USA
Catalog   /   Photo   /   Digital Cameras

Comparison Sony A7 III kit 28-70 vs Fujifilm X-H1 kit

Add to comparison
Sony A7 III  kit 28-70
Fujifilm X-H1  kit
Sony A7 III kit 28-70Fujifilm X-H1 kit
Compare prices 6Compare prices 3
User reviews
0
0
0
10
TOP sellers
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
DxOMark rating96
Sensor
Sensor
CMOS BSI /bionz X processor/
CMOS (CMOS) /processor X-Processor Pro/
Sensor size
full frame /35.9х24 mm/
APS-C (23x15.5 mm)
Total MP24.7
Effective MP number24.324.3
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)100-204800100 - 51200
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Sony EFujifilm X
Kit lens?
Aperturef/3.5 - f/5.6
Focal length28 - 70 mm
Optical zoom2.5
Manual focus
Image stabilization
with matrix shift /can work with optical stabilization of the lens (5 axes will be involved)/
with matrix shift /5 axis/
Photo shooting
Frames per series (JPEG)177 шт
Frames per series (RAW)89 шт
HDR
2 control dials
 /+ optional/
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/3 EV steps
Auto bracketing
 /± 5 (3.5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
 /± 5 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 120 fps1920x1080 px 120 fps
Ultra HD (4K)3840x2160 px 30 fps4096x2160 px 25 fps
Video scene modes16
File recording formatsMPEG-4, AVCHD, XAVC S
MPEG-4 (MOV) /H.264/
Manual video focus
Connection ports
USB C
micro HDMI v 1.4
headphone Jack
microphone Jack
 
HDMI
 
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
by smile
one shot
tracking
in face
 
Focus points693 шт325 шт
Touch focus
Contour enhancement?
Viewfinder and shutter
Viewfinderelectronic
electronic /369K pixels/
Viewfinder crop0.78 x0.75 x
Frame coverage100 %100 %
Shutter speed30 -1/8000 с
30 - 1/8000 с /there is a transition mode to the electronic viewfinder (up to 1/32000)/
Continuous shooting10 fps14 fps
Shutter typemechanicalelectronic/mechanical
Screen
Screen size3 ''3 ''
Screen resolution921 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards types
SD, SDHC, SDXC, MemoryStick /UHS-II/
SD, SDHC, SDXC /UHS II/
Communications
Wi-Fi
Bluetooth
NFC
smartphone control
Wi-Fi
Bluetooth
 
smartphone control
Flash
Built-in flash
External flash connect
Power source
Power source
battery
battery
Battery modelNP-FZ100NP-W126, NP-W126S
Shots per charge610 шт310 шт
General
Charger modelBC-W126
Console/synchronizer modelRM-VPR1, RMT-DSLR2
Materialaluminium / plasticmagnesium alloy
Retrodesign
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)127х96х74 mm140х97х86 mm
Weight650 g673 g
Color
Added to E-Catalogfebruary 2018february 2018

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Sensor

— CCD (CCD). Abbreviation for Charge-Coupled Device. In such sensors, information is read from the photosensitive element according to the “line at a time” principle — an electronic signal is output to the image processor in the form of separate lines (there is also a “frame at a time” variant). In general, such matrices have good characteristics, but they are more expensive than CMOS. In addition, they are poorly suited for some specific conditions — for example, shooting with point light sources in the frame — which is why you have to use various additional technologies in the camera, which also affect the cost.

— CMOS (CMOS). The main advantages of CMOS matrices are ease of manufacture, low cost and power consumption, more compact dimensions than those of CCDs, and the ability to transfer a number of functions (focus, exposure metering, etc.) directly to the sensor, thus reducing the dimensions of the camera. In addition, the camera processor can read the entire image from such a matrix at once (rather than line by line, as in CCD); this avoids distortion when shooting fast-moving objects. The main disadvantage of CMOS is the increased possibility of noise, especially at high ISO values.

— CMOS (CMOS) BSI. BSI is an abbreviation for the English phrase "Backside Illumination". This is the name of "inverted" CMOS sensors, the light on which does not penetrate from the side of the photodiodes, but from the back of the matrix (from the side of the subst...rate). With this implementation, the photodiodes receive more light, since it is not blocked by other elements of the image sensor. As a result, back-illuminated sensors boast high light sensitivity, which allows you to create images of better quality with less noise when shooting in low light conditions. BSI CMOS sensors require less light to properly expose a photo. In production, back-illuminated sensors are more expensive than traditional CMOS sensors.

— LiveMOS. A variety of matrices made using the technology of metal oxide semiconductors (MOS, MOS — Metal-Oxide Semiconductor). Compared to CMOS sensors, it has a simplified design, which provides less tendency to overheat and, as a result, a lower noise level. It is well suited for the "live" viewing mode (viewing in real time) of the image from the matrix on the screen or in the camera's viewfinder, which is why it received the word "Live" in the title. They also feature high data transfer rates.

Sensor size

The physical size of the photosensitive element of a camera. Measured diagonally, often indicated in fractions of an inch — for example, 1/2.3" or 1/1.8" (accordingly, the second matrix will be larger than the first). Note that in such designations it is not the “ordinary” inch (2.54 cm) that is used, but the so-called "Vidiconovsky", which is less than a third and is about 17 mm. This is partly a tribute to the tradition that comes from television tubes — “vidicons” (the forerunners of modern matrices), partly a marketing ploy that gives buyers the impression that the matrices are larger than they actually are.

