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Comparison Nikon D7500 body vs Canon EOS 77D kit 18-55

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Nikon D7500  body
Canon EOS 77D  kit 18-55
Nikon D7500 bodyCanon EOS 77D kit 18-55
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Main
You can programmatically increase ISO up to 1640000 (pulled from ISO 51200). New Nikon EXPEED 5 processor.
Dual Pixel CMOS AF technology. Large memory buffer. Additional information display. Second scroll disc. Touch rotary display.
Camera typedigital mirrordigital mirror
DxOMark rating8678
Sensor
Sensor
CMOS (CMOS) /expeed 5 processor/
CMOS (CMOS) /22.5x15 мм/
Sensor size
APS-C (23x15.5 mm) /23.5х15.7/
APS-C (23x15.5 mm) /dIGIC 7 processor/
Total MP21.5126
Effective MP number20.924
Maximum image size5568x3712 px6000x4000 px
Light sensitivity (ISO)
100-51200 /ISO 51200 is only available in M mode, ISO extension up to 1640000 is possible in software/
100-25600 /hardware ISO up to 51200/
Sensor cleaning
RAW format recording
 /14 bit/
Lens
Mount (bayonet)
Nikon F /1.5x crop factor/
Canon EF-S, Canon EF
Kit lens?
Aperturef/3.5 - f/5.6
Focal length18 - 55 mm
Optical zoom3
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Number of scene programs17
Frames per series (JPEG)100 шт
Frames per series (RAW)50 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV increments± 5 EV, in 1/2 or 1/3 EV increments
Auto bracketing
 /± 5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, EV 1, 2 steps EV)/
 /± 3 (3 frames at 1/3 EV, 1/2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 60 fps1920x1080 pix 60 fps
Ultra HD (4K)3840x2160 pix 30 fps
Video scene modes1
File recording formats
MOV, MP4 /h.264/MPEG-4 compression (Audio Linear PCM, AAC)/
MPEG-4, H.264
Manual video focus
Connection ports
mini HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
 
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
 
tracking
in face
Focus points51 шт45 шт
Touch focus
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (mirror)
Viewfinder crop0.94 x0.82 x
Frame coverage100 %95 %
Shutter speed30 - 1/8000 sec30-1/4000 sec
Continuous shooting8 fps6 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''3 ''
Screen resolution922 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
Memory cards types
SD, SDHC, SDXC /+ UHS-I interface/
SD, SDHC, SDXC /UHS-I/
Communications
Wi-Fi
Bluetooth
NFC
smartphone control
Wi-Fi 4 (802.11n)
Bluetooth
NFC
smartphone control
Flash
Built-in flash
Guide number1212
External flash connect
flash X-sync1/250 sec
Power source
Power source
battery
battery
Battery modelEN-EL15a, RU-EL15aLP-E17
Shots per charge950 шт600 шт
General
Charger modelMH-25a
Materialmagnesium alloy
aluminium/plastic /aluminium and polycarbonate polymer with fibreglass/
Protectiondustproof, waterproof
Dimensions (WxHxD)136х104х73 mm131х100х76 mm
Weight640 g745 g
Color
Added to E-Catalogapril 2017february 2017

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Mount (bayonet)

The type of bayonet mount — mount for interchangeable lenses — provided in a SLR or MILC camera (see "Camera type"). Bayonets come in different sizes, and interchangeable lens specifications usually indicate which mount it is designed for. Most often, mounts of different types are not compatible with each other, but there are exceptions (sometimes directly, sometimes using adapters).

Also note that one brand can use different mounts for different classes of cameras — and vice versa, one mount can be used by several manufacturers. So, Canon releases cameras with mounts EF-M, EF-S, EF and Canon RF. Leica has Leica M, Leica SL, Leica TL. Nikon has in its arsenal Nikon 1, Nikon F, Nikon Z. Pentax — Pentax 645, Pentax K, Pentax Q. Samsung offers NX and NX-M mounts. Sony cameras have Sony A and Sony E, Fuji has Fujifilm G and Fujifilm X. And as an example of a mount used by different brands, one can cit...e Micro 4/3, which is widespread in Olympus and Panasonic cameras.

Kit lens

A lens supplied with the camera in a serial (kit) configuration. With it, the camera is ready to work literally “out of the box” - everything needed for shooting is already available, and there is no need to buy a lens separately (as is the case with the “naked body” of the body camera). The vast majority of these are optics with a universal set of medium focal lengths and a relatively low variable aperture ratio. Often, kit lenses have rather modest characteristics, and they are intended mainly for novice users, learning the basics of photography and simple everyday shooting. But there are also other options for whale lenses - top camera models can be equipped with fairly advanced optics. It wouldn’t hurt to clarify this point separately. We also note that the same camera can be supplied with different options for complete optics.

Aperture

Aperture of the lens installed in the camera or supplied with it in the kit (for models with detachable optics).

In a simplified way, this parameter can be described as the ability of the lens to transmit light - in other words, how much the light flux weakens when passing through the optics. It is believed that two main indicators affect the characteristics of light transmission: the size of the relative opening of the lens and its focal length. Aperture is the ratio of the first indicator to the second; in this case, the size of the active hole is taken as one and is generally omitted when recording, as a result, such a recording looks, for example, like this: f / 2.0. Accordingly, the larger the number after the fraction sign, the lower the aperture ratio, the less light the lens transmits.

Zoom lenses (zoom lenses), as a rule, have different aperture values for different focal lengths. For such optics, two values of this parameter are indicated in the characteristics, for the minimum and maximum focal lengths, for example, f / 2.8–4.5. There are also vario lenses that maintain a constant aperture over the entire range of focal lengths, but they are much more expensive than analogs with variable aperture.

The high light transmission of the lens is important if the camera is planned to be used for shooting in low light conditions or for shooting fast moving objects: high-aperture optics allow you to shoot at low sensor sensitivity (which...reduces the likelihood of noise) and at low shutter speeds (at which moving objects are less blurry) . This parameter also determines the depth of field of the imaged space: the higher the aperture ratio, the smaller the depth of field. Therefore, for shooting with artistic background blur (“bokeh”), it is recommended to use fast lenses.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.
Nikon D7500 often compared
Canon EOS 77D often compared