Comparison FiiO BTA30 Pro vs iFi Uno

Model of the digital-to-analogue converter installed in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. The name of the DAC model is given mainly for advertising purposes — as an illustration of the fact that high-quality components are used in the device. In addition, knowing the model, you can find detailed information about a particular DAC; although in fact such a need does not arise often, it may still arise in some specific cases.

The number of audio channels supported by the device.

The standard option for modern DACs is classic 2-channel stereo sound. However, in addition to this, there may be other options. Thus, there are multi-channel (up to 32 channels) devices; they are usually referred to as audio interfaces (see "Type") and are intended for mixing multiple sound sources - for example, a microphone and several instruments. The opposite option is single-channel converters; They are used mainly in hi-end audio systems on the “one per channel” principle and are intended for maximum channel separation (which, in turn, allows you to very accurately configure the operating parameters of each channel).

Sample rate of the digital-to-analogue converter used in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. And the sampling rate is initially one of the characteristics of digital sound. In this case, its meaning is as follows: the sampling rate of the DAC must not be lower than the corresponding indicator in the incoming audio signal, otherwise the device will not be able to effectively cope with the conversion.

The bit depth of the digital-to-analogue converter used in the device.

DAC in this case means the “heart” of the device, the main circuit that directly provides the conversion of digital audio to analogue. Bit depth is initially one of the characteristics of a digital audio signal. In this case, its meaning is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion.

The audio frequency range supported by the device. Most often, we are talking about the frequency range that the device can output in an analogue audio signal at the output.

In general, the wider the frequency range — the fuller the sound, the lower the likelihood that the transducer will “cut off” the upper or lower frequencies. However, note that the human ear is able to hear sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it does not make sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices (for example, 1 – 50,000 Hz) are more of a "side effect" of advanced electronic circuits and are given in the characteristics mainly for the purpose of advertising. Also recall that the overall sound quality is affected by many other factors, in addition to the frequency range.

The signal-to-noise ratio provided by the converter.

This parameter describes the ratio of the volume of the pure sound produced by the device to the volume of its own noise (which is inevitably created by any electronic device). Thus, the higher the signal-to-noise ratio, the clearer the sound, the less the DAC's own noise affects the audio signal. Indicators up to 80 dB can be considered acceptable, up to 100 dB — not bad, 100 – 120 dB — good, more than 120 dB — excellent. However, it is worth remembering that the overall sound quality is affected not only by this parameter, but also by many others.

Note that the signal-to-noise ratio is often associated with such a characteristic as the dynamic range (see above). They are similar in general meaning, both describe the difference between an extraneous background and a useful signal. However, the noise level in the calculations is taken differently: for the signal-to-noise ratio, the background of the converter “at idle” is taken into account, and for the dynamic range, the noise that occurs when a low-level signal is output. This is the reason for the difference in numbers.

The dynamic range of a transducer is defined as the ratio between the maximum signal level it is capable of delivering and the level of its own noise when a low amplitude signal is applied. Quite simply, this parameter can be described as the difference between the quietest and loudest sound that the device can produce.

The wider the dynamic range, the more advanced the DAC is considered, the better sound it can produce, all other things being equal. The minimum value for modern devices is about 90 dB, in top models this figure can reach 140 dB.

Also note that this parameter is similar in its meaning to the signal-to-noise ratio, however, these characteristics are measured in different ways; see below for more on this.

The coefficient of harmonic distortion produced by the converter during operation.

The lower this indicator, the clearer the sound produced by the device is, the less distortion is introduced into the audio signal. It is impossible to completely avoid such distortions, but it is possible to reduce them to a level that is not perceived by a person. It is believed that the human ear does not hear harmonics, the level of which is 0.5% and below. However, in high-end audio applications, distortion rates can be much lower — 0.005%, 0.001% or even less. This makes quite a practical sense: the distortions from the individual components of the system are summed up, and the lower the harmonic coefficient of each component, the less distortion there will be in the audible sound as a result.

Support of the Bluetooth wireless technology by the device. The main application of this technology in the DAC is wireless transmission of sound from an external Bluetooth device (smartphone, laptop, etc.) to the converter. Initially, such transmission was associated with a loss of sound quality, but relatively recently the aptX format appeared, allowing audio to be transmitted via Bluetooth without loss in quality. So when choosing a converter with Bluetooth, it would be a good idea to clarify whether it supports aptX (and, of course, this standard must also be supported by the signal source).
In addition to audio transmission, there are other possible uses for Bluetooth, such as using an external gadget as a remote control. However, they are much less common.