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Comparison Teac TN-280BT vs Teac TN-180BT

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Teac TN-280BT
Teac TN-180BT
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It is possible to connect acoustics using line outputs.
It is possible to connect acoustics using line outputs.
Pickup
TypeMMMM
Output level2.4 mV2.4 mV
Tonearm
Typeradialradial
Shapestraightstraight
Materialaluminiumaluminium
Tonearm effective length223 mm200 mm
Tonearm weight5 g5 g
Design
Drive unitbeltbelt
Speed controlmechanical (manual)mechanical (manual)
Cover
External power supply
Phono stageswitchableswitchable
Features
Features
anti-skating
auto-stop
speed 78 rpm
Connection
Bluetooth
Bluetooth
Specs
Frequency range20 – 20000 Hz20 – 20000 Hz
Signal to noise ratio67 dB64 dB
Speed deviation2 %2 %
General
Power consumption2 W2 W
Base materialMDF/FibreboardMDF/Fibreboard
Platter materialaluminiumplastic
Platter size300 mm300 mm
Dimensions (WxDxH)420х356х117 mm420х356x105 mm
Turntable weight4.9 kg4.9 kg
Color
Added to E-Catalogfebruary 2019february 2019
Glossary

Tonearm effective length

The effective length of a tonearm in set is the distance from the attachment point (axis of rotation) to the stylus.

This indicator is important primarily for rotary tonearms: the longer the length, the lower the angular error, the smaller the discrepancy between the direction of movement of the track and the longitudinal axis of the pickup (for more details, see “Type”) and the lower the level of corresponding distortion. In addition, a longer length reduces the resonant frequency and reduces the likelihood of distortion. On the other hand, a longer tonearm turns out to be heavier, which requires certain technical tricks and can also negatively affect the purity of the sound. Therefore, a large length is not always a guarantee of high quality – you should also pay attention to weight (see below).

Features

Tempo adjustment. The presence in the player of an electronic module that allows you to change the tone of the sound being played, in other words, to make it higher or lower by a certain interval, in other words, change the playback speed. This feature is also known as a "pitch controller". It is relevant primarily for DJ "turntables", as it allows you to mix tracks recorded in different keys. Some home players also have a tempo control, but its capabilities are much more modest, and a real need for such a function rarely arises.

Adjustable counterweight. The ability to adjust the position of the counterweight mounted on the opposite end of the tonearm from the cartridge. This allows you to change the balance of the tonearm by adjusting the downforce (see above); the presence of an adjustable counterweight is highly desirable if you plan to use "non-native" pickups with the player.

Anti -skating. The presence of an anti-skating system in the design of the tonearm. The peculiarities of the work of the vinyl player are such that during playback there is an additional force that presses the needle against the inside of the groove. This results in an imbalance in the sound of the stereo channels and uneven groove wear. To compensate for this phenomenon, anti-skating is used — a system that “pulls” the tonearm in the opposite direction, towards the ou...ter edge of the record. Anti-skating may be based on counterweights, springs, magnets, or other devices, but anyway, this function is considered highly desirable for modern turntables. However, it is not available everywhere: for example, in low-cost models, anti-skating may not be provided to reduce the cost, and in top-end devices it may be present, but not indicated in the specifications.

Reverse playback. The reverse function allows you to play the record in reverse, playing the sound backwards. This feature is unlikely to be needed by audiophiles, but it is very much appreciated by DJs, as it expands the arsenal of available sound effects. Usually, direct drive is required for reverse (see above), although there are exceptions.

Hitchhiking. A system that automatically stops the disc and raises the arm when the record has finished playing. Due to this, additional wear of the needle due to movement along the plate "idle" is prevented. However, in some situations (for example, when playing several records in a row), hitchhiking is inconvenient, so it can be turned off.

Autoplay. The presence in the player of automatic playback. In such models, the user does not need to manually move the tonearm. In fact, it is enough to install the record, press the button — and the disc will start to rotate, the tonearm will lower itself to the desired position, and after the end of playback, the record will stop, the tonearm will rise (due to hitchhiking, see above) and return to its original position. Such systems make the player as convenient as possible, but they significantly affect its cost, and also (like any additional electronics) are a potential source of interference.

Built-in acoustics. The presence in the player of its own speaker system, consisting of speakers and a power amplifier. This equipment allows you to listen to records without the use of external equipment; in fact, models with acoustics are stand-alone music centers, except that they work not on cassettes / discs / flash drives, but on vinyl discs. At the same time, the characteristics of the built-in amplifiers and loudspeakers are generally noticeably more modest than those of external ones, and additional electronics in the player's case can distort the signal. Therefore, it makes sense to purchase models with built-in acoustics if purity and high sound quality are not critical — for example, for listening to old records.

