Comparison Philips DVT 6115 vs Philips DVT 4115
Add to comparison | ||
|---|---|---|
| Philips DVT 6115 | Philips DVT 4115 | |
| Compare prices 2 | Compare prices 2 | |
| TOP sellers | ||
| Type | recorder | recorder |
| Built-in memory | 8 GB | 8 GB |
| Memory card slot | ||
| Memory card type | microSD | microSD |
| Max. memory card size | 32 GB | 32 GB |
Recording | ||
| Microphone type | stereo | stereo (A/B) |
| Microphone | built-in/external | built-in |
| External microphone connector | mini-Jack 3.5 mm | |
| Recording format | MP3/WMA | MP3/WAV |
| Max. recording quality (MP3) | 320 kbps | 320 kbps |
| Max. recording quality (WAV) | 24bit/96kHz | 24bit/96kHz |
| Maximum recording time | 2147 h | |
| Frequency range | 50 – 20000 Hz | |
| Features | microphone sensitivity change record quality change voice activation record labels recording timer | microphone sensitivity change record quality change voice activation record labels recording timer |
More features | ||
| Additional features | computer connect smartphone control button lock MP3 player built-in speaker headphone output | computer connect smartphone control button lock MP3 player built-in speaker headphone output |
General | ||
| LCD display | ||
| Display backlight | ||
| Power source | li-Ion battery | li-Ion battery |
| Dimensions (HxWxT) | 129x47x19 mm | 129x47x19 mm |
| Weight | 93 g | 93 g |
| Added to E-Catalog | september 2024 | september 2024 |
Compare Philips DVT 6115 and DVT 4115
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Glossary
Microphone type
The built-in microphone type determines the mode (number of channels) in which the voice recorder records sound.
— Mono. The simplest option: one microphone that records sound in mono format, i.e. without separation into left and right channels. It is impossible to provide a "surround" sound with such a recording, however, in the case of voice recorders, this is not decisive, because. usually in such a recording it is not the volume of the sound that is important, but the intelligibility of speech — and it is fully provided by a monophonic microphone.
— Stereo. In this case, a pair of microphones is usually used, spaced apart on the sides of the case; the sound is recorded in stereo, and the volume of the sound is achieved due to the difference in the sound reaching the left and right microphones. Considered somewhat more advanced than mono, although it does not provide better speech intelligibility by itself.
— Mono. The simplest option: one microphone that records sound in mono format, i.e. without separation into left and right channels. It is impossible to provide a "surround" sound with such a recording, however, in the case of voice recorders, this is not decisive, because. usually in such a recording it is not the volume of the sound that is important, but the intelligibility of speech — and it is fully provided by a monophonic microphone.
— Stereo. In this case, a pair of microphones is usually used, spaced apart on the sides of the case; the sound is recorded in stereo, and the volume of the sound is achieved due to the difference in the sound reaching the left and right microphones. Considered somewhat more advanced than mono, although it does not provide better speech intelligibility by itself.
Microphone
— Built-in. In this case, it is understood that the recorder can only use its own built-in microphone when recording; Connectors for connecting an external microphone are not provided. This reduces the size of the device, simplifies the design and eliminates the confusion with wires. At the same time, built-in microphones usually provide slightly worse recording quality than external ones.
— Built-in / external. Such a voice recorder can record both from its own built-in microphone, and from an external one connected to the appropriate connector. This expands the possibilities of using the device: when compactness and maximum convenience are important, you can use the built-in microphone, and if the high quality of the recorded sound is critical, an external one is connected, which usually provides noticeably better volume and intelligibility. An external microphone is usually not included; on the other hand, it gives you the opportunity to choose a model for specific needs.
— External. Dictaphones without a built-in microphone with the ability to connect an external one. This allows you to choose the right type of device for specific needs and change them as needed. Refers to professional activity.
— Built-in / external. Such a voice recorder can record both from its own built-in microphone, and from an external one connected to the appropriate connector. This expands the possibilities of using the device: when compactness and maximum convenience are important, you can use the built-in microphone, and if the high quality of the recorded sound is critical, an external one is connected, which usually provides noticeably better volume and intelligibility. An external microphone is usually not included; on the other hand, it gives you the opportunity to choose a model for specific needs.
— External. Dictaphones without a built-in microphone with the ability to connect an external one. This allows you to choose the right type of device for specific needs and change them as needed. Refers to professional activity.
External microphone connector
Separate input for connecting an external microphone. See "Connecting an External Microphone" for details.
Recording format
— MP3. The most common digital audio format today, supported by the vast majority of digital audio devices, regardless of size. Provides medium quality compression and medium sound quality. When saved, it compresses information with loss of quality, but these losses are almost imperceptible to the ear, especially when recording speech from a non-specialized microphone.
— WMA. Format developed by Microsoft. It surpasses MP3 in terms of data compression capabilities, providing good quality at a low bitrate and, as a result, a small file size, but is less popular, in particular, due to sensitivity to errors in the file. At the same time, it is very common in digital audio equipment, it can be reproduced on computers without problems (it is a standard audio format of Windows OS).
— WAV. Technically, it is not a format, but a "container" into which you can "pack" sound processed by any codec; however, it is most commonly used to store uncompressed PCM audio. Thus, WAV provides the best sound quality comparable to Audio CD, however, such files, usually, take up much more space than in the above-mentioned formats. It also plays on a computer without any problems.
— Own. Some voice recorder models record audio in their own format, which is different from common standards. Technically, a proprietary format can provide a good r...atio of recording quality to file size, however, listening to such materials often causes inconvenience: you either need to listen to it on the recorder itself, or install a special player or codecs on your computer, or convert it into one of the "generally understood" formats with possible quality loss.
— WMA. Format developed by Microsoft. It surpasses MP3 in terms of data compression capabilities, providing good quality at a low bitrate and, as a result, a small file size, but is less popular, in particular, due to sensitivity to errors in the file. At the same time, it is very common in digital audio equipment, it can be reproduced on computers without problems (it is a standard audio format of Windows OS).
— WAV. Technically, it is not a format, but a "container" into which you can "pack" sound processed by any codec; however, it is most commonly used to store uncompressed PCM audio. Thus, WAV provides the best sound quality comparable to Audio CD, however, such files, usually, take up much more space than in the above-mentioned formats. It also plays on a computer without any problems.
— Own. Some voice recorder models record audio in their own format, which is different from common standards. Technically, a proprietary format can provide a good r...atio of recording quality to file size, however, listening to such materials often causes inconvenience: you either need to listen to it on the recorder itself, or install a special player or codecs on your computer, or convert it into one of the "generally understood" formats with possible quality loss.
Maximum recording time
The maximum continuous recording time for the voice recorder. It depends primarily on the amount of memory (see "Built-in memory", "Memory card slot"), it is also directly related to the recording quality: the higher the quality, the more space the material occupies and the shorter the maximum recording time. In this regard, manufacturers usually indicate in the specifications the maximum possible recording time, that is, the recording time with minimum quality; with higher quality and time will be less.
Frequency range
The range of sound frequencies that the recorder is capable of perceiving and recording. A person is able to hear sound on average from 16 Hz to 20 kHz, but the range of the actual human voice is much narrower — approximately 100-3500 Hz. Therefore, if you plan to use a voice recorder to record speech, these frequencies will be enough. If the purpose of the recorder is not limited to this, you should pay attention to models with a wider range — and in this case, the wider it is, the fuller and richer the recording will be.