Comparison LG OLED65B7V 65 " vs LG OLED65B6V 65 "

TV support 4K upscaling feature.

This feature is only found in models with 4K screens and above (see "Resolution"). It allows to increase the resolution of the original image to 4K (3840x2160), if it is initially lower — for example, to view a movie in 4K that was originally recorded in Full HD (1920x1080). This is not just about “stretching” the image to fill the screen (all TVs are capable of doing this), but about special processing, due to which the actual video resolution is increased. Of course, such video will still be inferior to content originally recorded in 4K; however, upscaling provides a noticeable improvement in quality over the raw signal.

The maximum brightness of the image provided by the TV screen.

The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.

Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.

The highest frame rate supported by the TV.

Note that in this case we are talking specifically about the screen’s own frame rate, without additional image processing (see “Index of dynamic scenes”). This frequency must be no lower than the frame rate in the video being played - otherwise there may be jerks, interference and other unpleasant phenomena that degrade the quality of the picture. In addition, the higher the frame rate, the smoother and smoother the movement in the frame will look, and the better the detail of moving objects will be. However, it is worth noting here that playback speed is often limited by the properties of the content, and not by the characteristics of the screen. For example, films are often recorded at a frequency of only 30 fps, or even 24 - 25 fps, while most modern TVs support frequencies of 50 or 60 Hz. This is enough even for viewing high-quality content in HD resolutions (speeds above 60 fps in such video are extremely rare), but there are also “faster” screens on the market: 100 Hz, 120 Hz and 144 Hz. Such speeds, as a rule, indicate a fairly high class of the screen; they also often imply the use of various technologies designed to improve the quality of dynamic scenes.

TV support for one or another brightness / contrast enhancement technology.

Usually, in this case, software image processing is implied, in such a way as to improve brightness and/or contrast (if necessary). Specific processing methods may be different — in particular, in some cases we are actually talking about turning standard content into HDR (see above), and some manufacturers do not specify technical details at all. The effectiveness of different technologies can also be different, and besides, it is highly dependent on the specific content: in some cases, the improvement will be obvious, in others it may be almost imperceptible. Also note that this feature is not always useful, so in most models it is turned off.

The TV's support of one or the other colour enhancement technology.

Such technologies usually involve image processing in software to provide brighter and/or more accurate colours. Specific processing methods may be different, some manufacturers do not specify technical details at all, limiting themselves to advertising statements. The effect of using such technologies can also vary: in some cases it is clearly visible, in others it is almost absent, depending on the features of the picture. It is also worth saying that this feature, usually, needs to be turned on manually in the TV menu (accordingly, it can be turned off if desired).

The number of speakers installed in the TV.

Theoretically, one speaker is enough to work with sound, but most entry-level and mid-range models (as well as many premium devices) provide two speakers — for stereo operation, which allows to achieve some surround sound effect. And more than two speakers usually means the TV has enhanced audio capabilities such as a subwoofer or soundbar (see below).

The presence of a subwoofer as part of the TV sound system.

A subwoofer is a specialized speaker for bass and ultra-low frequencies. It makes the sound richer in the bass, which is especially useful when watching adventure films with appropriate sound effects (bumps, explosions), as well as concerts. It should noted that the specifications of built-in subwoofers are usually much more limited than those of external ones; so don't expect cinema-like bass from a TV audio system. However, the advantage in bass quality for such TVs (compared to models without a subwoofer) will still be noticeable.

The presence of a soundbar — a sound projector — in the design or the set of the TV.

A soundbar is a large-width (and usually low-height) case that houses multiple speakers. They work in such a way that the user perceives not only direct sound, but also reflected from the walls, floor and ceiling; with the correct sound setting, such reflected sound creates the effect of surround sound. In other words, the soundbar can, to some extent, replace a multi-channel home theater speaker system. It does not provide such a clear surround sound as a full-fledged set of speakers, however, it is noticeably superior in sound quality to traditional stereo speakers. Mainly high-end TVs with a large size and advanced overall functionality are equipped with soundbars.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. Dolby Digital and DTS were the first in multi-channel decoding, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders.

– Dolby Atmos. A decoder that uses not a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X. An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audi...o channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.