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Comparison Arturia KeyLab Essential 61 MkIII vs Arturia KeyLab 61 MkII

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Arturia KeyLab Essential 61 MkIII
Arturia KeyLab 61 MkII
Arturia KeyLab Essential 61 MkIIIArturia KeyLab 61 MkII
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Keys61 шт61 шт
Key sizefull sizefull size
Mechanicsactive (dynamic)active (dynamic)
Rigiditysemi-weightedsemi-weighted
Aftertouch
Control
Pitch controller
Modulation controller
Transposition
Octave shift
Keyboard split
Arpeggiator
Transport control
Pads816
Faders99
Regulators (encoders)99
Connections
MIDI in
MIDI out
USB to host (type B)
Connectable pedals1 шт5 шт
General
Programming function
Displaymonochromemonochrome
Dimensions (WxHxD)890x70x240 mm875x53x297 mm
Weight3.1 kg
Color
Added to E-Catalogseptember 2023december 2018
Glossary

Arpeggiator

The presence of an arpeggiator in the keyboard.

The name of this function comes from "arpeggio" — a technique for playing chords, in which notes are not played all at once, but in turn. Accordingly, the arpeggiator is a function that allows you to play a taken chord in the arpeggio technique: the musician presses all the keys at once, and the keyboard plays them in turn. This effect can also be achieved manually, but in some cases the arpeggiator turns out to be more convenient: it plays notes at a clearly defined speed and interval, can accompany them with various effects, and provides other additional features. These features vary depending on the model, but some instruments allow you to create entire songs with the arpeggiator by simply pressing a sequence of chords.

Pads

The number of pads provided in the design of the keyboard.

Pads are auxiliary controls in the form of characteristic pads, usually square. The pads respond to touch, each of them can be tied to a specific sound or even a sequence of sounds. One of the most popular ways to use pads is to play drums or other rhythmic instruments.

MIDI in

Input for receiving MIDI signals from an external device such as an optional keyboard or other controller, sequencer, etc. For MIDI signals, see “MIDI Out”; here we note that such signals received at the MIDI In input can be mixed with signals from the keyboard and output via MIDI Out or another interface of a similar purpose, or they can be sent unchanged to the MIDI Thru output. It is worth looking for a device with this input if you plan to build a complex from several MIDI signal sources and intend to use the keyboard as an intermediate link in such a system.

Connectable pedals

The maximum number of pedals that can be connected to the keyboard at the same time.

Pedals are used as additional controls to change various keyboard settings. The “classic of the genre” in this sense is the sustain pedal (see “Sustain”) — if the device has one connector for pedals, then this will almost certainly be the input for just such a pedal. Keyboards are produced, where there are 2 or more such inputs — in addition to sustain, you can connect pedals to them for other adjustments and effects (in particular, changing the volume).
Arturia KeyLab Essential 61 MkIII often compared
Arturia KeyLab 61 MkII often compared