Speed 78 rpm. The ability to operate the player at a speed of 78 revolutions per minute. To date, such records are almost never produced, but they were very popular until the 60s of the XX century. Therefore, to listen to vintage audio recordings, you will need a turntable with support for this speed. Note that 78 rpm operation may require additional equipment (such as a belt pulley or a special pickup).

Write to media. The ability to connect an external media to the player and record the reproduced sound on it in digital form. Usually, we are talking about USB-drives (such as flash drives); accordingly, a USB Type A port is provided for their connection. However, other types of media, such as memory cards, may be supported. Recording directly to media is faster than digitizing via a computer (see "USB port (type B)" above), but the sound is recorded "as is" in this case, without the possibility of quality enhancement and noise filtering.

Installation of the second tonearm. Possibility of installing an additional tonearm on the player, which can differ markedly from the main one both in its own features and in the characteristics of the pickup. This possibility is justified if the player is planned to be used in different modes that cannot be covered by a single pickup. For example, you can install an inexpensive pickup on the second tonearm, which is not a pity to “kill” on old worn records, or a 78 rpm cartridge for vintage recordings. Note that in some models there may be more than one additional tonearms.

Pendulum alignment. Automatic turntable leveling system based on a pendulum (suspension). This feature is found exclusively in premium class models, designed for the highest mechanical precision. In such models, the player itself is installed on a special stand on the floor, and a massive (several tens of kilograms) pendulum is suspended from its lower part. While the pendulum hangs strictly vertically, the player's disc is in a strictly horizontal position; and due to the large mass, the suspension practically does not deviate from the vertical with small vibrations of the floor (for example, from people walking nearby). This feature is designed primarily for sophisticated audiophiles who want to get the most accurate and reliable sound.

Signal to noise ratio

The ratio between the useful signal and extraneous noise at the output of the player. It is also colloquially called "electrical noise" (although this is not entirely true).

The higher this indicator, the quieter the noise (it is impossible to completely eliminate them), the clearer the signal will be. In the case of turntables, the signal-to-noise ratio is considered to be at least 50 dB; and in the most high-end devices it can exceed 90 dB.

Note that this paragraph may additionally indicate the value of mechanical noise. Despite the similarity in name, this is a completely different indicator — it describes the volume of extraneous sounds produced by the motor, drive and other moving parts of the "turntable". Accordingly, for mechanical noise, the lower the decibels, the better. You can estimate its approximate level using special comparative tables.

Platter material

The material from which the turntable's platter is made is a rotating rim on which the record is placed. The general requirements for such disks are, firstly, a minimal tendency to extraneous vibrations (to avoid interference), and secondly, massiveness (to ensure a constant speed even with minor flaws in the operation of the motor). Manufacturers select materials for support disks based on this. Specific options could be:

- Aluminum. Durable, massive and at the same time very solid-looking material, it is one of the most popular among modern “turntables” of all price categories.

- Plastic. Plastic in general is inferior to metal in terms of weight and vibration resistance, however, these disadvantages are not critical, and some varieties of this material are completely devoid of them. At the same time, the cost of plastic discs is relatively low. They are found in both inexpensive and quite advanced players.

Acrylic. A somewhat more advanced material than plastic, due to which it is more common in mid- and high-class players.

- MDF. It is also known as fibreboard - fibreboard. MDF is somewhat lighter than metal, but is characterized by excellent resistance to extraneous vibrations, and in some models it is also used for aesthetic reasons - in conjunction with a body made of the same material...(see “Base material”).

- Glass. Glass discs are massive and resist unnecessary vibrations well; moreover, they can be completely transparent and give the “turntable” an original appearance. At the same time, they are fragile and expensive, despite the fact that glass does not have any special advantages over other popular materials. Therefore, this option was not particularly widespread.

Ceramics. Another rather exotic material, used not so much for practical reasons, but for design and marketing purposes. The specific composition of the ceramics may vary, but all such discs are distinguished, on the one hand, by their massiveness and vibration resistance, and on the other, by their high cost and fragility.

It is worth considering that discs made of the same material can differ markedly in quality - in addition to composition, the properties of the disc are determined by its weight, see below. In general, manufacturers, as a rule, select an option that corresponds to the price category of the player.

We also note that, in addition to solid discs, “sandwiches” are produced, made up of layers of different materials. For such cases, the characteristics indicate the main material of the rim.
Teac TN-280BT often compared
Teac TN-180BT often compared