Anyway, at equal resolution (see Number of megapixels), a larger sensor size means a larger size of each individual pixel; accordingly, on large sensors, more light enters each pixel, which means that such sensors have a higher photosensitivity (see Light sensitivity) and a lower noise level, especially when shooting in low light conditions.

Most often in modern cameras there are such options:

1/2.3" and 1/1.7". Small matrices, typical for models without interchangeable lenses — compacts and digital ultrazooms(see "Camera type").

4/3. A kind of "transitional option" between small sensors of compact devices and large, but at the same time expensive "SLR" APS-C. The size of such a matri...x is 18x13.5 mm, which gives a diagonal of 22.5 mm (approximately 4/3 of the "Vidicon" inch described above, hence the name). It is used in SLR and "mirrorless" cameras (see "Camera type"), mainly entry-level, with Four Thirds and Micro Four Thirds mounts, respectively.

— APS-C. The size of matrices of this type can vary from 20.7x13.8 mm to 25.1x16.7 mm, depending on the manufacturer. They are widely used in entry-level and mid-level SLRs, as well as "mirrorless" models.

— APS-H. Somewhat larger than the APS-C described above (the size is 28.1x18.7 mm), otherwise it is almost completely the same.

— Full frame (or APS). The size of such a matrix is equal to the frame size of a classic photographic film — 36x24 mm. It is usually equipped with professional-grade SLR cameras.

— Big frame. This category includes all types of matrices, the size of which exceeds 36x24 mm (full frame). Cameras with similar sensors belong to the so-called medium format class and are, usually, professional models of the premium level. Large matrices allow you to use a resolution of tens of megapixels, while maintaining high clarity and colour quality, however, such devices cost accordingly.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Sensor cleaning

The presence in the camera of a special mechanism for cleaning the matrix from dust and other contaminants.

This function is found only in models with interchangeable lenses — "reflex cameras" and MILC (see "Camera type"). When replacing the lens in such cameras, the sensor turns out to be open, and the probability of its contamination is quite high; and extraneous particles on the matrix, at best, lead to the appearance of extraneous artifacts, at worst, to damage to the sensor. To avoid this, cleaning systems are provided. They usually work on the principle of ultrasound: high-frequency vibration "resets" debris from the surface of the sensor.

Note that no cleaning system is perfect — in particular, such systems are “too tough” for condensate, salt deposits and other similar contaminants. So the matrix may still need manual cleaning (ideally, in a service centre). Nevertheless, this function allows you to effectively deal with at least dust, which greatly simplifies the life of the user.

Mount (bayonet)

The type of bayonet mount — mount for interchangeable lenses — provided in a SLR or MILC camera (see "Camera type"). Bayonets come in different sizes, and interchangeable lens specifications usually indicate which mount it is designed for. Most often, mounts of different types are not compatible with each other, but there are exceptions (sometimes directly, sometimes using adapters).

Also note that one brand can use different mounts for different classes of cameras — and vice versa, one mount can be used by several manufacturers. So, Canon releases cameras with mounts EF-M, EF-S, EF and Canon RF. Leica has Leica M, Leica SL, Leica TL. Nikon has in its arsenal Nikon 1, Nikon F, Nikon Z. Pentax — Pentax 645, Pentax K, Pentax Q. Samsung offers NX and NX-M mounts. Sony cameras have Sony A and Sony E, Fuji has Fujifilm G and Fujifilm X. And as an example of a mount used by different brands, one can cit...e Micro 4/3, which is widespread in Olympus and Panasonic cameras.

Kit lens

A lens supplied with the camera in a serial (kit) configuration. With it, the camera is ready to work literally “out of the box” - everything needed for shooting is already available, and there is no need to buy a lens separately (as is the case with the “naked body” of the body camera). The vast majority of these are optics with a universal set of medium focal lengths and a relatively low variable aperture ratio. Often, kit lenses have rather modest characteristics, and they are intended mainly for novice users, learning the basics of photography and simple everyday shooting. But there are also other options for whale lenses - top camera models can be equipped with fairly advanced optics. It wouldn’t hurt to clarify this point separately. We also note that the same camera can be supplied with different options for complete optics.

Aperture

Aperture of the lens installed in the camera or supplied with it in the kit (for models with detachable optics).

In a simplified way, this parameter can be described as the ability of the lens to transmit light - in other words, how much the light flux weakens when passing through the optics. It is believed that two main indicators affect the characteristics of light transmission: the size of the relative opening of the lens and its focal length. Aperture is the ratio of the first indicator to the second; in this case, the size of the active hole is taken as one and is generally omitted when recording, as a result, such a recording looks, for example, like this: f / 2.0. Accordingly, the larger the number after the fraction sign, the lower the aperture ratio, the less light the lens transmits.

Zoom lenses (zoom lenses), as a rule, have different aperture values for different focal lengths. For such optics, two values of this parameter are indicated in the characteristics, for the minimum and maximum focal lengths, for example, f / 2.8–4.5. There are also vario lenses that maintain a constant aperture over the entire range of focal lengths, but they are much more expensive than analogs with variable aperture.

The high light transmission of the lens is important if the camera is planned to be used for shooting in low light conditions or for shooting fast moving objects: high-aperture optics allow you to shoot at low sensor sensitivity (which...reduces the likelihood of noise) and at low shutter speeds (at which moving objects are less blurry) . This parameter also determines the depth of field of the imaged space: the higher the aperture ratio, the smaller the depth of field. Therefore, for shooting with artistic background blur (“bokeh”), it is recommended to use fast lenses.
Sony A7 III often compared
Fujifilm X-H1 often compared