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Comparison Creative Pebble X vs Creative Pebble Pro

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Creative Pebble X
Creative Pebble Pro
Creative Pebble XCreative Pebble Pro
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Select connection type: USB-C, 3.5mm or Bluetooth. Power depends on the connected power source (30 W or 60 W), additional USB-C port for charging gadgets.
Select connection type: AUX, USB-C or Bluetooth. Auto-pause playback when voice is detected. Possibility to increase power up to 30 W using an optional power adapter.
Speakerskit 2.0kit 2.0
Lines11
Specs
Signal-to-noise ratio75 dB
Frequency range60 – 20000 Hz80 – 20000 Hz
Speaker output60 W10 W
Front30 W/channel5 W/channel
Passive emitter
Features
Functions
Bluetooth v 5.3
Bluetooth v 5.3
Connection
mini-Jack (3.5 mm)
microphone input
headphone output
mini-Jack (3.5 mm)
microphone input
headphone output
General
USB port powered
Detachable cablepower and sound
Lighting effects
Volume controlfrontfront
Inclined design
Speaker materialplasticplastic
Front speaker size (WxHxD)139x136x132 mm123x123x118 mm
Weight1.2 kg0.78 kg
Color
Added to E-Catalogseptember 2024march 2024
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Glossary

Signal-to-noise ratio

The ratio of the level of the useful signal (actually reproduced sound) to the level of extraneous noise provided by the speaker amplifier in normal mode.

Any amplifier inevitably creates its own noise; You can't get rid of them, but you can reduce their level. The higher the signal-to-noise ratio, the clearer the sound will be, the less noticeable extraneous interference will be. In modern computer speakers, this figure can vary from 52 – 55 dB (the minimum figure so that the noise does not cause much discomfort) to 90 – 95 dB (comparable to fairly advanced Hi-Fi equipment). However, note that the signal-to-noise ratio is far from the only parameter that affects the sound quality, and its high value does not guarantee a pleasant sound from the speakers.

Frequency range

The range of audio frequencies supported by acoustics. The wider this range — the fuller the reproduced sound, the lower the likelihood that some of these details at low or high frequencies will remain “behind the scenes”. At the same time, the human ear is able to hear frequencies of the order of 16 – 22,000 Hz, and with age, this range narrows even more. In modern audio equipment, especially at the top level, there may be more extensive ranges, but from a practical point of view, this does not make much sense. In addition, it is worth noting that a wide frequency range in itself does not guarantee high-quality sound — a lot also depends on the frequency response.

Speaker output

Total speaker power rating — the sum of the power ratings of all components (front, rear, centre, etc.)

Rated usually means the highest average sound power that the speakers can produce without overloading and damage. Individual peaks of sound can significantly exceed this figure, but it is the average value that is key — in particular, it is it that determines the overall loudness of the acoustics. However it should be borne in mind here that in sets with a subwoofer, the latter can account for about half of the total power of the entire system, while the actual volume is determined mainly by the main speakers. In fact, this means that with equal total power, acoustics with a subwoofer can sound noticeably quieter than a model without a subwoofer: for example, a 2.0 system at 20 W will have 10 W per main channel, while in a 2.1 model at 20 W with 10- watt subwoofer on the main speakers will have only 5 watts.

As for specific values, in the quietest modern PC speakers, the power does not exceed 10 watts. An indicator of 10 – 25 W can be called relatively modest, 25 – 50 W — average, and values of 50 – 100 W and above are found mainly in sets with subwoofers, where a significant part of the power falls on the bass speaker (although there are also ordinary stereo speakers with similar features)....

Theoretically, the power of acoustics also affects its compatibility with a specific amplifier: speakers should not be inferior to it in terms of rated power, otherwise sound distortion and even equipment damage are possible. However, computer acoustics in the vast majority of cases are used with their own amplifiers, optimally matched to the speakers installed in the speakers. So this moment becomes relevant only in some very specific cases — for example, when replacing a complete external amplifier (see below) with another one.

Front

The power rating of each individual front speaker provided in the speaker system. This parameter can be specified for a system with any number of speakers (see above) — all sound formats used in computer acoustics provide a pair of front speakers.

In the most general terms, the higher the power, the louder the speaker is capable of sounding. For more information about this parameter, see "Total power" above. Also note here that for stereo systems without a subwoofer, the power of one front channel is half of the total power; in more advanced acoustics, the power ratio between the channels may be different.

Passive emitter

The presence of a passive radiator in the design of the speakers.

Such a radiator is a diffuser (membrane) without a coil, installed in the column body. Outwardly, it looks like an ordinary speaker, but it does not emit sound, but only vibrates under the influence of the sound of other speakers. Due to this, the sound of low frequencies is noticeably improved; at the same time, the passive radiator is more compact than the phase inverter (see above) and is less prone to extraneous noise.

Detachable cable

The presence of detachable cables will save you from possible damage to the device associated with bending the wires. If such an incident occurs, an easy replacement of the wire with a new one allows you to continue using the speakers, and not carry them to a service centre. However, this solution is mainly used in higher-level models, which affects the cost. At the same time, not only audio cables can be removable, for which connectors are provided (according to the classics, this is RCA), but also the power cable.

Lighting effects

The presence of lighting effects in the design of the speakers. Usually, this is a backlight that can work as colour music — that is, blink and change colour to the beat of the music being played. The main and in fact the only purpose of lighting effects is decorative: colour music gives the speakers a bright and attractive appearance. On the other hand, it does not improve the sound, but it affects the cost.