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Comparison BenQ TK710 vs Optoma HZ40HDR

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BenQ TK710
Optoma HZ40HDR
BenQ TK710Optoma HZ40HDR
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Game Mode.
Main functiongaminggaming
Lamp and image
Lamp typeLaser-LEDLaser-LED
Service life20000 h30000 h
Service life (energy-saving)20000 h
Brightness ANSI Lumens3200 lm4000 lm
Dynamic contrast600 000:12 000 000:1
Colour rendering1.07 billion colours1.07 billion colours
Color gamut (sRGB, Rec.709)95 %
Horizontal frequency15 – 140 kHz
Frame rate24 – 120 Hz
Projection system
TechnologyDLPDLP
Real resolution3840x2160 px1920x1080 px
Max. video resolution1920x1080 px
Image format support16:916:9, 16:10, 4:3
HDR support
Colour enhancement
Projecting
Rear projection
Throw distance, min2.5 m0.8 m
Throw distance, max5 m10 m
Image size100 – 150 "20 – 300 "
Throw ratio1.15:1 – 1.5:11.48:1 – 1.62:1
Projection shift (offset)105 %116 %
Optical zoom1.3 x1.1 x
Zoom and focusmanualmanual
Auto keystone correction
Lens shift
Keystone correction (vert), ±30 °30 °
Keystone correction (horizontal), ±30 °30 °
Features
Features
 
3D support
Wi-FiWi-Fi ready
Hardware
USB 2.011
Number of speakers11
Sound power5 W15 W
HDMI inputs22
HDMI versionv 2.0v 2.0
Audio connectors
3.5 mm output (mini-Jack)
3.5 mm output (mini-Jack)
Service connectors
COM port (RS-232)
COM port (RS-232)
General
Noise level (nominal)31 dB34 dB
Noise level (energy-saving / quiet)28 dB27 dB
Power sourcemainsmains
Power consumption275 W139 W
Size (HxWxD)112x304x233 mm114x274x216 mm
Weight3 kg3 kg
Color
Added to E-Catalognovember 2024september 2023
Brief conclusions of the comparison projectors

BenQ TK710 and Optoma HZ40HDR projectors are both designed for gaming but have different features that may influence your choice. The BenQ TK710 offers 4K resolution (3840x2160 pixels) and a brightness of 3200 ANSI lumens, providing excellent image quality and color reproduction with 95% sRGB coverage. Meanwhile, the Optoma HZ40HDR has a higher brightness of 4000 ANSI lumens and a dynamic contrast ratio of 2,000,000:1, which can be useful in bright rooms. The lamp life for BenQ is 20,000 hours, while Optoma offers 30,000 hours, making it more durable. Both projectors support HDR, but BenQ has a wider projection distance range (2.5 – 5 m compared to Optoma's 0.8 – 10 m), offering more flexibility in installation. In terms of sound, Optoma offers a 15W speaker power, which is significantly higher than BenQ's 5W. Overall, the choice between them depends on preferences in resolution, brightness, and audio features.

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Glossary

Service life

Minimum projector lamp life as stated by the manufacturer. Specified by the total time of continuous operation. Note that if the projector was operated without violations, then upon reaching this time, the lamp will not necessarily fail — on the contrary, it can work for quite a long time. However, when evaluating durability, it is best to focus on the claimed service life.

Service life (energy-saving)

When working in economy mode, the brightness of the backlight is noticeably reduced, on average by 30-50%. With a decrease in brightness, heat dissipation also decreases, which saves the working life of the illuminator, thereby increasing the lamp life. Thus, the ECO mode allows you to extend the lamp life by an average of 30%. If the typical projector lamp life is 4000 hours, regular use of the ECO mode will extend the backlight life to approximately 5500 hours.

Brightness ANSI Lumens

This parameter largely determines the ability of the projector to work in a well-lit room. For a dark room, 1000 lumens is enough to make the projection picture bright, rich, clear and understandable. But when working in a lit room, the projector will need at least 3500-4000 lumens. Do not confuse ANSI lumens with Peak lumens. These are two different brightness standards. To convert one type of brightness to another, you need to multiply Peak lumens by 10-12. The result will be an approximate value of ANSI Lumens.

However, experts do not recommend chasing high ANSI lumen brightness values. There are many professional projectors with brightness up to 3500 lm. The lower the brightness, the lower the power consumption, and at the same time, the life of the illuminator increases. Of course, if the projector will be installed in a work office or classroom where good lighting is required, it is recommended to purchase a model with ANSI Lumens brightness of 4000 lumens and more.

Dynamic contrast

The dynamic image contrast provided by the projector.

Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.

By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.

Color gamut (sRGB, Rec.709)

Any color gamut is indicated as a percentage, but not relative to the entire variety of visible colors, rather relative to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. Nevertheless, the larger the color gamut, the broader the capabilities of the projector, and the better its color reproduction quality.

Nowadays, sRGB is essentially the standard color model adopted for computer technology; for television, a similar standard in terms of parameters, Rec. 709, is used. These models are identical in terms of color range, and the percentage of coverage for them is the same. As of today, values below 90% sRGB are characteristic only for the most budget-friendly devices.

Horizontal frequency

Horizontal frequency supported by the projector.

This parameter is relevant when working with analogue video signal. In such a video, the image is formed line by line: each pixel in the line is highlighted in turn, then the next line is highlighted, and so on. The horizontal frequency describes how many times per second the backlight beam runs from edge to edge of the screen. For normal playback, the projector must support the same refresh rate as the input signal was recorded. However, most models support a fairly wide range of frequencies, and there are no problems with support. Also note that if you are not a professional, then when choosing a projector, it is quite possible to focus on the frame rate (see below) — this parameter is simpler and more intuitive, and support for a certain frame rate automatically means support for the corresponding line rate.

Frame rate

Frame rate, simply put, is the frame rate supported by the projector.

For normal playback, it is highly desirable that the frame rate of the projector match the original frame rate of the video signal. However, most modern models do not support a specific frame rate, but a whole range of frequencies, and quite an extensive one at that.

Note that for viewing most video materials, the range from 24 to 60 fps is quite enough. The exception is 3D content, which may require double the frame rate, up to 120Hz (see " 3D Support " for details).

Real resolution

The native resolution of the image produced by the projector matrix.

The minimum for modern projectors is actually the VGA standard, which assumes a resolution of 800x600 or close to it. The most limited of modern high-definition standards is HD (720); the classic size of such a frame is 1280x720, but projectors also have other options (up to 1920x720). A more advanced HD format is Full HD (1080), which also has several variations (the most popular is 1920x1080). And among high-end projectors there are models of Quad HD, Ultra HD (4K) and even Ultra HD (8K) standards.

In general, the higher the resolution, the clearer and more detailed image the projector can produce. On the other hand, this indicator directly affects the cost, and all the benefits of high resolution can only be appreciated if the reproduced content also corresponds to it. Note that modern projectors can work with higher resolutions than the “native” ones – for more details, see “Maximum video resolution”.

Max. video resolution

The actual maximum frame resolution that the projector is capable of processing and displaying.

Many models allow project images at a higher resolution than the actual resolution of the projector matrix (see above). For example, a 1920x1080 video can be displayed on a device with a frame size of 1024x768. However, the quality of such an image will be noticeably lower than on a projector, which initially has a resolution of 1920x1080.

The maximum resolution is closely related to both the overall picture quality and the size of the projection screen. The higher the resolution, the sharper the image details become. Of course, the screen size itself should be taken into account. The fact is that on a 40-50″ projection surface there will not be much difference between the Quad HD and 4K formats. A high-resolution picture will be able to show itself on a truly large screen.
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