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Comparison Wanbo DaVinci 1 Pro vs Wanbo Mozart 1 Pro

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Wanbo DaVinci 1 Pro
Wanbo Mozart 1 Pro
Wanbo DaVinci 1 ProWanbo Mozart 1 Pro
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Main functionhomehome
Operating systemAndroid TV 11.0Android TV 11.0
Lamp and image
Lamp typeLED
Service life20000 h20000 h
Service life (energy-saving)30000 h
Brightness ANSI Lumens600 lm900 lm
Static contrast2 500:13 000:1
Colour rendering1.07 billion colours
Projection system
TechnologyLCDLCD
Real resolution1920x1080 px1920x1080 px
Max. video resolution3840x2160 px3840x2160 px
Image format support16:9, 4:316:9, 4:3
HDR support
Colour enhancement
Projecting
Rear projection
Throw distance, min1.2 m1.5 m
Throw distance, max5 m4 m
Image size39.5 – 180 "55 – 118 "
Throw ratio1.33:11.20:1
Autofocus
Auto keystone correction
Keystone correction (vert), ±40 °
Keystone correction (horizontal), ±40 °
Features
Features
voice assistant
 
Bluetoothv 5.0v 5.0
Wi-FiWi-Fi 5 (802.11ac)Wi-Fi 5 (802.11ac)
AirPlay+
Chromecast
Miracast
Hardware
RAM2 GB
Built-in memory16 GB
USB 2.022
Number of speakers22
Sound power16 W16 W
HDMI inputs11
HDMI versionv 1.4
Audio connectors
3.5 mm output (mini-Jack)
3.5 mm output (mini-Jack)
General
Noise level (nominal)35 dB
Power sourcemains
Power consumption145 W
Size (HxWxD)175x222x196 mm223х176х209 mm
Weight2.8 kg3.5 kg
Color
Added to E-Catalogjuly 2024march 2024
Brief conclusions of the comparison projectors

Wanbo DaVinci 1 Pro and Wanbo Mozart 1 Pro projectors are both designed for home theater use and operate on Android TV 11.0. However, there are noticeable differences between them. The DaVinci 1 Pro offers 600 ANSI lumens of brightness and a contrast ratio of 2500:1, whereas the Mozart 1 Pro surpasses it with 900 ANSI lumens of brightness and a contrast ratio of 3000:1, resulting in a brighter and clearer picture. Additionally, the Mozart supports HDR and color enhancement, which also positively impact image quality. In terms of projection, the DaVinci has a maximum diagonal of 180 inches, while the Mozart is limited to 118 inches. Both projectors have similar features, such as autofocus and Bluetooth, but the Mozart also supports AirPlay and Miracast. Overall, if brightness and image quality are important to you, consider the Wanbo Mozart 1 Pro, whereas the DaVinci 1 Pro might be a good choice for larger projections.

Glossary

Lamp type

— HD (High-intensity discharge). General name for gas discharge lamps, i.e. lamps in which the light flow is created by an electrical discharge between the electrodes inside the bulb. In the case of projectors, such lamps can be mercury, metal-halide, and xenon (see above for more details).

LED. LEDs are used as a light source. They provide high brightness with low power consumption.

Laser-LED. Light source based on laser LEDs. It has even greater brightness than classic LED, with relatively low power consumption.

— UHP (Ultra-high performance) — a high-pressure mercury lamp, developed by Philips. Compared to other lamps, it consumes less power, while not inferior in brightness. Projectors on such lamps are smaller and lighter than conventional ones due to a smaller power supply, the cooler operates with a lower noise level. The creators claimed a service life of up to 10,000 hours. One of the most popular types of lamps for projectors today

– UHE (Ultra-High Energy). Variety of UHP lamps (see above).

— UHB (Ultra-high brightness). Another kind of UHP lamps (see above).

— NSH (New Super High Pressure). Also applies to high pressure mercury lamps manufactured by Ushio. Somewhat less popular than UHP and its peers, but also widespread. Estimated operating time is about...2000 hours.

— SHP. High pressure mercury lamps manufactured by Phoenix.

— P-VIP (Video Projector) — a high-pressure mercury lamp from OSRAM. High brightness lamps, service life — 4000 — 6000 hours.

—UHM (Ultra High Performance Lamp of Matsushita) is a high pressure mercury lamp manufactured by Panasonic. Сan be easily changed, operating time, depending on type — 2000 — 5000 hours.

— Xenon. The design and principle of operation of such lamps are similar to high-pressure mercury lamps — light is created due to a discharge in a gaseous medium. However, instead of mercury vapor, in this case, an inert xenon gas under high pressure is used. This allows to create high power lamps (from 2 kW) with the appropriate light flow. Xenon lamps are used primarily in professional models.

