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Comparison Yamaha PSR-E283 vs Yamaha PSR-E383

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Yamaha PSR-E283
Yamaha PSR-E383
Yamaha PSR-E283Yamaha PSR-E383
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from $199.99 
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Typesynthesizer (rompler)synthesizer (rompler)
Keys
Number of keys6161
Sizefull sizefull size
Mechanicspassivepassive
Rigiditysemi-weightedsemi-weighted
Specs
Polyphony32 voices32 voices
Built-in timbres410 шт650 шт
Auto accompaniment
Accompaniment styles150 шт260 шт
Learning mode
Tempo change11 – 28011 – 280
Metronome
Sequencer (recording)
Built-in compositions
Effects and control
Keyboard split
Reverberation
Chorus
Transposition
Fine tuning
Connectors
Inputs
mini-Jack (3.5 mm)
mini-Jack (3.5 mm)
Connectable pedals1 шт1 шт
Outputs
headphones
headphones
Linear outputs11
General
Built-in acoustics5 W5 W
Number of bands11
Displaymonochromemonochrome
Power consumption6 W5 W
Autonomous power supplyaA batteriesaA batteries
Dimensions (WxHxD)940x104x317 mm941x105x317 mm
Weight4 kg4.4 kg
Color
Added to E-Catalogseptember 2024september 2024
Compare Yamaha PSR-E283 and PSR-E383
Yamaha PSR-E283 often compared
Yamaha PSR-E383 often compared
Glossary

Built-in timbres

The number of built-in sounds provided in the synthesizer.

The number of timbres is often described as the number of instruments that a given model can imitate. However, this is not entirely true — rather, this parameter can be called "the number of instruments and sound effects." For example, the same instrument — an electric guitar — with different "gadgets" (distortion, overdrive) will sound differently, and in the synthesizer each such gadget will be considered a separate timbre. The “drums” timbre usually combines different types of drums and other percussion instruments — in other words, it allows you to portray both the “bass drum” and the cymbals without switching settings, just by pressing the desired keys. And some timbres may not have analogues among real instruments at all.

The more built-in timbres, the more extensive the possibilities of the synthesizer, the more diverse the sounds that can be extracted from it. At the same time, in high-end models like workstations (see "Type"), this number can reach 1000 or even more.

Accompaniment styles

The number of auto accompaniment styles (see above) originally provided in the synthesizer, in other words, the number of accompaniment options available to the user.

The more extensive this set, the higher the probability of finding among these melodies suitable options for a particular case. At the same time, the abundance of styles in itself is not yet a 100% guarantee that among them there will be a suitable one, especially since different synthesizer models can differ markedly in a specific set of melodies. So the list does not hurt to clarify before buying. Also note that the situation can be corrected by user styles (see below) — many synthesizers with auto accompaniment support them.

Power consumption

Rated power consumed by the tool during operation. Modern synthesizers, even the most powerful and advanced ones like workstations (see "Type"), consume very little energy — up to 100 W, and often noticeably less. Therefore, it is rarely necessary to pay attention to this parameter in fact, mainly in rather specific situations — for example, when working from an autonomous generator, when you need to take into account the entire load connected to such a power supply.