lens mode (largest value). Knowing these values, you will be able to determine the range of throw distances within which the projector must be placed in order for the projected image to match the specified dimensions of the projection screen.
According to these values, you need to check or set the optical zoom. We divide the larger value by the smaller value, and we get a figure, for example 1.33-2.16: 1.
If we want to calculate whether this projector is suitable for a certain image size, we do this: 1.33*3 (image width)=the distance at which the projector should hang.
According to these values, you need to check or set the optical zoom. We divide the larger value by the smaller value, and we get a figure, for example 1.33-2.16: 1.
If we want to calculate whether this projector is suitable for a certain image size, we do this: 1.33*3 (image width)=the distance at which the projector should hang.
USB-A 2.0
Number of USB 2.0 ports provided in the projector.
Do not confuse these ports with USB slave (see "Control Ports") — in this case, we are talking about USB ports for various peripherals. Most often, these ports are used for directly playing content from flash drives and other storage devices (e.g., external HDDs). Note that in some projectors, video playback may not be available (only photos), while others may support a very limited set of formats. Nevertheless, direct connection is often more convenient than viewing through a computer or another additional device. USB ports can also be used for other purposes, such as firmware updates, file exchange between a flash drive and the projector's built-in storage, or even for keyboards/mice (in devices running Android, see above).
The USB 2.0 standard itself is considered outdated, but it is quite sufficient for projectors, and newer peripherals are fully compatible with such ports. Besides, it is rare to connect more than one external device to a projector at once, so there are few models with more than one USB 2.0 port produced.
Do not confuse these ports with USB slave (see "Control Ports") — in this case, we are talking about USB ports for various peripherals. Most often, these ports are used for directly playing content from flash drives and other storage devices (e.g., external HDDs). Note that in some projectors, video playback may not be available (only photos), while others may support a very limited set of formats. Nevertheless, direct connection is often more convenient than viewing through a computer or another additional device. USB ports can also be used for other purposes, such as firmware updates, file exchange between a flash drive and the projector's built-in storage, or even for keyboards/mice (in devices running Android, see above).
The USB 2.0 standard itself is considered outdated, but it is quite sufficient for projectors, and newer peripherals are fully compatible with such ports. Besides, it is rare to connect more than one external device to a projector at once, so there are few models with more than one USB 2.0 port produced.
HDMI version
HDMI interface version supported by the projector.
About the interface itself, see above, and its different versions differ in maximum resolution and other features:
— v 1.4. The version released back in 2009. Despite this, it has quite decent specifications, due to which it continues to be used in modern video equipment. Specific features of HDMI v1.4 include 3D support, the ability to work with 4K video (4096x2160) at 24 fps and with Full HD at 120 fps. In addition to the original version, there are also improved modifications — v.1.4a and v.1.4b; they differ only in some 3D-related improvements.
– v 2.0. Standard introduced in 2014. Thanks to the increased bandwidth compared to v 1.4, it allows you to transfer 4K video at speeds up to 60 fps, as well as up to 32 channels and up to 4 audio streams simultaneously. In addition, this version was the first to introduce support for the 21:9 ultra-wide format, and the v2.0a update introduced HDR compatibility, with further enhancements to this feature in version 2.0b.
— v 2.1. A version released in 2017 also known as HDMI Ultra High Speed. The data transfer rate has indeed been significantly increased, allowing the support for video up to 10K at 120 frames per second. In addition, some improvements regarding HDR have been made. Note that connecting via HDMI v2.1 requires the use of special cables, although the basic features remain available when working with standard cables.
About the interface itself, see above, and its different versions differ in maximum resolution and other features:
— v 1.4. The version released back in 2009. Despite this, it has quite decent specifications, due to which it continues to be used in modern video equipment. Specific features of HDMI v1.4 include 3D support, the ability to work with 4K video (4096x2160) at 24 fps and with Full HD at 120 fps. In addition to the original version, there are also improved modifications — v.1.4a and v.1.4b; they differ only in some 3D-related improvements.
– v 2.0. Standard introduced in 2014. Thanks to the increased bandwidth compared to v 1.4, it allows you to transfer 4K video at speeds up to 60 fps, as well as up to 32 channels and up to 4 audio streams simultaneously. In addition, this version was the first to introduce support for the 21:9 ultra-wide format, and the v2.0a update introduced HDR compatibility, with further enhancements to this feature in version 2.0b.
— v 2.1. A version released in 2017 also known as HDMI Ultra High Speed. The data transfer rate has indeed been significantly increased, allowing the support for video up to 10K at 120 frames per second. In addition, some improvements regarding HDR have been made. Note that connecting via HDMI v2.1 requires the use of special cables, although the basic features remain available when working with standard cables.
Noise level (nominal)
The maximum noise level generated by the projector.
In most models, the main source of noise is the cooling system — it often uses fans to efficiently remove the heat generated by the lamp. Of course, the lower the noise level, the more convenient the projector is to use, the less inconvenience it causes, and the better the sound accompaniment of the “picture” is heard (if it is provided at all). On the other hand, as the size and power increase, the noise level also inevitably increases, and measures to reduce it significantly affect the cost of the projector.
Portable models are the quietest (see "Main purpose") — most of them do not have active cooling and practically do not make noise, except for control keys clicking and other similar sounds. Therefore, this indicator for such projectors may not be indicated at all. The most "loud" are professional projectors — in them the noise level can reach 50 dB (human speech level at medium volume).
In most models, the main source of noise is the cooling system — it often uses fans to efficiently remove the heat generated by the lamp. Of course, the lower the noise level, the more convenient the projector is to use, the less inconvenience it causes, and the better the sound accompaniment of the “picture” is heard (if it is provided at all). On the other hand, as the size and power increase, the noise level also inevitably increases, and measures to reduce it significantly affect the cost of the projector.
Portable models are the quietest (see "Main purpose") — most of them do not have active cooling and practically do not make noise, except for control keys clicking and other similar sounds. Therefore, this indicator for such projectors may not be indicated at all. The most "loud" are professional projectors — in them the noise level can reach 50 dB (human speech level at medium volume).
Noise level (energy-saving / quiet)
The noise level in the ECO mode is significantly reduced, due to the reduction in heat generation. The active cooling system (fan) slows down, thereby significantly reducing noise. Usually, in economy mode, the noise threshold does not exceed 30-40 dB, depending on the model of the projector.