— HPM. High-pressure mercury lamp technology developed by Sony and used primarily in its projectors (although other brands are also available). Combines compact size and relatively low cost with high brightness.

— DC. Abbreviation for "direct current". In the case of projector lamps, this designation usually refers to mercury lamps powered by direct current. The operating voltage of such lamps in different models of projectors may be different. Their design usually uses various tricks to improve performance compared to conventional lamps of this type — in particular, increase service life and reduce power consumption without sacrificing brightness.

— AC. This abbreviation stands for "alternating current". Such lamps are similar in almost everything to the DC ones described above, differing from them only in the type of power supply.

Service life (energy-saving)

When working in economy mode, the brightness of the backlight is noticeably reduced, on average by 30-50%. With a decrease in brightness, heat dissipation also decreases, which saves the working life of the illuminator, thereby increasing the lamp life. Thus, the ECO mode allows you to extend the lamp life by an average of 30%. If the typical projector lamp life is 4000 hours, regular use of the ECO mode will extend the backlight life to approximately 5500 hours.

Brightness ANSI Lumens

This parameter largely determines the ability of the projector to work in a well-lit room. For a dark room, 1000 lumens is enough to make the projection picture bright, rich, clear and understandable. But when working in a lit room, the projector will need at least 3500-4000 lumens. Do not confuse ANSI lumens with Peak lumens. These are two different brightness standards. To convert one type of brightness to another, you need to multiply Peak lumens by 10-12. The result will be an approximate value of ANSI Lumens.

However, experts do not recommend chasing high ANSI lumen brightness values. There are many professional projectors with brightness up to 3500 lm. The lower the brightness, the lower the power consumption, and at the same time, the life of the illuminator increases. Of course, if the projector will be installed in a work office or classroom where good lighting is required, it is recommended to purchase a model with ANSI Lumens brightness of 4000 lumens and more.

Static contrast

The static contrast of the image provided by the projector.

Static contrast refers to the maximum difference between the brightest white light and the darkest black that a projector can provide within a single frame. Unlike dynamic contrast (see below), this parameter describes not conditional, but quite real capabilities of the device, achievable without the use of any additional tricks like auto-brightness. And since the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas.

Colour rendering

The number of individual colour shades that the projector is capable of displaying.

The minimum indicator for modern projection technology is actually 16 million colours (more precisely, 16.7 million is a standard number associated with the features of digital image processing). In the most advanced models, this value can exceed 1 billion. However, two nuances should be taken into account here: firstly, the human eye is able to recognize only about 10 million colour shades, and secondly, not a single modern image output device (projectors, monitors, etc.) cannot cover the entire spectrum of colours visible to the human eye. Therefore, impressive colour performance is more of a marketing ploy than a real indicator of image quality, and in fact it makes sense to pay attention to other characteristics — primarily brightness and contrast (see above), as well as specific data like a colour gamut chart.

HDR support

The projector supports HDR technology — high dynamic range.

This technology allows to expand the range of brightness displayed within a single frame — in other words, to display both very bright and very dark colours on the screen at the same time. Due to this, colour reproduction is noticeably improved; in addition, in very bright or very dark areas of the frame, small details remain visible that would not be visible in a normal image. At the same time, it is worth noting that all the benefits of HDR become noticeable only on a high-end screen with maximum dimming. In addition, this function significantly affects the cost of the projector, and the content must initially be recorded in HDR — and using exactly the technology that the projector supports (this point can be clarified in the instructions). Because of this HDR support is found predominantly among high-end home theater models (see "Main purpose").

Colour enhancement

The projector supports a particular colour enhancement technology.

Such technologies usually involve software image processing to provide brighter and/or more accurate colours. Specific processing methods may be different, some manufacturers do not specify technical details at all, limiting themselves to advertising statements. The effect of using such technologies can also vary: in some cases it is clearly visible, in others it is almost absent, depending on the features of the picture.

Rear projection

The ability of the projector to operate in the rear projection mode (“mirroring” the image).

There are two main types of rear projection. Most often, horizontal mirroring is found in projectors — it is used when installing the device behind a translucent screen. Vertical inversion, in turn, is used in projectors with fixed keystone correction — due to their design, when mounted under the ceiling, such devices must be turned upside down, which requires the corresponding correction of the displayed image.

Throw distance, min

The closest distance to the screen that the projector can be used on. Typically, this is the minimum distance at which the image from the projector remains in focus.

This parameter is especially important if the device is to be placed at a small distance from the screen (for example, in a cramped room). Some modern projectors are able to work normally at a distance of 10 – 20 cm. Also note that the throw distances are determined primarily by the lens, and if the initial range of these distances does not suit you, perhaps the situation can be solved by replacing the optics.
Wanbo DaVinci 1 Pro often compared
Wanbo Mozart 1 Pro often compared