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Comparison Nikon D750 body vs Nikon D610 body

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Nikon D750  body
Nikon D610  body
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Camera typedigital mirrordigital mirror
DxOMark rating9394
Sensor
Sensor
CMOS (CMOS) /expeed 4 processor/
CMOS (CMOS) /expeed 3 processor/
Sensor sizefull framefull frame
Total MP24.93
Effective MP number
24.3 /FX format/
24.3 /FX format/
Maximum image size6016х4016 px6016х4016 px
Light sensitivity (ISO)
100-12800 /in 1/3 or 1/2 increments and software expansion up to 50-25600 ISO/
100-6400 /in 1/3 or 1/2 increments and software expansion up to 50-25600 ISO/
Sensor cleaning
RAW format recording
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
Lens
Mount (bayonet)
Nikon F /1x crop factor/
Nikon F /1x crop factor/
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Number of scene programs619
Frames per series (JPEG)43 шт23 шт
Frames per series (RAW)12 шт13 шт
Frames per series (JPEG RAW)13 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 60 fps
File recording formatsMPEG4, H.264MPEG4, H.264
Manual video focus
Maximum video length
time limit /30 minutes/
memory limit
time limit /30 minutes/
memory limit
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points51 шт39 шт
Front / back adjustment
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.7 x0.7 x
Frame coverage100 %100 %
Shutter speed30 - 1/4000 с30 - 1/4000 с
Continuous shooting6.5 fps6 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''
3.2 '' /viewing angles up to 170 degrees/
Screen resolution1229 thousand pixels921 thousand pixels
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards types
SD, SDHC, SDXC /uHS-I support/
SD, SDHC, SDXC /uHS-I support/
Communications
Wi-Fi 4 (802.11n)
smartphone control
 
 
Flash
Built-in flash
Guide number
12 /at ISO 100/
12 /at ISO 100/
Application range12 m12 m
External flash connect
Power source
Power source
battery
battery
Battery modelEN-EL15EN-EL15, MB-D14, MK-D600
Shots per charge900 шт900 шт
General
Charger modelMH-25
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)141х113х78 mm141х113х82 mm
Weight
750 g /with battery and memory card/
850 g /with battery and memory card/
Color
Added to E-Catalogseptember 2014october 2013

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.

Focus points

The number of focus points (autofocus) provided in the design of the camera.

The focus point is the point (more precisely, a small area) in the frame from which the autofocus system reads data for focusing. The simplest systems work with a single point, but their capabilities are very limited, and this option is practically not found today. Modern digital cameras have at least three focus sensors, and in the most advanced models this figure can reach several dozen.

The more autofocus sensors there are in the camera, the more advanced its autofocus capabilities will be, the more specific techniques it allows you to use. In this case, the selection of specific points used can be carried out both automatically, simultaneously with the choice of the subject program, and manually (however, the second option is more typical for professional cameras). In addition, the abundance of focus points has a positive effect on the quality of the tracking autofocus (see "Autofocus Modes").

In general, more focus sensors are generally considered a sign of a more advanced camera; however, differences in quality become really noticeable only if the difference in the number of points is significant - for example, if we compare models with 9 and 39 points. A lot also depends on the location of the points in the frame - it is believed that sensors distributed over a wide area work better than densely located in the center of the frame, even if their number is the same.

Front / back adjustment

The presence in the design of the camera of the function of adjusting the front / back focus.

"Front / back focus" (or simply "back focus") is the phenomenon when the autofocus system malfunctions and "misses" the desired object — despite the fact that this object was clearly visible in the viewfinder or on the screen. This phenomenon occurs due to a mismatch between the sighting system and the survey system; it can ruin a picture, especially when working with a shallow depth of field. Front / back focus is primarily affected by cameras with interchangeable lenses (see "Camera type"), because lenses (even "native", not to mention third-party products) can initially be poorly configured. Adjusting the front / back allows you to correct the parameters of such optics using the camera itself and do without replacing the lens.
Nikon D750 often compared
Nikon D610 often compared